Teacher And Pupils Using Wooden Shapes In Montessori School

PRE-K UPDATE

April 10, 2024

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April 11 is National Pet Day! There are never too many reasons to show your pet appreciation, so help children show their beloved companions just how special they are on this fun day.

How to supervise child-directed

art exploration

Art

It’s difficult to supervise children in a way that is non-judgmental, especially when it comes to artwork. It means not making a big deal over what children have created, while providing positive conditions under which they can work and stay involved in the experience. As educators, we’re conditioned to tell young children that their work is “beautiful” or “fantastic.” According to an article in Edutopia by Annet Weterings and Sabine Plamper, children who hear these comments become dependent on your opinion. The goal for educators should be to help children follow their interests while doing research and working to make discoveries.


The authors suggest being mindful of disturbing concentration. This allows for extended interaction between students as well. They warn to stay away from asking, “What are you making?” Children will let you know what they are making at their own pace. They shouldn’t stop to answer questions in the middle of their processes. Try not to compare the children’s work with that of their peers. Additionally, you shouldn’t direct by saying what you think the project should be or defining the intention. As tempting as it might be, educators shouldn’t interfere with a child’s work by drawing on it or sticking clay on it somewhere; they should also avoid giving pointers. “Children are in charge of their own work!”


Weterings and Plamper suggest that it’s useful to know how and when to ask questions. They say a valid question is: “Would you like to tell me something about it?” Children may choose not to explain what they are doing. Instead, educators can offer help with a question like: “Do you need anything else?” Consider offering a challenge or the opportunity to solve a problem: “How would it be if you…?” or “What could you use to make that?”


Educators can affirm what children are doing: “Boy, you’re working really hard.” You might also draw attention to the materials being used, while asking how they feel and what they look like. “Stay close to a child if they are having difficulty-do not underestimate the support your presence can provide,” say the authors. “A child will feel seen and acknowledged.


Frustrated children can be supported emotionally. Try not to demonstrate artistic techniques for them, and encourage them to visualize their thoughts creatively. You shouldn’t show them how to draw things, as it “can provoke an unequal relationship with the child.” Encourage children to help one another. Educators should stand beside children as they work. “We create an atmosphere of equivalence by sharing their curiosity,” say the authors. “This kind of process only works if the adult steps back from imposing their image of the world on children in advance.” Work with students to help them engage in dialogue with one another instead.


Click here to learn more about child-directed art exploration in Pre-K. 

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Children’s books featuring poignant lessons

Young Children’s Isabel Baker and Miriam Baker Schiffer offer a number of titles that struck them as memorable due to important themes and poignant lessons that speak to children and adults alike. Additionally, all of these titles can be utilized in a number of ways in the classroom. Here are a few of their choices:


  • I Like This, You Like That, by Linda Ashman. Opposites attract in this book about friendship. Two children converse about how they are incredibly different, but enjoy each other’s company nonetheless. “This book provides lovely examples of the pleasures of being and enjoying a good friend,” say the authors.


  • John’s Turn, by Mac Barnett. Every week a student at school gets to perform a special talent. This week, John decides he is going to do something new: dance ballet. “Barnett captures the tension between wanting to share who you are with the world and worrying about taking a new risk.” This is a great social and emotional story.


  • Big Truck, Little Island, by Chris Van Dusen. A big truck gets stuck trying to deliver its load. The truck blocks traffic, so the residents of the area must find a solution to help. The story features a powerful lesson about the importance of community.


  • Brown: The Many Shades of Love, by Nancy Johnson James. A young boy narrates this ode to the many shades of brown skin in his family. A book of poetry, Brown combines sight, smell, touch, and taste to describe the color. “This is an appealing way to facilitate conversations about skin color,” say the authors, while they also point out that it can be a good idea for art lessons about the various shades of brown and tan. 
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