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Split This Rock cultivates, teaches, and celebrates poetry that bears witness 
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Top26 August 2016

 
Poem of the Week is " I Don't Know Any Longer Why The Flags Are At Half-Staff" by Hanif Willis-Abdurraqib

Have you submitted your socially engaged poems to Split This Rock's 10th Annual Poetry Contest ? We are delighted to have Sheila Black as this year's judge. Black  is co-editor of the brilliant anthology, Beauty is a Verb:The New Poetry of Disability ! Deadline to submit poems is   November 1 . The top three prize winners will receive free festival registration & publication in The Quarry! Learn more about the contest on Split This Rock's website and below .    

If you are in DC, join Split This Rock Executive Director Sarah Browning as emcee for #DCRally4Refugees  this Sunday, August 28  at 10 am (rain or shine). The rally will raise awareness about the global refugee crisis and urge U.S. action -- at home and overseas -- to alleviate suffering through relief efforts and refugee resettlement. Learn more on the event website .

Also, continue to stay tuned as we post featured poet videos from Split This Rock Festival 2016 on Facebook. You can also visit YouTube to enjoy the closed captioned readings by Reginald Dwayne Betts, Ross Gay, Aracelis Girmay, Zeina Hashem Beck, Ocean Vuong!  
And, in case you missed it, visit our blog to check out the top 20 poems you've been reading at  The Quarry this past year! 
 
Finally, see below for writing retreat and poem submission opportunities.  

For poetry & peace,
Split This Rock

Poem of the Week
      Hanif Willis-Abdurraqib     

A portrait of a man from the shoulders up_ standing in front of a wall with orange and red graffiti on it. He is wearing a denim jacket over a gray T-shirt and a gray knit cap that fits closely on his head. He has brown skin_ large brown eyes_ and a black beard and short hair. He looks directly at the camera and offers a neutral expression.


I Don't Know Any Longer Why the Flags
Are At Half-Staff


I think I am breaking up with memory. again. I live  
by only that which will still allow me

to do the living. The flag, for example, reminds me 
to either feel fear or sadness, depending on how high

it is drawn along its metal spine. I guess I am not breaking up 
with all memories: at the summer camp before 7th grade,

my homie Trey stole some rich boy's sonic the hedgehog 
underwear and ran them up the flagpole. They were covered in gold

rings. I woke up, and that was my country. I salute whatever cloth I must 
in order to keep breathing. I hum every anthem through clenched

teeth. I am, still, a victim of familiar melody. Particularly when it is sung 
right, by someone who comes from a long line of people who had to sing

for their meals. Here we are, mouths open in summer. The grief passes 
through us without ceremony these days. effortless heartbreak.

I wonder, for a moment, if the land shook hard and rattled the flag  
halfway down way back when it felt the arrival

of the first bullet / the first bomb / the first family  
torn apart by the fangs of our endless war / the first mother crying

the dead's name into her palms. I'm saying the flag has maybe 
always been this way, and I've just recently become bored with

the optimism of pretending. In the hood, the dope boys come back 
from a funeral and pour a 40oz of OE out at the center of the basketball court

until the bottle is half-full. Until the bottle is half-empty. Until the bottle 
is half what it was before the news of death, and half ready to be consumed.

This, too, is how I walk. Half-empty. Half-full. Half-hearted. Fly, 
but with a glance over my shoulder as I turn every block.

In the hood, there aren't enough flags to know when the mourning 
is supposed to be over. Or if the flag cuts through the wind and sings

back the name of your homie who got buried and didn't make the news. 
From my father's window, a row of boys march the block, one hand

holding up their beltless denim. Saggin' spelled backwards is niggas
the white cop reminded us past curfew one night back in '01.

Niggas. As in, some of my niggas wear their pants halfway  
down their stiff legs. In memory of, in memory of, in memory.

    
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Used with permission.

 
  * * * 
 
Hanif Willis-Abdurraqib is a poet, essayist, and cultural critic from Columbus, Ohio. He is a poetry editor at Muzzle Magazine , a columnist at MTV News, and a Callaloo creative writing fellow. His first collection of poems, The Crown Ain't Worth Much , was released in July 2016 by Button Poetry.
  
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To read more poems of provocation and witness, please visit The Quarry: A Social Justice Poetry Database at SplitThisRock.org.

       
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PoetryContest
Flyer for the 10th Annual Poetry Contest.
 
Split This Rock 10th Annual Poetry Contest 
$1000 Awarded for Poems of Provocation & Witness
Deadline: November 1, 2016

Split This Rock's 10th Annual Poetry Contest, judged by  Sheila Black , is open for submissions! Each year, the contest serves to raise the visibility and prestige of poetry of provocation and witness. Submissions should be in the spirit of Split This Rock: socially engaged poems, poems that reach beyond the self to connect with the larger community or world; poems of provocation and witness. Submit up to 3 poems. There is a $20 reading fee benefiting Split This Rock's 2018 Poetry Festival. For more information on guidelines and prizes, visit Split This Rock's  website  or  Submittable
 
Updates 
 Updates  

TORCH Journal Seeking Submissions

TORCH, a biannual online journal published by Torch Literary Arts and devoted to creative writing by Black women and girls is open for submissions until 
August 31. TORCH accepts online submissions of original unpublished poetry, prose, and short stories.  Learn more at their website.
 
Call for Applications: The Sundress Academy for the Arts 

Sundress Academy for the Arts (SAFTA) is now accepting applications for short-term artists' residencies in creative writing, visual art, film/theater, music, and more. Each residency includes a room of one's own, access to a communal kitchen, bathroom, office, and living space, plus wireless internet. The length of a residency can run from one to three weeks. Visit the Lambda Literary website for full submission guidelines. Submit by September 15, 2016.  
Launched in 2015 in celebration of Cave Canem's 20th Anniversary, the  Toi Derricotte and Cornelius Eady Chapbook Prize is dedicated to the discovery of exceptional chapbook-length manuscripts by black poets. Presented in collaboration with O, Miami Poetry Festival, this year's final judge is Robin Coste Lewis. Learn more at the Cave Canem  website. Submit by September 30, 2016.

2016 Patricia Dobler Poetry Award Now Accepting Submissions!

Open to women writers over the age of 40 who are U.S. citizens or permanent residents, currently living in the U.S., who have not published a full-length book of poetry, fiction, or non-fiction (chapbooks excluded). Prize winner receives  $1,000, round-trip travel, lodging and a reading at Carlow University in Pittsburgh with judge Allison Hedge Coke, and publication in Voices from the Attic. For more information and guidelines on how to submit to the Patricia Dobler Poetry Award, visit Carlow University's website. Submit by October 1, 2016.  
    
 
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