Scottsdale Screenwriting Conference Update
September 2010

In this issue
UCLA's Richard Walter Tells All
Agent Barry Perelman Signs On
Details on Scottsdale Screenwriting Conference
UCLA Screenwriting Prof Richard Walter
UCLA's Screenwriting Professor Richard Walter Tells All
(And He Loves Arizona!)


When did you know you first wanted to be a screenwriter?

Richard: When I studied at the USC film school with the legendary Irwin R. Blacker in the late '60s. Blacker was a grumpy, gruff guy, with frail social skills, but a hugely inspiring teacher. Taking his class I realized first of all that I had the stamina actually to write a full feature length script.

What was your first screenplay?

Richard: The first script was the one I wrote in the aforementioned class with Prof. Blacker at USC. It was called OFAY, a story of race and redemption, set in Harlem in the summer of 1965, involving a naive white social worker and a street-wise Afro youth.

Did it get sold? If not, when did you sell your first piece?

Richard: The script did not sell, but it won me much attention and representation, also a staff position as a writer at Universal. I had my own parking place with my name on it, directly next to Paul Newman's! I had lots of commissioned assignments thereafter, at various studios. My first sale of original material was to Warner Bros. and involved the film rights and also the adaptation assignment of my own first novel, BARRY AND THE PERSUASIONS, which after all these years I turned into a musical for the stage and recently workshopped it at UCLA in our sister department, Theater, which has a wonderful musical theater program and also a singing program.

What's the most important trait you see with professional screenwriters as compared to writers who want to get into the business?

Richard: Stamina. Patience. A lot of talent and a little bit of discipline will not take you nearly as far as the opposite combo.

What's your favorite current film?

Richard: I haven't seen any theatrical film in many years that can touch the last two episodes of the third season of Madmen.

Have you ever been to AZ? If so, what's your favorite spot?

Richard: Been to AZ bunches of times. Taught seminars in Mesa, Scottsdale, and elsewhere. Had a meeting with the mad and brilliant Tom Laughlin of BILLY JACK fame or notoriety. I love above all, perhaps, the Frank Lloyd Wright hotel -- the Biltmore? -- in Phoenix. Strike that. Ain't nothing that can touch the Grand Canyon, which I've visited multiple times. I love the high country around Flagstaff.


Literary Agent Barry Perelman Joins Our Line Up for November!

Perelmanhas been involved in the packaging and sales of such films as Babes In Toyland, Smoke Belleu, The Amityville Horror franchise, Airbud and Airbud 2: Golden Retriever. In the area of television, Barry has packaged and represented Writers, Directors and Producers for series and telefilms such as Macgyver, Hunter, T.J. Hooker, Murder, She Wrote, Inside The Kgb, Star Trek: The Next Generation, Inspector Maigret (with Grenada Television in England), Robocop: The Series and F/X: the series, just to name a few.


About the Scottsdale Screenwriting Conference

After a successful inaugural event last spring, it's the return of the Scottsdale Screenwriting Conference, the Valley's premiere resource for educating, inspiring and connecting all screenwriters with "the Biz." The conference returns Saturday, November 6 at the Gainey Suites Hotel. This intensive, information-packed popular conference is for aspiring writers as well as established screenwriters interested in either film or television. UCLA's Screenwriting Professor and Author Richard Walter will be there along with Screenwriting Teaching Legend and Author Ken Rotcop and Literary Agent Barry Perelman.

Attendees who register by September 30, 2010 are eligible for a discounted ticket price of $149 for the conference (includes lunch.) After that, tickets cost $175 for the conference (includes lunch.) Seating is limited.

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