Day of Digital Learning
Registration for our
Day of Digital Learning
,
being held Sunday, 5 April 2020, is now live. Please note that space is limited and registration will be handled on a first-come first-served basis. You can read more about the plans for the day by clicking on the
“schedule” tab here
a
nd then register for the event that interests you most
here.
The events will be open to all RSA members without charge.
Chairs Needed
There are still a handful of conference sessions in need of Chairs to introduce the presenters and help facilitate discussion following the paper presentations.
Please consider volunteering
.
Graduate Students
Special Exhibitions
University of Pennyslvania
Philadelphia Museum of Art
What Can Paintings Tell Us?
This installation highlights the museum’s recent and ongoing research on several works from the Renaissance and Baroque periods, some of which are rarely on view. It reveals how experts have examined the artworks through technical analysis and scholarly inquiry to find out who made them, when, and why.
Curated by Nicole Elizabeth Cook, Coordinator for Academic Partnerships, with Sarah Mastrangelo, Fellow in Paintings Conservation
Location: Gallery 364, Floor 3, Main Building
Sit Down with a New Discovery
In this gallery, the museum shares results of an ongoing collaboration between a curator and a conservator as they uncover the story behind the 17th-century painting The Holy Family at Table, made by an as-yet-unknown artist who was likely working in Spain.
Curated by Alexandra Letvin, Assistant Curator of European and American Art, Allen Memorial Art Museum, Oberlin College (previously of the Philadelphia Museum of Art) and Terry Lignelli, The Aronson Senior Conservator of Paintings
Location: Gallery 373, Floor 3, Main Building
Woodcuts: Groove and Grain
This selection of woodcuts—from the 1500s to the present—illustrates the many ways that artists have pushed the boundaries of the medium. Focusing on line, color, and the block of wood itself, this exhibition encourages us to look at how a print was made as well as what’s depicted.
Curated by Clare Kobasa, Suzanne Andrée Curatorial Fellow of Prints & Drawings
Location: Galleries 221-223, Floor 2, Main Building
From Near and Far: Printmaking in Southern Italy, 1600-1700
Curated by Clare Kobasa, Suzanne Andrée Curatorial Fellow of Prints & Drawings
Location: Prints, Drawings, and Photographs Study Gallery, Floor 1, Perelman Building
Special Events