In an exceptional performance of two hours, director and artist Robert Wilson invites us into his astonishing aesthetic universe. Combining hundreds of striking images from through his prolific career, Wilson provides an intimate self-portrait of his creative process. 

Mr. Wilson references his landmark original works for the stage such as Deafman Glance, A Letter for Queen Victoria, Einstein on the Beach (created with composer Philip Glass), The CIVIL warS, and The Black Rider, as well as his acclaimed work for the operatic and theatrical repertoire, including his luminous stagings of Madama Butterfly, Wagner's Ring Cycle, The Magic Flute, Ibsen's Peer Gynt  and Heiner Mueller's Quartett. At the conclusion of the Performance, the audience is invited to explore Mr. Wilson's ideas further during an informal question-and-answer period. 

The Student Lecture Series is made possible through a generous contribution to the School of Architecture Dean's Circle by Elise Jaffe and Jeffrey Brown. 

The event is free and open to the public.  General public should reserve a space  here. First come, first seated.

New York-based Deborah Berke Partners (DBP) is a 60-person architecture practice that "emphasizes the transformative character of architecture through the re-imagination of old buildings and the creation of inventive new ones." The firm's residential, commercial, educational, cultural, and civic projects reflect an approach that "is human centered in all scales, from the broad vision of masterplans to the focused details of interiors (and everything in between)."

Often, architectural space is defined by requirements which are totally arbitrary and alien to the discipline of architecture itself. This lecture will focus on architecture and its medium, the three-dimensional space, not in a closed, clearly defined way, but instead in an experimental way that opens up various approaches for defining and thinking about space. Working titles such as atomized space, incidental space, ornamental space, and fluid space, among others, are used to describe architecture in the most distant and abstract way: only with words, deliberately without any images or references, and purely by the effort of thinking to trigger projects - working on the essence of architectural space itself. 

This lecture is sponsored by The Ornamental Metal Institute of New York with support from The Irwin S. Chanin School of Architecture of The Cooper Union. 

The event is free and open to the public.  General public should reserve a space  here. First come, first seated.

Image: For Purini: Teatrino N. 5 - Teatrini | Small Theater N. 5, From the series "Theaters", 1997.