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COLLAGE ON VIEW
at 68 Prince Street Gallery, Kingston, New York, USA through 2 July 2026. “Putting It Together: Transforming Collage” is a wide-ranging exhibition designed to explore and expand our understanding of collage. Whether through historic approaches or contemporary art processes, this exhibition offers collage enthusiasts, as well as the collage curious, the opportunity to join us for a deep dive into the practices and concepts of collage, and experience collage as we define, redefine, reimagine, reinvent, and sometimes break rules. MORE
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CALL TO ARTISTS
Final Deadline to Apply: Sunday, 28 June 2026. Montreal: City as Archive Collage Artist Lab is a five-day intensive where collage artists use Place as a laboratory and spend a week making artwork; learning about the city, its people, and its history; and discussing how art can capture, share, reflect, comment, and otherwise engage with a sense of place. The Artist Lab will be based out of Atelier Galerie 2112 in downtown Montreal, Tuesday, 28 July to Sunday, 2 August 2026. LEARN MORE
Kolaj Institute’s Place as Archive investigates how artists incorporate a sense of place into their collage art as a way of drawing out deeper, more complex stories. With a current focus on New Orleans, Montreal, and Scotland, the project manifests as residencies, articles, exhibitions, and publications. LEARN MORE
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FROM THE ARTIST DIRECTORY
Silver Spring, Maryland, USA. Marcie Wolf-Hubbard’s work explores memory, place, and the constructed environment through collage, encaustic, and mixed media processes. Rooted in drawing, her practice often begins with observations of interiors, architecture, birds, and the natural world. These forms evolve into intimate spaces, small structures, and narrative fragments that suggest shelter, vulnerability, and connection to place. Concern for the environment informs both subject and process. Wolf-Hubbard frequently incorporates found and sustainable materials—cardboard, paper pulp, and reclaimed wood—allowing the work itself to embody reuse and transformation. MORE
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COLLAGE BOOKS
Collage to the Rescue by Wendy Tigerman is an 8″x8″ softcover book featuring 43 dog-themed collages from some of the most fabulous collage artists around. Importantly, 50% of the profits go to not-for-profit rescue organizations. MORE
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COLLAGE ON VIEW
at the Centro Internazionale di Quartiere (C.I.Q.), Milan, Italy through 5 July 2026. In this exhibition, Stefano Carbone celebrates the transformative power of color as an act of resistance, freedom, and identity affirmation. Through a series of mixed-media collages, the exhibition unfolds from images dominated by dark or monochromatic tones, gradually interrupted by bursts of color that break through the grey, disrupt silence, and open new spaces of possibility. READ MORE
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FROM THE ARTIST DIRECTORY
Chatham, Ontario, Canada. Laurie Rayner Langford is a Canadian assemblage artist based in Chatham, Ontario. With a unique blend of subversive humor and mixed media, her installations challenge contemporary gender expectations and provoke meaningful debate. Through her shadow boxes, collages, and printmaking, Langford reinterprets themes of sexuality, domesticity, and history, often drawing inspiration from iconic artists and writers. Her work invites viewers to confront uncomfortable truths, transforming familiar narratives into a compelling commentary on “pop culture innocence gone horribly wrong” (Vanderwall, 2011). MORE
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CALL TO ARTISTS
Deadline to apply: Monday, 6 July 2026. A four-week, virtual/online workshop with Kolaj Institute. At Kolaj Institute, we see the book, not just the gallery, as a place to experience collage. This sentiment has broad implications for how collage artists work and how their work is received by an art world whose orientation is decidedly fixed on the gallery wall. In the Collage Publishing Workshop, artists turn a body of work or a project into a zine, art catalog, monograph, or book. We explore different models of publishing and types of book projects and we walk through the steps and support one another as we create publishing projects and prepare to put them out into the world. Next Session: Sundays, 26 July-16 August 2026, 1-3PM EDT
LEARN MORE
Collage Publishing is part of Kolaj Institute's Artist Development Program, a collection of three core workshops for self-motivated artists, at any stage in their career, who want to develop and expand their collage-based artist practice and work towards professional goals, particularly in the areas of exhibitions and publishing. LEARN MORE
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SUBSCRIBE TO KOLAJ MAGAZINE TODAY
Kolaj Magazine exists to show how the world of collage is rich, layered, and thick with complexity. By remixing history and culture, collage artists forge new thinking. To understand collage is to reshape one's thinking of art history and redefine the canon of visual culture that informs the present. Your support of this magazine keeps us going and makes it possible for us to investigate and document collage and to promote a deeper, more complex understanding of the medium and its role in art history and contemporary art.
DON'T MISS OUT!
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CALL TO ARTISTS
At Kolaj Institute, our philosophy is that if we bring artists together, explore ideas and concepts, share knowledge, we can stretch and develop as artists. When we bring that knowledge and skill into our communities, we raise the standing of collage and contribute to the civic discourse. Kolaj Institute's Artist Development Program is a collection of three core workshops for self-motivated artists, at any stage in their career, who want to develop and expand their collage-based artist practice and work towards professional goals, particularly in the areas of exhibitions and publishing. LEARN MORE
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CALL TO ARTISTS
Kolaj Institute’s solo residencies in New Orleans are designed to provide artists, curators, and writers with dedicated time and space to work on a project. We are open to your ideas. We are looking for artists with an articulated goal for their time in New Orleans. That goal need not to be explicitly related to New Orleans, though priority will be given to those artists whose projects need time in New Orleans. These Solo Residencies are taking place at Kolaj Institute’s home in the New Orleans Healing Center and help further Kolaj Institute's mission to support artists, curators, and writers who seek to study, document, and disseminate ideas that deepen our understanding of collage as a medium, a genre, a community, and a 21st century movement. MORE
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NEW PUBLICATION
Folklore Collage Society is a printed journal dedicated to artwork and artists who activate, transmit, and celebrate folklore as a form of cultural expression and a strategy for community resilience. In its pages, stories, statements, essays, field notes, poetry, and song lyrics mingle with collage art that shows how collage artists are thinking about the folklore. In Folklore Collage Society, Volume 1, editor Ric Kasini Kadour lays out the inspiration behind the project. Kate Sutherland and Bella LaMontagne share Irish and Celtic folklore. Indira Govindan considers the story of Lakshmibai. Jennifer Lentfer offers an example of counter folklore. Jacoub Reyes explores Taíno oral histories. We share Field Notes about crows and witches turning into hares. Sarah Cowling and Eli Craven makes art of their own family folklore Leanne Poellinger explores the symbolism and community of apple pie. Dean Reynolds offers us photographic evidence of gateways between realms. Natalie Vestin shares stories of Swedish smallfolk. And Verónica Poblete Villanueva takes us to Algeria and shows us the dance of Ouled Nail Tribe. MORE
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NEW PUBLICATION
Authoritarian Regime Survival Guide
Authoritarian Regime Survival Guide is a collage. The book combines the text of a Polish human rights activist Martin Mycielski with the artwork of seven collage artists to create a space in which we can think about the rise of authoritarianism and how to navigate the troubling, difficult times in which we find ourselves. Organized as a series of lists, the book illustrates what to expect under authoritarianism and offers rules for surviving authoritarian regimes and engaging their supporters. The introduction traces how the text came into existence and how the artists came together to make collage about it. Ric Kasini Kadour shares historical examples of artists responding to authoritarianism; John Heartfield’s anti-fascist collage and a 1979 exhibition in East Germany that was described as a “victory over false consciousness.” Authoritarian Regime Survival Guide is a testament to the role art can play in our communities.
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NEW PUBLICATION
This project led by Cape Girardeau, Missouri, USA-based artist Emily Denlinger speaks to the role of art, ritual, and resilience. Building on her own work, Denlinger engaged with thirty-nine artists at the 2025 edition of Kolaj Fest New Orleans to make locative collage photographs in an artist-created landscape inspired by global masking traditions. The resulting artworks are presented in this zine published by Kolaj Institute. "The project functions as 21st century folklore with each character potentially representing a magical creature or masked performer in some yet-to-be-imagined ritual," wrote Kolaj Institute Director Ric Kasini Kadour. "Like the odd, creature-like figures of early 20th century Surrealists, they, too, are a response to deeply troubled times and offer us the opportunity to find a collective effervescence to see us through them."
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SPECIAL EDITION
In honor of World Collage Day, 9 May 2026, Kolaj Institute released a special edition of Kolaj Magazine. Highlights include a profile of World Collage Day 2026 Poster Artist Jessa Dupuis, an Editorial by Ric Kasini Kadour about technologies of the self on World Collage Day, the story of the Eclectic Collage Collective in London, Ontario by Sarah Cowling, Jerome Bertrand shares his experience creating a Living Collage in a day-long performance at Atelier Galerie 2112 in Montreal, Quebec, Canada and Cut-Out Pages from inspiring collage artists. MORE
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PRINT MAGAZINE
Since 2011, Kolaj Magazine has documented, reported on, and explored the amazing artists who make up the international collage community.
In Kolaj #43, you’ll discover “The Fluctuation of Likeness” by Portland, Oregon collagist Clive Knights; Irish collagist Anthony D Kelly on basic income for the arts in Ireland; an interview with photomontagist Mark Rappaport about images, art, and cinema; Ric Kasini Kadour’s editorial, “Blank Cartridge Pistol”; a report on The Rose, an exhibition and book exploring female narrative through archival and embodied collage practices; Anthony Michael Ryder on collage and trauma; Emily Denlinger on bringing “Gain of Function” to Carnival in New Orleans; “Selections from the Collection” featuring Meikel Church’s Self-Inflicted Regret, curated by Susan Simpson; and collage news from Montreal, Paris, Germany, Kolaj Institute, World Collage Day, PoetryXCollage, and more.
Our goal with every issue is that Kolaj Magazine is essential reading for anyone interested in the role of contemporary collage in art, culture, and society. MORE
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NEW PUBLICATION
Frankenstein
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This new version of Mary Wollstonecraft Shelley’s classic 19th century novel Frankenstein; or, the Modern Prometheus features seventy-six illustrations by International Collage Artists who delved into the novel’s rich narrative and visual potential and created thought-provoking artworks that reflect the essence of Frankenstein in a 21st century context.
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NEW PUBLICATION
Magic in the Modern World
Taking a broad view of magic and drawing from multiple histories, the book, Magic in the Modern World, proposes a way to think about magic in the 21st century, what it means to communities, and how it negotiates itself in systems of power. Generously illustrated, the book features the artwork of fifteen collage artists and dozens of historical images.
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ARTSHOP
"I Cut Therefore I Kolaj" T-shirt
Since we started Kolaj Magazine in 2011, people have been asking about t-shirts. Well, we finally made one. We are pleased to announce the "I Cut Therefore I Kolaj" T-shirt. We hope you like it and wear it with pride.
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TRADING CARDS
Kasini House Artshop works with the Kolaj Magazine Artist Directory to produce curated packs of the Collage Artist Trading Cards. Each card is a full color, 5.5” x 3.5” postcard with rounded corners. An example of an artist’s work is on the front of the card and the artist’s public contact information is on the back. Collage Artist Trading Cards come in packs of 15.
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About Kolaj Magazine
Kolaj Magazine is a quarterly, printed, art magazine reviewing and surveying contemporary collage with an international perspective. We are interested in collage as a medium, a genre, a community, and a 21st century art movement. Kolaj is published in Montreal, Quebec by Maison Kasini. Visit Kolaj Magazine online.
WEBSITE | ARTIST DIRECTORY | SHOP
About Kolaj Institute
The mission of Kolaj Institute is to support artists, curators, and writers who seek to study, document, & disseminate ideas that deepen our understanding of collage as a medium, a genre, a community, and a 21st century movement. We operate a number of initiatives meant to bring together community, investigate critical issues, and raise collage’s standing in the art world.
WEBSITE | CALLS TO ARTISTS | SUPPORT
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