Industry & Product News
Plug into AES67 & ST2110 Markets Today with BACH Liberty from Ross Video
BACH Liberty is a drop-in replacement, pin-compatible module to Dante Brooklyn II, featuring a fully compliant AES67 and ST2110 implementation. With BACH Liberty, customers are able to plug into more markets. The open control technologies found on BACH empower manufacturers to bring innovative new workflows and user interfaces to the benefit of end users worldwide. BACH has the Liberty you've been waiting for.   Read More

Neutrik Introduces Locking USB Type-C Cables and True Outdoor Protection Connectors
Neutrik just launched the new mediaCON product family, which includes a robust, lockable USB Type-C cable and panel sockets, with all components designed for data rates up to 10 GB/s (USB 3.1), 100W power and 10,000 mating cycles. No news yet of corresponding Thunderbolt 3 cables. But Neutrik also introduced the new TOP (True Outdoor Protection) series for all-weather applications, including etherCON, power and XLR connectors.   Read More

Amazon Accounts for 63% of Smart Speakers in Use According to Strategy Analytics
Smart speakers are the hottest segment in consumer electronics, and Strategy Analytics has completed a major new survey of the first wave of users, to understand purchase motivations, usage, satisfaction, and ownership patterns. The company's research leaves us with little doubt: Smart speakers are a hit with the vast majority of people who are now using them (17% of the US screener population sample). Satisfaction levels are typically in the 90% range, and nearly two-thirds of users expect to buy another one within the next two years.    Read More

Zylia Enhances Functionalities of Its ZM-1 360 Sound Recording Solution with New Software Releases
Responding to a growing interest in all types of applications for its Zylia ZM-1 spherical mic array - originally promoted as a portable recording studio able to capture a live performance and output the result to multitrack - the Poland-based manufacturer has announced a series of software releases that significantly expand its potential uses. First of all, Zylia introduced an Ambisonics Converter that simplifies output for 360 platforms, while its Zylia Studio PRO software adds source localization with the ZM-1.    Read More

Headphones to Generate Nearly $21 Billion in 2018, According to Futuresource Consulting's Latest Headphone Report
The headphones market continues its recent trend of solid growth in volumes and substantial growth in revenue. Units are projected to grow 4.1% this year to 377 million, to generate retail revenues worth $19.9 billion, a sizable increase of 27% year-over-year. Headphones continue to be a dynamic market, as average price growth is accelerated by demand from consumers for new premium features and form factors such as true wireless and noise cancellation, which provide further strong growth opportunities for the future.   Read More

Amadeus Releases New Philharmonia Mini Passive Hi-Fi Speakers 
Amadeus has begun shipping its latest offering for the hi-fi community, passive versions of its award-winning Philharmonia speakers co-designed by world-renowned architect Jean Nouvel. Following the success of the original self-powered and digitally processed speakers created specifically for the Philharmonie de Paris recording and mastering studios, Amadeus received inquiries for a passive and more affordable version, directly targeting listening rooms for audio enthusiasts, which was no small challenge.   Read More

StreamUnlimited Announces Quad Core Hardware Module Solution for Connected Audio Products
StreamUnlimited's Stream1832 hardware module is one of the latest hardware modules in the market to meet the recently updated Google Assistant specification requirements. Providing a powerful quad core platform and 1.5 GHz CPU designed for Google Assistant, Chromecast, and AirPlay 2 built-in enabled products, Stream1832 in combination with StreamSDK software provides a development solution optimized for cost and low power consumption, enabling brands to innovate without being constrained by hardware limitations.   Read More

WiSA Announces Certification of Axiim Link WiSA USB Transmitter
Following the launch of the Wireless Speaker and Audio Association (WiSA) certification program, the association has announced the certification of the "Link" WiSA USB Transmitter from Association member Axiim. The Axiim Link plugs into any WiSA-ready audio source including TVs, gaming systems, and PCs and allows them to easily connect to any speakers certified by the WiSA Association. The Axiim Link transmitter is also the first and only wireless, high-resolution device designed for Xbox One and Windows PCs that is also WiSA Certified.   Read More

SoundChip Introduces Soundstation Array for Hybrid Noise Cancelling Headphone Development
SoundChip introduced Soundstation Array, a spatially limited diffuse sound field measurement platform designed to help brands characterize and tune hybrid noise cancelling headphones. Soundstation Array leverages SoundChip-sponsored post-graduate research into the minimum requirements for generating a sound field that is sufficiently diffuse for ensuring repeatable and reproducible measurements of noise cancelling headphones, without the need for an anechoic or reverberation chamber.   Read More

Editor's Desk
J. Martins

Hearables and Augmented Reality

You might have noticed that on my previous The Audio Voice write-up about Headphone Technology and Markets I didn't use the term "hearables" since that would take the discussion to a whole other level. That was a deliberate option given that I really wanted to address the topic separately. On the consumer electronics side, we have in-ears and truly wireless stereo earbuds, and on the other side of the equation, we have the audiology and medical market, with hearing aids now expanding into Personal Sound Amplification Devices (PSADs) and hearing enhancers that soon will be available over the counter. But hearables are (or should be) different. How different?
Curiously, the same day we sent out that edition of The Audio Voice with my editorial on the topic, we received a press release from an American company - ZVOX Audio. The company is working so far in the field of intelligibility with sound for TV and soundbars, that it decided to be among the first to grab the OTC opportunities and design an affordable solution, purposely designed for voice enhancement, targeting a very specific market of older people. It is a curious example of the diversity of approaches this segment will see in the following months.

The Jabra Elite 65t can be considered the state-of-the-art true wireless stereo earbuds struggling to become hearables, even benefiting from the extensive experience in wireless audio and hearing aids from the GN Group - owner of Jabra and ReSound, among other brands.

The term "hearables" has been so far associated with the evolution of consumer-oriented in-ears toward something that could be health-related, not necessarily medical. As consultant Nick Hunn wrote in his document "The Market for Hearable Devices 2016-2020", published in November 2016, "The real hearables revolution began in 2014 when two European companies launched crowdfunding campaigns for earbuds. In Sweden, Earin acquired funding for a pair of Bluetooth earbuds that would stream audio. Approximately 1,500 km farther south in Munich, another startup - Bragi, raised the unprecedented sum of $3.39 million for a far more ambitious hearable device - the Dash." As Hunn explains and audioXpress reported at the time, the Dash could stream music like Earin, but it "could also store and play music without the presence of a phone, as well as housing a host of biometric sensors, which would feed back data to a range of fitness applications."
Things have evolved from there, and many industry analysts have frequently noted the fact that many of those subsequent TWS crowdfunded projects were based on the assumption that they were "the first to have the idea," when in fact multiple companies, including some of the largest audiology and large consumer electronics manufacturers had been exploring the field and held important patents on key aspects of technology implementation and design. Not surprisingly, since Bragi successfully launched its Dash Pro "hearables" the company also decided to collaborate with the leading US audiology company Starkey, launching The Dash Pro tailored by Starkey Hearing Technologies. Bragi itself holds an important patent portfolio in this area, and the company makes no assumption that there will be confusion between the two markets, as Bragi's founder and CEO, Nikolaj Hviid stated in the interview I did with him at CES 2018. In that interview, Nikolaj even confessed the wish that medically oriented hearing aid companies would enter the "hearing enhancement" space proudly stating, "Hearing aids are not a luxury item, because it is a tool for those people. They need it and it's very important to them. But there's this huge unsatisfied group of people that have an issue that they need to deal with. I even see many people that would buy our product, will eventually go and buy a hearing aid. Because they will realize that what we can do for them is OK, but that they actually need more. What we do will also help making hearing aids more accessible."
That's why it's important to address the market for hearables from its own intrinsic perspective and key selling arguments, outside of the "hearing enhancement" applications. As Hunn clarified in the mentioned 2016 report, "Previously I defined a hearable as any device that included wireless connectivity, as the differentiating factor between wired and wireless headphones. That included wireless stereo headphones and mono Bluetooth earpieces, but excluded most hearing aids which had no wireless connection to a phone. In just two years, the picture has become far more complex. When I coined the word "hearables" at the beginning of 2014, the wireless headphone market was still niche, and no one had considered sound isolation, audio curation, or translation as real consumer opportunities. All of those are now in development or already shipping. So now I'm considering anything that fits in or on an ear that contains a wireless link, whether that's for audio, or remote control of audio augmentation." And he states, "...the real innovation in hearables will come from other earbud developers, not least because of their willingness to add biometrics. The intimate, relatively isolated contact that earbuds provide, along with the stabilizing effect on balance from the semi-circular canals in our ears, means that the ear is one of the best locations for sensing many physiological parameters. Whilst some of the biometrics will not be applicable to headphones, some will be, and we will see them incorporated in new headphone designs."
"The applications being considered are more diverse than what we've seen so far with other wearables," he adds and mentions specifically "the rise of voice communications for Internet of Voice (IoV) applications" with voice detection and processing," while detailing the enormous potential in Audio Curation and Augmented Hearing, together with Hearing Protection and Isolation, as main drivers for market development and expansion of hearables.

As always, Apple gets the fundamentals right, first. With the AirPods, Apple focused on what people needed from wireless earbuds and made it work 100%. They didn't overpromise, kept it simple, and delivered. The AirPods get consistent great reviews from every user. No wonder Apple commands the segment and owns 83% of this market.

Augmented Hearing was precisely the topic for a presentation I attended at the IBC 2018 show, with G-Audio Labs VP of Business Development Adam Levenson, titled "Augmented Reality Audio: The Next Generation of Hearables." In this session, Levenson presented his forward-looking glimpse into the future of Augmented Reality (AR) Audio.
As a starting point, Levenson asked the audience the same questions: What are Hearables? He defines it as a product at the crossroads of headphone and hearing aid technologies and Augmented Reality (AR). In his presentation, he referenced Poppy Crum, Chief Scientist at Dolby, who said hearables are at the "convergence between entertainment, lifestyle, and hearing health" and David Cannington, the co-founder of Nuheara, who said, a hearable is a device to "control the elements of your physical environment," to "orchestrate your soundscape," and to provide an "on-the-fly personalized hearing experience."
Levenson goes on to detail that, apart from the basic functions of music streaming and input level adjustment from connected devices, hearables should support audio enhancement features, with personalization based on a hearing test, noise cancellation, and noise reduction. But more important, hearables should have "smart capabilities" and support speech amplification, listening directivity, translation, voice assistant, and biometric tracking - all things that we've seen in multiple products so far.
In the session Levenson also says, "Imagine having the ability to adjust the mix of your daily listening experience with a technology that reduces ambient noise, amplifies and focuses speech, adjusts EQ to match your unique hearing profile, and interactively layers music with your voice assistant. This is AR Audio, and the latest Hearables on the market are already tapping into this potential. But this is just the beginning. The future of AR Audio is Artificial Intelligence (AI), advanced DSP, and procedural sound.
"Machine learning will teach AR Audio systems to recognize the sound of a dog barking, a jack hammer, a sports bar crowd, and many more common sound events. With a constantly expanding database of recognized sounds, AI will power adaptive and precise noise cancellation. An understanding of language and accent will enable enhanced speech intelligibility. Intelligent DSP systems will smooth variations in volume levels, and situational awareness will allow us to zoom in and focus on specific sound sources. In the near future, procedurally-generated sound effects will attach to virtual objects and respond to physics."

Levenson's company, G-Audio Labs is developing and licensing technology in this domain, and they have recently announced a related and interesting SDK targeting loudness management for streaming services, from over-the-top to music streaming platforms. The company has a strong R&D background in the development of spatial audio technologies and its founders have in fact co-invented and developed the MPEG-H 3D Audio Binaural Renderer that is now an ISO/IEC international standard. 
Since I was unaware of the company and its work, I was intrigued with the topics addressed in the IBC session, and I met Levenson after his talk for a brief interview, where he shared his conviction that "the software solution for hearables is extremely complex." 

Adam Levenson, V.P. of Business Development, G-Audio Lab, believes that hearables hold a lot potential for augmented reality (AR) and his company is looking at offering unique solutions from an engineering perspective. "I think the whole area of AR in audio is inevitable. How it's going to look, how this is going to become a consumer product is still very much unknown."
"It's a difficult challenge and it requires a lot of knowledge. Like active noise cancellation. Consumers are now familiar with it. We use it and we love it. That tech is out there, but unless you are licensing from Bose, you are going to have to create it, and it is complex. And to make it work on a hearable device, with a very specific chipset, is not an easy challenge. You need DSP knowledge, spatial audio knowledge, machine learning knowledge, it's a really wide range of skills and knowledge that you have to have in order to address the software problem for hearables."
"When you look at startups, companies like Nuheara and Bragi, they are struggling with noise cancellation. There's latency and as a result you get phasing. But what these guys are doing is amazing. They still have not conquered the latency issue, and even Bose is having problems with their hearable product. And battery life... And the form factors. No one is there yet. Even companies like Starkey, which are doing amazing work for hearing aids, are trying to put this amazingly complex software solution together. Because all of us are missing this piece or that piece. But someone is going to do it!"
I fully agree with Levenson when he states that hearables should evolve toward the "Augmented Reality Audio" approach, powered by machine learning (ML) algorithms, digital signal processing (DSP), and binaural rendering. In his opinion, this will enable new features like Situational Responsiveness, Focused Listening, Selective Hearing, and positioning of Virtual Objects. And this should be supported in automatic response to the "environment classification" and not something manually adjusted by the user.
I believe that we will see multiple companies exploring this hearables potential, both from the consumer electronics side and audiology leaders. As Bragi has shown with its Dash Pro and Starkey Hearing Technologies has announced with its Livio AI platform, this will be both a multipurpose and completely-new augmented concept.
The result of a multi-year engineering effort, combining artificial intelligence (AI) and advancements in sensors and hearing technology, Starkey's new Livio AI platform combines tracking brain and body health and advanced environmental detection to create what the company calls "Hearing Reality technology."

When Starkey's President Brandon Sawalich says, "we are not in the hearing aids business, we are in the communication business," that is a clear sign where things are heading. Their Livio AI platform explores all the embedded processing power and AI capabilities and goes as far as pitch new language translation possibilities. Starkey calls the concept "healthables" and they talk about a new "hearing reality." 
In the end, I just hope these companies prepare themselves to deal with the "reality" of not knowing exactly how consumers are going to react to all the exciting new possibilities. If only they could use AI for that...

From the Vault
A High-Performance Microphone Preamp
By Ron Tipton
Back in January 2002, audioXpress published an article by Ron Tipton, detailing the design and the construction of the TDL Model 401 high-performance microphone preamp, with a differential input stage that used compound transistor pairs with circuit resistance values, computer optimized for very low output noise. This preamp was especially designed to drive a computer sound card's line-input so the output noise needed to be very low compared to the line-in maximum signal level. However, it was useful in any application where very low noise gain was needed to condition a low-impedance sensor's output. The internal rechargeable batteries provide complete isolation from the power mains and the cast aluminum enclosure minimizes the pickup of unwanted interference. SPICE software was used to optimize the low noise design. At the time, the Model 401 was sold for USD $183 plus shipping.
Tipton, started Testronics Development Labs (TDL) in the 1950s and until very recently he directed his audio enthusiasm toward TDL Technology from his home base in Las Cruces, New Mexico. Many of the products sold on his website were the projects that he carefully designed, built, and explained in his many articles for audioXpress (and previously for other titles originally published by Ed Dell). Tipton decided to discontinue TDL sales activities in 2015. He frequently would display many of those products in his writings for audioXpress and kept using TDL products as the personal reference he knew and trusted. Sadly, on September 15, 2018, Ron Tipton passed away at the age of 82, and the audioXpress community lost one of its most esteemed and prolific writers. TDL's products were frequently the result of his wanting to explore ideas, measure, and improve its designs. There's no better way to pay tribute to Ron Tipton than revisit some of these projects. We also decided to include an original review and Ron Tipton's response. This article was originally published in audioXpress, October 2002.  
Read the Full Article Now Available Here

Voice  Coil Test Bench
Tang Band W3-2088SOF Micro Home Audio Subwoofer 
By Vance Dickason
This Test Bench explication focuses on Tang Band Speaker's W3-2088SOF, a high Xmax 3.5" home audio RBM Micro subwoofer. Tang Band Speaker Co., Ltd., also known as TB Speaker, was established in Taipei, Taiwan in 1996. In 1999, the company moved its factory to Ningbo in China Zhejiang. The sales department remains in Taiwan. Over the past 20-plus years, TB Speaker expanded its product portfolio from speaker parts, drivers, and ODM/OEM finished products also to Hi-Fi home theater, outdoor speakers and professional PA speakers. Recently, TB Speaker developed a unique series of small speaker drivers and innovative Sound Modules. The company holds more than a hundred patents and is able to support any type of speaker projects regardless of application, as it does regularly for OEM customers all over the world. The W3-2088SOF is built on an injection-molded eight-spoke frame that supports an unusual rectangular housing. The really unusual feature is that the W3-2088SOF does not use a spider. Instead it gets its compliance from two surrounds, spaced about 0.25" apart from each other, but with one of the surround rolls in the reverse direction, like a dual spider configuration to cancel out odd-order nonlinearities. The voice coil former is vented below the inside diaphragm and also vented between the two diaphragms. The W3-2088SOF is driven by a 32-mm diameter (1.25") voice coil wound with round copper wire on a paper-reinforced vented aluminum former. The motor system that powers the cone assembly utilizes a single 15-mm thick 82-mm diameter ferrite magnet sandwiched between a 4-mm thick black-coated front plate and a black-coated shaped T-yoke that incorporates a 15-mm diameter pole vent. Last, the braided voice coil lead wires end at a pair of solderable terminals mounted on opposite sides of the frame.This article was originally published in Voice Coil, January 2014.   Check it out here!

AX November 2018: Digital Login
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