Industry & Product News
Learn More About Smart Speaker Acoustic Measurements!
Smart speakers are a relatively new class of consumer audio device with unique characteristics that make testing their audio performance difficult. In this new application note, Audio Precision provides an overview of smart speaker acoustic measurements with a focus on frequency response - the most important objective measurement of a device's audio quality. The full document is now available in PDF.   Download the Application Note
Special Hands-On, All-Access Workshops Set for AES New York 2019
The AES New York 2019 Pro Audio Convention has slated two hands-on training workshops on the final day of the Convention, October 19, the day after the exhibition closes. Attendees will have the opportunity to experiment with dedicated hardware and software tools during these limited-seating All-Access workshops, covering the latest cutting-edge tools and technologies in immersive audio production and audio repair and restoration .    Read More


QSC Adds Powerful KS118 Active Subwoofer to KS Series Family
QSC announced a third and more powerful subwoofer model to its KS Series family. Succeeding the highly acclaimed KW181 model, QSC introduced the KS118 active subwoofer, a robust design combining legendary QSC amplification and versatile DSP features. Updated specifications make the KS118 the perfect choice for mobile entertainment, AV rental, event production, clubs and performance venues for which very high output and commanding low-frequency performance is needed .    Read More

Yamaha VOCALOID:AI Faithfully Reproduces Singing of Legendary Japanese Vocalist Hibari Misora
Yamaha Corp. announced that it has succeeded in reproducing the singing of the late Hibari Misora, a legendary Japanese vocalist, using its own VOCALOID:AI singing synthesis technology in technical cooperation with an NHK (Japan Broadcasting Corp.) television program broadcast in Japan on September 29, serving as both the public debut and first real-world implementation of VOCALOID:AI - an extension of the company's original singing voice synthesis technology .    Read More


beyerdynamic Launches Aesthetically Refined Amiron Wireless Copper Headphones
beyerdynamic announced the new Amiron Wireless Copper over-the-ear headphones, designed to be used with portable audio devices, but featuring exceptional sound quality and a sophisticated design. Expanding on the original Amiron model introduced in 2018, the Amiron Wireless Copper combines a soft Alcantara headband with an updated Bluetooth system with aptX HD and AAC support, creating what the company describes as "the ultimate headphone for music and design enthusiasts."    Read More

Waves Unveils New Audio Testing Labs in Taipei
Waves is opening new state-of-the-art audio and voice testing labs at the company's Taipei location, establishing a commitment to support the growing market for voice-enabled connected devices. The new facilities include four ETSI testing labs and one custom-designed anechoic chamber for precision acoustic measurements. The labs are designed for testing voice communication and automatic speech recognition technologies for smart speakers and other mobile devices .    Read More


VOVOX Restructures Entire Home and Pro Audio Cable Range
The Swiss cable manufacturer VOVOX is restructuring its cable range. Beginning October 1, 2019, the company will be presenting a completely revised product portfolio. The most important novelty of this groundbreaking step includes the consolidation of the previously separated Home Audio and Professional Audio divisions with the accompanying streamlining of the current product lineup. At the same time, the Lucerne-based manufacturer has announced the market launch of its new reference line VOVOX excelsus .    Read More


HIFIMAN Electronics Now Shipping ANANDA-BT High-Resolution Bluetooth Headphones
HIFIMAN is a brand revered for its high-end planar magnetic and electrostatic headphone solutions. Recently, the company surprised us with the announcement of a TWS model, and now the company confirmed that it is shipping a new wireless version of its acclaimed Ananda open-back planar headphones, an attempt to create a high-fidelity personal audio solution that translates the highest possible quality from high-resolution audio sources, wired and wireless .    Read More

Editor's Desk
  J. Martins
(editor-in-chief)



True Wireless Designs
A Case of Loose-Fit Earbud s

In the last few days, both Amazon and Microsoft promoted their own designs and vision for the true wireless earbuds category. In both cases, the announcements were part of major product launch events, from laptops and tablets to smart speakers, smart home, and wearables. Both companies seem determined to build growth strategies by introducing their own hardware in strategic categories, powered by the weight of their own brands. There is a lot to discuss in every single technology and market segment in those announcements, with the most obvious of contrasts being the fact that the newcomer's strategy is to push the adoption of voice interfaces, while Microsoft seems to have no signs left of a strategy (sigh...) and is now going after anything that moves.

Anyway, I found it interesting that both companies have decided to launch true wireless earbuds but unveiled two very different products. For Amazon, the Echo Buds are about extending its personal voice assistant - Alexa - outside the home and making it even more personal - an understandable strategy given the fact that Amazon's services are typically dependent on other companies' hardware, smartphones in particular. 

The Amazon Echo Buds are well-designed true wireless earbuds, appealing to users looking for a great sounding in-ear solution at a very affordable price.

The new Amazon Echo Buds are part of a much more ambitious undertaking, which is to expand Amazon's Alexa voice assistant ecosystem on-the-go, with a significant engineering effort, also signaling a technology partnership with Bose, from whom Amazon licensed the active noise canceling (ANC) technology (which probably means that Bose will be the only company actually making a profit from each Echo Buds sale). 

As I mentioned in my brief update online, Amazon hired most of the former Doppler Labs engineering team, a pioneering effort in the true wireless space so they should have a pretty good idea of what works and what is too early or ambitious if they wanted to have a product shipping in 2019. Essentially, for me, that's what the Echo Buds show. They are clearly a decent TWS product, packed in a familiar form factor, which stands out only because of the ANC technology - not easy to do in such compact devices. The big question is whether the Amazon engineering team has decided that they needed ANC as a differentiator and selling point, or they actually needed it in order to make the voice assistant support more effective, combining audio processing abilities for optimal recognition outdoors. It's probably both, but the interesting experiment of the Echo Buds will be to actually find out how well the ANC features will work, how consumers will value it, and how effective it will be to voice assistant use cases in an in-ear TWS design.

Otherwise, as I have noted, the Echo Buds will essentially eat up the market for me-too products like the Galaxy Buds and countless others, and will hardly challenge Apple's AirPods at all. And I believe there is a key factor for that, which is being largely ignored. But before I address why, I must discuss the Microsoft announcement - the Surface Earbuds.

During its own event, Microsoft unveiled a series of new Surface products, including an Android phone with two screens (!). According to Satya Nadella, the current Microsoft CEO, this is because he believes in "amplifying what we can do as humans," which apparently means two of each for everything. So, it makes sense to have headphones, because we have two ears...

The new Microsoft Surface Earbuds adopted an interesting form factor, combining a loose-fit design with a large round external surface, designed to be touched.

For Microsoft, the announcement of the Surface Earbuds is an extension of the company's recent hardware initiatives - the Surface family of products and the Microsoft Office ecosystem. For Microsoft, this is also its second effort in the personal audio category, since the company announced last year the surprisingly good Surface Headphones. Those were a decent attempt to design a product that would innovate in the ANC space, helping to create a bridge between a personal entertainment device and an office productivity tool, optimized in this case for communications and specifically to work with Skype (yes, that amazingly successful product that Microsoft seems to have forgotten about!). Unfortunately, between the prototype that I had the opportunity to play with and the final shipping version, Microsoft managed to completely mess up the execution, which might explain why - barely a year after the launch - no one talks about it anymore.

The new Surface Earbuds will apparently "work on any platform," offer eight hours of use per charge, and feature a big outside round "surface," because Microsoft still believes that users want to use gestures, not only to control play, pause, skip, and change the volume of music, but also to change PowerPoint slides or access Outlook calendar (seriously?). And apart from working with Microsoft Office (!) the Surface Earbuds "support over 60 languages," so they can translate as you speak and input voice-to-text into documents and PowerPoint presentations, or when you talk to other people in real-time. Where did Microsoft found the amazing revolutionary technology to deliver on that (oh, so familiar) promise we don't know for now, but we will find out when these Bluetooth 4.1/4.2 earbuds ship "later this year," for $249 - substantially more than what Amazon will ask for the Echo Buds, which will sell for $129.99.

What I found most interesting about Microsoft's Surface Earbuds was the design itself. Yes, they have that big round surface that will confer a distinct "iconic" look to the user - just like the AirPods do in a different way - but inside they also use the loose-fit design that Apple adopted since the EarPods (and which Bose pioneered). Microsoft promotes the Surface Earbuds highlighting its "immersive Omnisonic sound" and "innovative design that delivers an ultra-comfortable and stable fit." And they state: "Simply position each earbud in your ear and the four individual anchor points lock them securely into place - no blocking your ear canal, and no falling out." Yes, this is important if you are going to use extensive gesture controls, with multiple taps and swipes, like the Surface Earbuds are designed to allow.

Inside, the Surface Earbuds have custom-designed 13.6 mm dynamic drivers, two advanced microphones in each earbud that block out background noise while amplifying the user's voice. But for me the significant aspect of the design is that they do not go inside the ear and do not completely block the ear canal - just like Apple's design.

I know that for anyone who likes "high end" audio experiences that only in-ear designs can provide, the loose-fit design is simply not good enough and users tend to associate it with "cheap" earbuds. Apple with the AirPods proved that's not the case, and now Microsoft seems to agree. Because apparently there are many millions of people for which this "good enough," loose-fit earbud design is preferable, and this has not been sufficiently examined.

Since the original EarPods, Apple has considerably perfected the design, making the AirPods much more "universal."

While it is easy to acknowledge that you can get much better quality sound with plugged in-ears, the trade-off from the occlusion effect and the fatigue (and pain, for some people) that results from having something inside the ear canals has not received enough consideration. Apple is selling massive amounts of AirPods, for many reasons, including because they are much more comfortable to wear for most people. And it's not as if Apple didn't considered the issue carefully, as a quick look at the many Apple patents in this domain reveals. 

Since the original EarPods launched in 2013, Apple promoted the "breakthrough design" for its natural fit and "better acoustics." The patent describes: "The headphones - the component that generates sound - can exist in many different form factors such as over-the-hear headphones or as in-the-ear or in-the-canal earbuds. In-the-ear earbuds are sometimes referred to as non-occluding earbuds as they generally do not form an airtight seal with the user's ear. The absence of an airtight seal can affect the earbud's acoustic performance, especially when two or more speakers are used. Accordingly, what is needed is a non-occluding earbud having two or more speakers and that provides high quality sound."

And there's a lot more things in the design as well, such as the acoustic holes and the way they interact with the ear canal when taking calls and using the built-in microphones, or the way they allow driving separate frequencies from a woofer and a tweeter into the ear-canal. And in 2016, with the AirPods, Apple took it to another level, adding sensors and refining the shape even more - becoming more "universal." While the EarPods were rejected by some users with smaller ears for being too big and hence painful to use for a long time, the thinner profile of the AirPods make it more suitable to a larger percentage of ear shapes and sizes.

Yes, for some people, the AirPods are too loose, they fall easily, and when compared to any earphones that are inserted directly in the ear, there's no comparison in terms of fidelity of the music experience. But still, the AirPods do a very good job adjusting the response, and using the sensors to determine when they are in place, and it is expected that Apple will leverage the concept to expand biometric sensors and design a different level of audio processing that cancels/enhances only specific frequencies, cancels sound leakage, and is able to be more transparent with others. In its US 010149041 patent, Apple describes refining that shape so that the earbuds can be "worn interchangeably in either a left or a right ear of a user" and eventually using a soft surface instead of hard plastic, in order to achieve best contact with the skin.

And the loose-fit form factor is not even an impediment for implementing active noise cancellation. While it makes the whole processing more complicated, it could actually show some benefits in augmented hearing applications and hearables. As Austrian company ams already demonstrated, loose-fit true wireless earbuds are compatible with ANC, even when more external noise can "leak" into the ear. For that scenario, ams designed Automatic Leakage Compensation (ALC) processing, which allows adjusting for the air leakage between the earbud and the user's ear in real time, while still achieving a noise attenuation rating of 30 dB. Not dealing with the occlusion effect also helps to compensate the phase variations in selected frequencies, or what some people have called "the eardrum suck phenomenon."

The Defunc True Go design combines the AirPods' shape with a silicone cover, which improves contact and fit. Unfortunately, silicone is also known to cause heat and discomfort in some users.

And of course many companies are simply copying Apple's design, because what works for them... We've seen many AirPods' copies launched in the market, but many also opt to combine the design with the traditional in-ear tips for the added passive noise filtering. Others actually try to improve on the Apple design, and detail the reasons why the loose-fit design might be more important than people think.

As Swedish audio brand Defunc describes in its TRUE GO true wireless earbuds, they complemented the design using a soft silicone membrane carefully shaped to look the same as the AirPods. The MultiTip -design, Defunc says "ensures a better sound, secure and comfortable fit." But more interestingly, the Swedish company says it conducted a consumer research survey of 200 people to test a number of different 3D-printed earbud tips, which determined this to be their "improved true wireless experience." And of course they are Bluetooth 5.0 and sell for just $49 USD...
                   

You Can DIY!
A High-Voltage Delay for Tube Amplifiers - The Sequel
By  Jan Didden  (Technical Editor, audioXpress)
 
In this project for audioXpress magazine, Jan Didden offers a modern update on his original high-voltage delay design, which he built to complement tube amplifiers. His original project, "High-Voltage Delay for Tube Amplifiers" was published in 2014 and worked fine, but it had two disadvantages: It needed a separate 6.3 V heater winding for power, and was limited to a selection of just two delay periods. So he decided to redo this unit with no additional outside power required, and the ability to set the delay between 20 seconds and 254 seconds, which should cover all requirements. The article describes the complete project, and there's a DIY kit available at diyaudio.com. This article is part of the audioXpress, November 2019, edition and we are making it available online!    Read the Full Article Now Available Here
Audio Electronics
Updating the Rules on Amplifier Metrics
By  Jens Tybo Jensen
(Head of Class D Audio Marketing and Applications at Infineon)
 
This article shares a new important insight on modern Class-D amplification from the experienced perspective of Jens Tybo Jensen - part of the founding team at Merus Audio, and now head of Class D Audio Marketing and Applications at Infineon. In "Updating the Rules on Amplifier Metrics," Jensen states that it may be time to rethink Class D audio design and measurement practices, and he details what multilevel Class D amplification can do for new product designs. This article was originally published in audioXpress, October 2019.    Read the Full Article Now Available Here

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