Elul Project 5781
חַדֵּשׁ יָמֵינוּ כְּקֶדֶם
Renew our days as in the past or renew our days as in the beginning.
This phrase, which is sung at the conclusion of every Torah service, originates from the 
Book of Lamentations recited on Tisha B’av. It expresses the hope that God will restore our days to resemble a time before the destruction of the Temple. The final word, kedem, not only evokes longing for a past time, but a primordial time, a beginning time, when the world was freshly born, creation. Furthermore, the root letters of kedem, kuf-dalet-mem, yield a number of additional meanings. Derived from kadim, which means east, kuf-dalet-mem also paradoxically points to the future and is used to convey forward motion. Kuf-dalet-mem connects a sense of progress and development not only to the past, but to a time that is essentially new.

We are living in a period of global mourning, uncertainty, transition, reflection, and hope. What have we been through, who are we now, and where are we going?

This Elul, what does it mean to move forward? What role does looking back, remembering, and restoring play in our personal and collective progress? And how might we be guided by the vision of a new world?
Today's Text: Day 8
Amos Imre:
Before my Great-Grandmother's Mirror

The painting entitled Before my Great-Grandmother’s Mirror (1935) condenses into a single space a visual memory and the fleeting moment of an afternoon in the small town.

Beyond reflecting the pictures hanging on the opposite wall and the bed – made up with a high stack of pillows underneath the bedspread as was the custom in the countryside – the mirror is filled with blurred, floating images of the ancestors, representing the cohesive force of family across generations or, if you will, the eternal chain of being.

The painting successfully challenges conventional unitary notions of time and space by conjuring up present and past simultaneously, literally on the same plane. This bears out the ars poetica Ámos articulated in one of his journal entries:

It does not suffice to paint an object, a figure or a landscape as just a motif. I believe it is the painter’s task to project, through his subjective vision, the soul of his themes, in other words the impact they have on their surroundings, as entities that somehow stay alive even in death.

--Katalin Petényi, IMRE ÁMOS, PAINTER OF THE APOCALYPSE, From The Hungarian Review 2016
Question of the Day
How does memory impact the way you envision the future? Jewish memory?
**IMPORTANT NOTE ABOUT UNSUBSCRIBING**
If you do not want to receive the daily Elul emails, please click on the "Update Profile" link in the footer of this email, then follow the instructions to update your profile and uncheck the "Elul Daily Email" list from your preferences. Please contact the office with questions.

DO NOT click the "unsubscribe" link. Clicking "unsubscribe" will remove you from ALL Temple Micah email lists, including the information to join us for Shabbat and High Holy Days.