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Here, Chagall portrays himself as the Creator on whose outstretched arms lay the miracle of human creation. According to the painting, it is a subject that he had seriously thought about it. Viewers can see a giant winged creature or angel at the center, and a white human's figure who's suspended above, so that he seems to hover. Chagall's work reveals a different sense of human creation than the biblical account. It is not exactly a portrait of human creation but, instead, the story of its essence…Chagall creates a new man in the image of God, not through divine inspiration but with the help of his own creative will. This Chagallian Adam turns his back on Creation; he seems lost in thought and mysteriously fascinated by his hand.
In Chagall's painting, God is a silent figure who acts rather than speaks, an apparition whose words issue from behind closed lips. His face is white and faceless, and his body seems to hover mid-air. When compared, he looks older than Adam but not as old as the biblical description, ‘wrinkles upon his brow.’
—Creation of Man by Marc Chaggall, 1958; France
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