Oct. 30, 2025

Top stories

■ ‘It was a “traumatic” day at CBS News, as David Ellison’s Paramount unleashed a fresh wave of layoffs across the company, hitting the news division hard.’ (Status) / Matt Thunell sets leadership team of Paramount Television Studios, unveiling executive appointments and departures (Deadline) / NBC and CBS cuts hit race and culture verticals (Nieman Journalism Lab) 


■ ‘Trial set for Dec. 1 over NPR's allegations that CPB unlawfully yielded to White House pressure as new evidence comes to light. CPB contends it reversed course in 48 hours on a $36M contract with NPR on the merits.’ (David Folkenflik) / CPB grants $1.1M to form Upper Midwest Newsroom (Current) 


■ FCC plans Nov. 20 open meeting, provides shutdown update (TV Tech)


■ Fox streamer Tubi turns profit earlier than expected, Lachlan Murdoch reveals on first results call since family settlement drama (Deadline) / Fox revenue rises on higher ad sales (Wall Street Journal) 


■ Comcast third quarter profit falls 8% as broadband, pay TV subscriber losses continue (The Wrap) / Comcast stock drops after broadband subscribers fall for 10th straight quarter (Wall Street Journal) 


■ Warner Bros. Discovery is up for sale. Why CEO David Zaslav isn't ready to give up the reins (Los Angeles Times)


■ YouTube TV flexes muscles again in showdown with Disney (Wall Street Journal) 


■ British newspaper spoke to the wrong Bill de Blasio, not an ‘imposter’ (Semafor) / Bill de Blasio on ‘imposter’ who duped newspaper with Mamdani attack (CNN) 


■ Analysis: Patrick Soon-Shiong wants to raise $500 million for the Los Angeles Times, but who would invest? (The Wrap)  


■ Gannett announces third quarter 2025 results, new AI licensing deal with Microsoft and updated business outlook (Gannett) 


■ How AI browsers sneak past blockers and paywalls (Columbia Journalism Review) / Hundreds of thousands of videos from news publishers like The New York Times and Vox were used to train AI models (Nieman Journalism Lab) / How Forbes is using ChatGPT referral data to create audience cohorts (Digiday) 


■ How a Philly Mag journalist sued an angry Facebook commenter – and won (Philly Mag)


■ Sophie Flay joins ABC News as correspondent and overnight anchor (Deadline) / The Atlantic announces Adam Kirsch as senior editor and Luis Parrales as staff writer (The Atlantic) / POLITICO names Cheyenne Haslett White House reporter, covering health care and technology policy (POLITICO) / Union-Tribune hires Harff to cover tech (Talking Biz News) 


■ Reuters launches ‘Pure News, Straight from the Source’ brand campaign to reach consumers seeking accurate, unbiased news in an era of growing misinformation (Reuters)


■ Many Americans say they often come across inaccurate news – and have a hard time knowing what’s true (Pew Research Center) / How trust in info from news outlets and social media has changed over time (Pew Research Center)

CRAFT

Words Matter: How to avoid bias in your reporting


“The debate over word choice to describe migrants, immigrants, and immigration is often as contentious as the subject itself. Which words you use can suggest bias and lend a rhetorical advantage to a political agenda. In today’s climate, when we are confronted with government officials who use language to dehumanize people and push extreme policy, words matter more than ever.


Understanding the terms refugees, migration, and asylum begins with understanding a few basics:



-- Excerpt from the National Association of Hispanic Journalists’ Culture Competence Handbook for current times

Editing extras to upgrade your news videos


Editor’s note: Throughout the month of October, the Institute and Canva are offering free bite-sized trainings on tips, tools, and Canva templates designed just for journalists. Sign up now to receive the daily emails.


In today’s installment of Camp Canva, we’re sharing tips that will take your news videos to the next level — things that will make viewers wonder: “How did they do this?” In reality, professional videos are often the result of just a few extra clicks of the mouse.


You just need to know what to click:


Remove the background (pro feature)


Tap the video frame you want to edit, and in the editor tool menu that appears near the top of your screen, select “BG Remover.” This allows you to replace the existing background with graphics and other elements (i.e. a chart for a data-driven explainer piece). (See how this works in a short demo.)


Fades and transitions


Between each scene (or “page”) in your timeline, you’ll find an option to add or change a transition.


A menu will appear on the lefthand side of your screen with several transition options.


Once you’ve selected a transition, you’ll have the option to toggle the duration of the transition, in which direction you want the movement to flow, and any colors associated with the transition. You also can select the option to “Apply between all pages” if you want consistency between scenes. (See more on transitions here.)


One more tip


Here’s a simple way to fade your video to black or fade in from a black screen (as we did in our welcome video).


  • Add a page after the video you want to fade out (click the +)
  • Add a transition between the pages and select “Dissolve”
  • Toggle the duration to choose how long you want the fade to take
CAREER
 

The next Career Support Office Hour is Nov. 18


The Institute will hold its last Career Support Office Hour of 2025 from 11 a.m. to noon ET on Tuesday, Nov. 18. During the hour, the conversation will focus on the current job market in the communications and public relations fields.


We’ll be joined by Diana Gardner of TorchLight Marketing, a boutique media agency based in Washington, D.C. She’ll share her insights on finding a career in communications outside of journalism.


The Institute is hosting this career office hour in collaboration with the National Press Club’s Communicator Team. To sign up, please register here:

 
 
COMMUNITY

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This newsletter is written and edited by the National Press Club Journalism Institute staff: Beth Francesco, Holly Butcher Grant, and Elliot C. Williams. Send us your questions and suggestions for topics to cover.


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The National Press Club Journalism Institute promotes an engaged global citizenry through an independent and free press, and equips journalists with skills and standards to inform the public in ways that inspire a more representative democracy. As the non-profit affiliate of the National Press Club, the Institute powers journalism in the public interest. The Institute's tax ID number is 52-1750908.