Sept. 11, 2025

Top stories

■ ‘Bloomberg has obtained 18K previously unreported emails from Jeffery Epstein's personal Yahoo account. The emails are disturbing and revelatory and reveal new details about Ghislaine Maxwell’s role’ (Jason Leopold) / How Bloomberg News vetted the Epstein emails (Bloomberg)


■ Graphic video of Kirk shooting was everywhere online, showing how media gatekeeper role has changed (Associated Press) / MSNBC fires Matthew Dowd, who said Charlie Kirk pushed hate speech (New York Times) / MSNBC apologizes over Matthew Dowd’s Charlie Kirk commentary (TIME) / Jezebel adds editor’s note to article about hiring ‘witches to curse Charlie Kirk’ published two days before he was assassinated (Variety) / How Charlie Kirk changed conservative media — and American politics (CNN) / TJA urges caution in reporting on details of Charlie Kirk shooting investigation (Trans Journalists Association)


■ Paramount Skydance prepares Ellison-backed bid for Warner Bros. Discovery (Wall Street Journal) / ‘Paramount's (i.e., the Ellisons) proposed bid to buy Warner Bros Discovery will be mostly cash and would include the whole company, including cable networks like CNN and the movie studio…’ (Justin Baragona) / Warner Bros. Discovery stock is up 25% after report Paramount Skydance is preparing a takeover bid (CNBC) 


■ Meet the new boss: Inside CBS following the Skydance-Paramount merger (Variety) / Paramount creates new sports entertainment division, led by Jesse Sisgold (Hollywood Reporter) 


■ Trump’s crackdown on drug ads could sting TV networks (Wall Street Journal) / FDA 'cease and desist' likely to have massive impact on $7B TV category (MediaPost)


■ Media groups urge Donald Trump to scrap plan to restrict overseas journalist visas (Financial Times) / China opposes ‘media warfare’ with US on journalist-visa limits (Bloomberg)


■ Federal judge curbs DHS force against journalists in L.A. (Washington Post)


■ CNN launches live overnight newscast to focus on West Coast (Variety) / Elex Michaelson joins CNN as anchor for a late-night program based in Los Angeles (Los Angeles Times)


■ Why is Hearst buying so many Texas newspapers? (Adweek) 


■ Illinois Public Media lays off two employees, cuts open positions (Current)


■ NPR's next news chief built an international career at CNN (NPR) / Bloomberg taps Cancel as Miami bureau chief (Talking Biz News) / International’s next bureau chief for Iran and Iraq (New York Times) / Sam Sifton is the new host of The Morning newsletter (New York Times) / Tashan Reed joins The Post as a Washington Commanders beat reporter (Washington Post) / Tech reporter Fung joins Google (Talking Biz News) / WCAV Charlottesville GSM Bill Lanesey retiring (TV News Check)


■ 'AMERICA'S DARKEST DAY': See newspaper headlines from around the world after 9/11 (Business Insider) / Our photographer reflects on her 9/11 images (New York Times) / ‘Morning Joe’ co-host chokes up in emotional plea for unity on 9/11 (Daily Beast)  

CAREER

How to make your journalism grant and fellowship applications stand out, according to funders


Many journalists have been there: You’re brainstorming and coming up with ideas for a reporting project or a collaborative news initiative, and that one thought looms overhead — “If only I had the money.”


The truth is, the money is out there. But we’re all fighting a two-part battle: knowing where to find the funding and then being selected to receive it over all the other qualified applicants in a competitive pool.


To help pull back the curtain on this process, the Institute was joined on Sept. 9 for a discussion with Anne Godlasky, president of the National Press Foundation; Marina Walker Guevara, executive editor at the Pulitzer Center; and Monica Williams, an independent journalist and fellow at Reynolds Journalism Institute who is developing a grant tracking tool. Each panelist shared strategies to help journalists find more funding opportunities, sharpen their proposals, and stand out among their peers. 


Generally speaking, the panelists advised the audience to avoid saving applications for the last minute and to try again after a rejection. Plus, they shared guidance for establishing a relationship with host publications and funders before starting the application process. For those tips and more, watch the full webinar here.


Over the next few weeks, we'll share pieces of advice from the panel.


Be clear about how you will use the funds 


Don’t sell your project short, but avoid inflating your proposed budget with unsupported numbers. When possible, look at what similar projects have cost to help guide your estimate. 


“The more specific, the more credible your proposal will be,” said Walker Guevara. This applies to your proposed budget. If you plan to travel for a reporting project, for example, do some research on how much it will cost per night, and factor in other line items like transportation and partnerships with local reporters. 


“I think the line items will help,” Williams said. “You show, ‘It will take 10 hours to translate these documents. I’m going to pay this person $30 per hour. That equals $300.’ Kind of go through it like you would your home budget.”


Depending on the publication and the funding opportunity, you may also need to include a line item for your salary, as not all publications will pay reporters directly for publishing their work.


“We are seeing outlets that say, ‘We’ll happily give you a platform to publish your story, but we can’t pay you,’ and that is really disappointing,” Walker Guevara said. “In some cases, what we tell freelancers is, when you apply, if you are not going to be paid — or if there’s this big gap — make the case in the application. Sometimes we can honor it, or we can at least honor part of it. Sometimes we can’t. And we still hope and try to work with outlets so they do their part, because philanthropy cannot take over everything. That’s not the way that the media industry should work.”

CRAFT
 

Tips for shifting gun violence reporting toward a public health lens


While much news coverage of firearm violence is reported through the lens of crime and politics, experts say this framing overemphasizes mass shootings and fails communities seeking solutions to gun violence.


The Institute and the Association of Health Care Journalists previously convened a panel of experts who shared advice on how to shift story framing to one that emphasizes solutions, prevention methods, and data. Here are three reporting takeaways from the conversation:


  • Build your network of sources beyond police to include public health professionals and violence prevention experts. Include the voices of families and firearm injury survivors in stories. Many stories only feature law enforcement voices, which can contribute to the public’s perception that only police, and individuals armed with guns, can prevent firearm violence. 


  • The story doesn’t end after the shooting. Keep the story in the public eye through stories on the anniversaries of a shooting, holding the police accountable for unsolved gun deaths, or focusing on lingering financial and social impacts of gun injuries. 



Watch the full discussion, featuring:


  • Dr. Jessica Beard, director of research, The Philadelphia Center for Gun Violence Reporting
  • Abené Clayton, reporter on the Guns and Lies in America project, The Guardian
  • Jennifer Mascia, senior news writer and founding staffer, The Trace
  • Moderator: Kaitlin Washburn, health beat leader for firearm violence and trauma, Association of Health Care Journalists; reporter, Chicago Sun-Times
 
 
 
COMMUNITY


Resources

This newsletter is written and edited by the National Press Club Journalism Institute staff: Beth Francesco, Holly Butcher Grant, Elliot C. Williams, and Mitch Harle. Send us your questions and suggestions for topics to cover.


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The National Press Club Journalism Institute promotes an engaged global citizenry through an independent and free press, and equips journalists with skills and standards to inform the public in ways that inspire a more representative democracy. As the non-profit affiliate of the National Press Club, the Institute powers journalism in the public interest. The Institute's tax ID number is 52-1750908.