Sept. 17, 2026

Top stories

■ Austin Tice: Assad regime planned US journalist's kidnap for weeks, BBC finds (BBC) / ICYMI: Introducing ‘Where is Austin Tice?’ a podcast from NPR and the BBC (NPR) 


■ ‘She died doing what she loved’: Friends mourn KNBC aerial reporter Eliana Moreno (Los Angeles Daily News) / ABC7's Chris Cristi remembers reporter, pilot killed in NBC4 helicopter crash (ABC7)


■ US Senate panel approves bill to bar government officials from pressuring networks on free speech (Reuters) 


■ Paramount sets California exit plans over antitrust battle with blue states and stymied $111B WBD merger (Deadline) / Paramount is looking for Nashville office space as it weighs leaving LA (POLITICO) / Texas courts David Ellison as Paramount relocation race heats up (Hollywood Reporter) 


■ Atlanta Journal-Constitution eliminates 5 executive roles in leadership shake-up (TheWrap) / McClatchy’s post-layoff future (Columbia Journalism Review)


■ ‘Business Insider’s new boss warned staffers that the traffic-driven model that built the digital outlet is collapsing, according to an audio recording obtained by Status, revealing internal numbers and his plan to turn the business around.’ (Status)


■ How three brothers built an AI slop empire by buying legitimate news sites and turning them into zombie content farms that they say get 50 million page views per month (Futurism) / Copyright lawsuit against OpenAI and Microsoft grows to more than 550 publications (Insider NJ) 


■ KAZU’s new leader is a familiar voice at the station (KAZU) / Religion News Service hires Patterson, formerly with WSJ (Talking Biz News) / CNBC hires three for investing and markets team (Talking Biz News) / CNBC hires Morrone from Axios as tech editor (Talking Biz News) / The Economist hires Miles Kruppa as technology correspondent (citybiz) / Joy Jenkins becomes Reynolds Journalism Institute’s research director, will launch transformative research effort (Reynolds Journalism Institute) / End of an era as ABC13's Jeff Ehling retires from Eyewitness News (ABC13 Houston) 


■ After 15 years of Pro, POLITICO finally launches a second subscription (Adweek)


■ The Library Newsroom Project could be coming to a library near you (Nieman Journalism Lab)

 
CRAFT

9 practices for reducing harm and reporting ethically on suicide


By Crystal Borde, Vanguard Communications, Vice President and Community-Driven Communications Practice Lead


In recognition of National Suicide Prevention Month, the Institute and the American Foundation for Suicide Prevention presented “Ethical Reporting Saves Lives,” a free, virtual training on responsible reporting on suicide and suicidal behavior.


Providing instruction during the training were María de los Ángeles Corral, vice president of public relations at AFSP, and Dr. Christine Yu Moutier, chief medical officer for AFSP. They shared practical tips and guidance for journalists and communicators to use in coverage on suicide, including appropriate language, images, and resources for at-risk readers.

María de los Ángeles Corral, vice president of public relations at AFSP

Dr. Christine Yu Moutier, chief medical officer for AFSP

Don’t reduce suicide to one cause. Bullying, job loss, discrimination, relationship problems or another crisis may be part of someone’s story, but suicide is complex and usually involves multiple risk factors.


Choose language carefully. Say “died by suicide,” not “committed suicide.” Avoid framing attempts as “successful,” “unsuccessful” or “failed.”


Ask whether a detail is truly necessary. Methods, locations, notes and other graphic or specific details can increase harm. Being accurate doesn’t require including everything we know.


Never communicate risk without also communicating hope. When talking about suicide, journalists and communicators should also make clear that help, treatment, and recovery are possible — and make resources like 988 easy to find.


Tell more stories about people who survived. We hear many stories after someone dies. We need more stories about people who struggled, sought help, survived attempts and built meaningful lives afterward.


Remember that images are part of the message. Choose visuals that emphasize connection, support and recovery rather than despair, methods or moments of crisis.


More coverage is not always better coverage. Repeated, prominent storytelling — particularly after a high-profile suicide — can contribute to contagion. We should always ask whether another story or post adds meaningful value.


Give people with lived experience agency. Someone grieving a suicide loss or recovering from an attempt may not be ready to tell their story immediately. Ethical storytelling means allowing people time, choice and control over what they share.


Take care of the storyteller, too. Communicators and journalists repeatedly exposed to traumatic stories can experience vicarious trauma. Our responsibility to communicate carefully should include caring for ourselves and our colleagues.


The idea I keep coming back to is this: Ethical storytelling can itself be a protective factor. That gives communicators both tremendous responsibility and tremendous opportunity.

Every headline, social post, photo, quote, and framing decision can move an audience toward greater hopelessness — or toward understanding, connection, and help. That is worth slowing down for.


If you or someone you know is struggling or experiencing a suicidal or mental health crisis, call or text 988.

CAREER
 

Pitching 101: ‘Always be pitching’


“What you want is to hit a rhythm so that you’re never out of work. Be strategic about where you pitch and what you say yes to so that you don’t spend too much time on something that doesn’t pay fairly. Your pitch should be clear, compelling and concise. It should include the 'why now' of the story and why you’re the right person to write it. It should be aligned with what the publication covers — and something the publication has not already written about. Every pitch requires pre-reporting. If you’re suggesting a story that involves accessing people or places, make sure that you have that access and communicate that in your pitch. If you pitch and don’t hear back after following up once or twice, move on.”


-- Fernanda Santos ,editorial director at The 19th, excerpt from "Freelance journalism can be brutal. Here’s how successful writers make it work." (Poynter)

 
 
COMMUNITY

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