Oct. 28, 2025

Top stories

■ Paramount plans to keep a merged Warner Bros. largely intact (Bloomberg) / ‘I asked Brendan Carr whether the FCC would have any oversight over a potential WBD merger with a company like Paramount and he said he doesn't think so.’ (Jeremy Barr) / Inside Taylor Sheridan's Paramount exit: Script notes, a Zaslav approach, and a $1 billion offer he couldn't refuse (The Wrap) / ‘As turmoil grips CBS News, "Evening News" co-anchor John Dickerson’s emotional exit marks the first major talent departure under Bari Weiss — with more upheaval ahead for the network.’ (Status) / Bret Baier insists he is not leaving Fox News for Bari Weiss' CBS: 'I'm flattered by all the press' (The Wrap) 


■ ‘Happening today: NPR and the Corporation for Public Broadcasting are in court for oral arguments. NPR is challenging CPB's authority to redirect millions in funding they say is reserved for its own satellite system.’ (Scott Nover) / CPB secures music rights for public media through 2027 (Current)


■ E.W. Scripps to sell Indianapolis ABC affiliate WRTV to Circle City Broadcasting for $83 million (The Wrap) 


■ CNN launches All Access subscription streaming offering, raising curtain on new era (Deadline) / Why CNN is going all-in on streaming — again (The Wrap)


■ YouTube TV inks Bloomberg Media deal for 24-hour news and originals channels (Variety) / It’s easier than ever to turn your dial to a live event (New York Times) 


■ Washington Post editorials omit a key disclosure: Bezos' financial ties (NPR)


■ An American journalist vanished in Syria 13 years ago. His mother never stopped searching for him (CNN)


■ Ex-Meta executive, CNN anchor Campbell Brown launches Forum AI with $3 million in funding (The Wrap) / The Atlantic promotes Krystle Champagne-Norwood and Emily Gottschalk-Marconi to managing editors (The Atlantic) / NCR names Michael O'Loughlin as executive editor (National Catholic Reporter) / Chris Conroy named GM of WOIO, WUAB, WTCL Cleveland (TV News Check) / Nick Hasenecz Named GM of WNDU South Bend (TV News Check) / The Guardian hires Michelle R Smith as senior science investigative reporter (The Guardian) / Variety CEO Michelle Sobrino-Stearns to step down after 28 years (Variety) 


■ Report: The state of creator journalism 2025 (Muck Rack) / Mapping news creators and influencers in social and video networks (Reuters Institute for the Study of Journalism) / Inaugural Adobe Creators' toolkit report: 86 percent of global creators use creative generative AI, see it boosting creator economy (Adobe)


■ Who’s going to save local newspaper archives? (Columbia Journalism Review)

COMMUNITY

Navigating the intersection of Indigenous reporting and substance use


Editor’s Note: The Institute is committed to providing journalists resources and connections that support their personal and professional lives. In 2025, we are collaborating with several groups to widen those networks of support. 


By Lucas-Matthew Marsh, freelance journalist and advisory committee member, Journalists Recovery Network

Two weeks ago, I was interviewing the subject of a human-interest piece when the conversation shifted to his struggles with addiction.


He opened up quickly, then began to stumble over his words and stopped. 


I think that was the moment he realized we were on the record, because then he said, “I hope you don’t put this all in the paper.”

It was ironic because everything he had just shared happened to mirror my own journey through recovery.


But as an Indigenous man speaking to a non-Indigenous reporter, he had good reason to err on the side of caution. Legacy media has a poor track record covering Indigenous communities — especially with stories on substance use.


We need to do better. 


The first step in this journey — like in recovery — is taking accountability for our actions and making amends with those we have wronged. But this conversation isn't going to fit into a single column. 


However, here are some lessons I’ve learned that are worth considering:


When reporting out of an Indigenous community, ask yourself: How am I connected to this community? Am I building genuine relationships or just using sources to get to a story?


Working for an Indigenous-owned newspaper has allowed me to build a level of trust with my sources that most reporters will never get. But anyone can learn from this by taking the time to meaningfully engage with the communities you're working with.


Another thing to keep in mind is your framing. Researchers Eve Tuck and K. Wayne Yang coined the term “damage-centered research” to describe work that focuses on trauma or loss in marginalized communities.


As journalists, we fall into the same trap: Overfixating on "damaged-centered" narratives.


Try to balance your reporting out with strength-based narratives that highlight resilience and healing. Both types of stories have their place. But knowing when to use which comes from listening to your sources. However your subject interprets their personal narrative, reflect it in your reporting.


It’s also important to know when not to report on substance abuse. Legacy media has a habit of inserting it in stories it doesn’t belong: like in profiles on athletes and artists. Include it only when it’s relevant to the story.


Avoid speculation in missing persons cases. If someone has gone missing or passed away, the first question should never be, did they have drugs or alcohol in their system?


The most important thing to remember is that while dehumanization is inherent in reporting on substance use, it is especially so when covering Indigenous stories. So make sure you're presenting your subjects for who they are in their entirety — not just as an “addict.”


When I wrote my story, I chose to describe him with the words that his community had used:


  • A good father.
  • A hard worker.
  • A man who, despite all odds, managed to turn his life around.


Because he was never just an alcoholic, because I was never just an alcoholic. We have always been more than that.


For anyone seeking support with substance abuse, please reach out to the Journalists Recovery Network anytime. Click here for additional resources.

CAREER
 
2026 National Press Club Scholarships Opportunities for high school college and graduate students Apply by March 1

Share with a student: Applications open for 2026 National Press Club scholarships


The National Press Club and the Institute are now accepting applications for all 2026 scholarships. Opportunities are available for high school, college, and graduate student journalists:


  • The Scholarship for Journalism Diversity Honoring Julie Schoo is a $5,000 scholarship awarded to a high school senior. The award can be renewed for up to three years at $5,000 per year. 
  • The Richard G. Zimmerman Scholarship is a one-time scholarship of $5,000 to support a high school senior who wishes to pursue a career in journalism. 
  • The Wes Vernon Broadcast Scholarship supports diversity within broadcast journalism. The scholarship is $5,000 awarded to a student who demonstrates a commitment to a career in broadcast journalism. The award can be renewed for up to three years.  
  • The Lewis Scholarship provides housing and a monthly stipend to support student journalists of color with newsroom internships in Washington, D.C., during the summer semester.
  • The Dennis and Shirley Feldman Fellowship recognizes a journalism graduate student with a one-time scholarship of $5,000. 
  • NEW: The Rich Passan Sports Writing Scholarship is a $5,000 award supporting undergraduate college juniors or seniors who demonstrate excellence and promise in sports journalism.


The deadline for all 2026 applications is Sunday, March 1, at 11:59 pm ET. Click here to apply.


National Press Club scholarships are administered by its nonprofit affiliate, the National Press Club Journalism Institute. Click here to learn more.

 
 
CRAFT

Adding audio and captions to your videos in Canva


Editor’s note: Throughout the month of October, the Institute and Canva are offering free bite-sized trainings on tips, tools, and Canva templates designed just for journalists. Sign up now to receive the daily emails.

Adding audio to your videos can enhance the mood and help you share the news more clearly. Canva makes it easy to add voiceovers and music by layering in audio in the timeline editor.


Here's how:


  • In the audio menu on the lefthand side (Elements ⟶ Audio) you’ll find a search bar that will help you find the music that best fits your news reel
  • Be as specific as possible when searching, as you would in an SEO search, i.e. “serious news report instrumental” will turn up more appropriate audio than “news background”
  • Right click the audio track to find options like adjusting the volume and other audio editing features.


Keep in mind: Music isn’t always necessary. Be intentional about the audio you add, and balance it so the recorded soundbites, interview clips, and voiceover are heard above everything else.


Once you your audio is ready, consider the power of captions. A video with well-placed captions in an easy-to-read font can be more engaging, easy to reference, and more accessible for viewers.


Canva makes it efficient to add captions to your video from scratch or — for Pro users — to autogenerate them.


Here’s how to add captions from scratch:


  1. When editing a video, click “Notes” under the timeline editor and paste your video transcript.
  2. Break up the video into scenes by pausing the video, right-clicking, and selecting “split” (or, press the S key while the video plays).
  3. Copy and paste the text you want to appear in the first scene, customizing the color, font, and size of the text.
  4. You can toggle effects to make the text more readable.
  5. Animate the text box to choose how you want the text to move within the frame.
  6. Repeat these steps for each page to add new subtitles.


Are you a Canva Pro user? Click here to learn more about autogenerated captions.


Resources

This newsletter is written and edited by the National Press Club Journalism Institute staff: Beth Francesco, Holly Butcher Grant, and Elliot C. Williams. Send us your questions and suggestions for topics to cover.


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The National Press Club Journalism Institute promotes an engaged global citizenry through an independent and free press, and equips journalists with skills and standards to inform the public in ways that inspire a more representative democracy. As the non-profit affiliate of the National Press Club, the Institute powers journalism in the public interest. The Institute's tax ID number is 52-1750908.