Aug. 11, 2026

Top stories

■ What 100-plus federal actions reveal about the Trump administration’s campaign against the press (Poynter)


■ Trump’s secret Air Force One switch crosses a new line with journalists (Washington Post) / ‘Trump's Air Force One switch echoes a Clinton-era maneuver, but there's a key difference: One reporter has revealed that she was briefed prior to the ruse in 2000.’ (Scott Nover) / ‘...The Washington Post’s spectacular scoop about President Trump secretly switching planes is bound to further intensify the fight about government leaks that undermine Trump’s claims and inform the public.’ (Brian Stelter)


■ David Ellison says he’ll pull Paramount out of California starting Oct. 1 if states refuse to negotiate settlement in antitrust suit (Variety) / ‘David Ellison has been reaching out to Democrat politicians and donors to see if they can convince Rob Bonta to negotiate a WarnerMount settlement.’ (Matthew Belloni)


■ ACLA requests ABC station probe documents from FCC (TV Tech)


■ ‘NBC News once vowed to keep its best journalism free, but the news outlet is now putting its exclusive and enterprise reporting behind a digital paywall — and not everyone inside the company is thrilled. (Status)


■ Vermont executive order prioritizes ad spending with local newsrooms (Current) 


■ An indie journalist in Worcester avoids having to identify his confidential sources — for now (Dan Kennedy)


■ Unionized journalists at Reuters protest unlawful intimidation campaign from corporate brass (The News Guild)


■ The Atlantic announces Madeleine Carlisle and Danyel Smith as staff writers (The Atlantic) / Emily Feng joins NPR’s Politics and Policy desk (NPR) / New York Times hires Jessica Contrera as Ohio-based national correspondent (CityBiz) / The New York Times hires new motion graphics editor for Opinion (New York Times) / Why I’m excited to be The Athletic’s Edmonton Oilers beat reporter and what I’ll be covering (The Athletic) / Veteran morning show reporter Jerry Barlar is gone from WKRN News 2 (Nashville Tennessean) / WBIR reporter leaves TV news, saying it can be 'incredibly draining' (Knoxville News Sentinel)


■ ‘Politico EIC Jonathan Greenberger explains how a business-side executive ended up running the newsroom — and what it means for Politico's future…’ (Dylan Byers)


■ New York Post launches ‘Hamilton’ AI chatbot (Axios) / Introducing The 713: Commute Mode, the Chronicle's new AI-assisted audio news briefing (Houston Chronicle) / Perplexity blocks Time’s ads served to AI agents, calling them 'deceptive' (Digiday) / French newspapers appeal to antitrust regulator over Google's AI summaries (France 24)


■ We analyzed 6,400 New York Times stories to find out how comments change when you give readers more information (Nieman Journalism Lab)

CRAFT

How to make your social media videos stand out


By Jennifer Nehrer, NPCJI Intern


For the first time globally, more people get their news from social media platforms than television or news websites, according to a new report by the Reuters Institute for the Study of Journalism. The report also shows a steady decline in the percentage of users getting their news from TV or news sites, sounding an alarm for journalists who haven’t yet made the pivot to social media.

To help reporters adapt, the Institute hosted Rahim Jessani, a news creator and founder of Bottom Up Media. Jessani presented best practices for vertical video creation and building a presence on social media, including how to best capture and keep the audience’s attention, how to set up for filming, and how to test your work. 


Here are the key takeaways from his workshop.


Keep your videos casual


Internet audiences respond more favorably to authenticity and will interact more with a personable presence, Jessani said.

To build that effect when filming, Jessani recommended that journalists deliver the news as if they are chatting with a friend. Their on-camera presence should differ from traditional newscast stand-ups, he noted. 


Journalists can make a video more personable by trying any of the following while delivering the news:


  • Tell the news to your pet
  • Sit with a coffee or other (screen-appropriate) drink
  • Get ready for your job by fixing your hair, tying a tie, or showing off your outfit


Record and save everything, even the outtakes, Jessani said. When editing a video, splicing in a mistake or two can make journalists seem more relatable and add some humor to the clip when appropriate. 


Follow the rules of vertical video


Journalists should keep in mind certain best practices and rules to make videos accessible and algorithm-friendly. 


Be sure to follow the usual standards for on-camera reporting, including filming in the best possible video quality, using good lighting and a quality microphone, and utilizing a tripod or a flat surface to get even, stable video. 


Journalists should also be aware of the following standards on social media platforms:


  • Videos should typically be under 60 seconds — and under 90 seconds at most — to accommodate the typical attention spans of users on short-form video platforms.
  • Add a headline and captions to videos. Headlines and captions are essential to grabbing and retaining your audience, as many social media users will scroll with their device on mute, Jessani said.
  • Don’t be afraid to include jump-cuts in a video. In fact, more cuts lead to more engagement on social media platforms. 
  • Use screenshots of articles or other citations instead of using up critical video time by mentioning your sources by name.
  • If you want to use B-roll (video-only clips of scenery or objects related to your video), keep it very short or position yourself in front of it using a green screen effect in order to keep the audience engaged with you..


Test and practice


Having a video go viral does not often happen on the first try, and building a consistent internet presence takes time, Jessani said. He recommended that those who are new to vertical video practice recording stories they may not actually put on their feeds to get used to being on camera. Practice editing those videos, as well, to build short-form video skills over time. 


Instagram allows creators to “test” videos by sending them out under the “Instagram Trial Reels” feature. This publishes videos exclusively to accounts that don’t follow the creator and will not display the video to followers in their feeds or on the creator’s profile. Jessani said he uses this feature to do A/B testing (which is a method of determining which version of a product will appeal more to a random sample of users) on new strategies and features. 


Outside of testing, Jessani urged the audience to always monitor their metrics, which can be found on the dashboards for creator accounts, to keep a close eye on their content’s success and failures. Find out what’s working and what isn’t, and adapt.

CAREER
 
 

Pitching Tip: Always follow up


“When it comes to dealing with editors, consider this your permission to be just as determined. You want answers. Go get them.



... The reality is many editors overlook emails or forget to write people back. They might need you to nudge them.”


-- Cristina Silva, managing editor for operations and standards at The Boston Globe, excerpt from "Don’t feel bad about following up with editors. It’s part of the job." (Poynter)

 
 
COMMUNITY

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