Norbeck, Peters & Ford
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The new
VOCAL RECORD COLLECTORS' SOCIETY
the Bayreuth 1961 Kempe RING finally is here . . .
Ethel Smyth's THE BOTSWAIN'S MATE . . .
MRAVINSKY, NEVEU & ANNIE FISCHER . . .
and our 50% SALE Continues
- VOCAL RECORD COLLECTORS' SOCIETY - 2016 Issue, incl. Jacques Urlus, Germaine Gallois, Franz Birrenkoven, Rosalia Chalia, Ernesto Badini, Rikárd Erdös, Marie Keldorfer, Erik Ole Bye, Friedel (Friedl) Böhm, Emil van Bosch, Emma Scheidl-Hausser, Max Hirzel, Florence Macbeth, Marcelle Denya, José Beckmans, Malcolm McEachern, Margarethe Heyne-Franke, Carolina White, Donald Dickson, Mildred Miller & Mario Binci. VRCS-2016, recorded 1904-46. Transfers by Seth B. Winner. (V2488)
"The annual VRCS CD is with us again, and the selection of records provides a fascinating selection of tracks of which few collectors will already posses even a single one....The presentation fully lives up to VRCS's expected excellence with the usual extensive biographies, photographs and discographical details for all tracks. The transfers are also of the state-of-the-art quality to which Seth Winner always treats us. Only Marston issues equal the VRCS in their technical and presentational quality. Thoroughly recommended."
- Paul Steinson,
THE RECORD COLLECTOR, 2015
(regarding the VRCS 2015 Issue)
- DER RING DES NIBELUNGEN, Live Performance, 1961, w.Kempe Cond. Bayreuth Festival Ensemble; Jerome Hines (Wotan), Birgit Nilsson (Brünnhilde), Hans Hopf (Siegfried), Regine Crespin (Sieglinde / Third Norn), Fritz Uhl (Siegmund), Otakar Kraus (Alberich), James Milligan (Der Wanderer), Regina Resnik (Fricka), Gottlob Frick (Hagen/Hunding), Gerhard Stolze (Loge), Thomas Stewart (Donner/Gunther), David Ward (Fasolt), Peter Roth-Ehrang (Fafner), Herold Kraus (Mime), Wilma Schmidt (Freia/Ortlinde/Gutrune), Marga Höffgen(Erda), Ingeborg Felderer (Woglinde/Helmwige/Waldvogel), Elisabeth Steiner (Wellgunde/Grimgerde), Elisabeth Schärtel (Flosshilde / Waltraute), Lilo Brockhaus (Schwertleite), Ruth Hesse (Rossweisse) & Gertraud Hopf (Gerhilde). (Germany) 13-Orfeo C 928 613Y. (OP3190)
"Richard Wagner's RING was performed in the highly reduced version by Wieland Wagner at the eight Bayreuth festivals since the re-opening of the theatre in 1951. However, by 1960 it seemed that the time had come for a new production, a task placed in the hands of Wieland's brother Wolfgang, whilst direction of the production was given to the then 48-year-old conductor Rudolf Kempe. The reaction to the refreshingly new musical portrayal of the Bayreuth debutant from Saxony was unanimously positive and remained so for the five years that Kempe conducted the orchestra; indeed, the impression was retrospectively reinforced (one critic many years later compiled a now famous, comprehensive and comparative discography, citing a recording of Kempe's Bayreuth RING as the best recording ever). Originally trained as an oboist, the Dresden-born Kempe began conducting in the 1930s and after the war became director of the Dresden, and then of the Bavarian state opera companies. In the course of the 1950s he enjoyed great success as a guest conductor at London's Covent Garden (including Wagner's RING), and in 1961, the second year he conducted the RING in Bayreuth, he assumed direction of the Royal Philharmonic. This recording, available for the first time, has been remastered from the original tapes of the Bavarian Broadcasting Company. What makes this release so unique is its cast, many of whom can be heard giving their débuts at Bayreuth."
- Orfeo
- YEVGENY MRAVINSKY Cond. Leningrad Phil.: Haydn, Mozart, Tschaikowsky, Shostakovich, Ravel, Debussy & Ravel; w.SVIATOSLAV RICHTER: Concerto #2 in B-flat (Brahms); Concerto #1 in b-flat (Tschaikowsky). (Germany) 6-Hänssler Profil PH15000. (C1475)
"Readings of the utmost intensity; no one else has had the nerve, or ability, to play the music this way. The treatment is very Russian: the passions more feverish, the melancholy darker, the climaxes louder.
It has been said that the string musicians played as if their lives depended on it. Equally distinctive are the wind and brass timbres; those who heard the Leningrad Philharmonic in performance under Mravinsky say that no other ensemble sounded remotely like it in pianissimo or fortissimo. The sonics are remarkably strong for the time, though a little edgy in the loudest pages. These accounts leap out of the speakers as if they were being played in the here and now."
- Ted Libbey, NPR Classical, 25 Aug., 2009
- GINETTE NEVEU, w.Désormière Cond. NRDF S.O.: Violin Concerto in D (Brahms), Broadcast Performance, 1948; w.Rosbaud Cond. Baden-Baden SWR S.O.: Violin Concerto in D (Beethoven), Broadcast Performance, 1949. (Germany) 2-SWR 19018. (S0699)
"[Neveu] left a handful of recordings which document a remarkable musical spirit....She would surely have developed to one of the supreme violinists [had she not been taken from us at age 30] - she had already touched greatness."
- Tully Potter, THE RECORDED VIOLIN
- THE BOATSWAIN'S MATE (Smyth), recorded 2015-16 [First Complete Recording], w. Odaline de la Martinez Cond. Lontano Ensemble; Nadine Benjamin, Edward Lee, Jeremy Huw Williams, Simon Wilding, Ted Schmitz, Rebecca Louise Dale & Mark Nathan; THE BOATSWAIN'S MATE (Ethel Smyth) - Excerpts, recorded 1916, w.Rosina Buckman, Frederick Ranalow, Courtice Pounds, etc.; THE WRECKERS - Overture (Cond. by the Composer), recorded 1930. (England) 2-Retrospect Opera LC 52095, w.Libretto-Brochure. (OP3191)
"...this beautifully presented premiere recording of Smyth's fourth and most performed opera [is] conducted with infectious brio by her loyal champion Odaline de la Martinez....THE BOATSWAIN'S MATE (1916, based on a story by W. W. Jacobs) is a tight little rural comedy [in which] we find ourselves in a world close to Smetana or early Janácek. Smyth's tuneful score is likewise soaked in folk idioms without being a slave to them; and though her Anglo-German style (ranging from Sullivan through to Richard Strauss) is very different, she shares the Czechs' mastery of dramatic effect.....Retrospect Opera is a new venture devoted to British lyric theatre pre-Britten; and invaluable filler, added to three authoritative essays, a complete libretto and high production values all round, enhances an auspicious debut."
- OPERA, October, 2016
. . . REPEATED FROM THE RECENT PAST . . .
- ARTUR RODZINSKI Cond. NYPO: Symphony #1 in f (Shostakovitch); w. ARTHUR RUBINSTEIN: Piano Concerto #2 in B-flat (complete, as broadcast, with a brief interruption) (Brahms). (Canada) St Laurent Studio YSL 78-404, Live Performance, 7 Dec., 1941, Carnegie Hall. [Also includes the abrupt interruption of this concert with live coverage of the Japanese attack at Pearl Harbor as it was happening. After the intermission's continuing announcement, there is a further very brief announcement in the middle of the Brahms Concerto which then continues afterward. A unique document!] Transfers by Yves St Laurent. (C1476)
- DAVID BADRIDZE: Russian Romances, Italian Songs & Operatic Arias - recorded 1930-50, plus LA TRAVIATA - Act III, 5 April, 1962, w.Azmayparashvili Cond. Tbilisi Ensemble, w.Gayane Dolidze, David Badridze & Peter Amiranashvili ; Viktor Dolidze's KETO AND KOTE, w.Galina Sakharova, David Badridze, David Gamrekeli, Sergey Gotsiridze, Zinaida Sokolovskaya, etc., 1948 performance; Shaverzashvili's MARINE, w.Gayane Dolidze, Claudia Konstantinova, David Badridze, Alexei Korolev, Olga Osipova, etc., 1955; plus a DVD of Fragments of the concert movie SHIELD DZHURGAYA, Tbilisi studio, 1944. GTRF, Russian State Archive of sound recording. Slipcase Edition, incl. 68pp booklet. Specially priced. (V2486)
"If you like the type of 'Russian' tenor voice that was Kozlovsky's, Lemeshev's or Orfenov's, you should certainly warm to that of the Georgian tenor David Badridze. His operatic repertoire encompassed a wide range...."
- John T. Hughes,
THE RECORD COLLECTOR, 2006
- IVAN KOZLOVSKY, w.Orlov Cond.; Sakharov, Naum Walter & Nikitin (Pfs.): Songs by Beethoven, Schubert & Liszt. (Russia) Aquarius AQVR 395, recorded 1945-59. [A jewel of a recital, beautifully sung and fabulously well-recorded!] (V2487)
"Kozlovsky's voice was distinguished for its beautiful high register and rich palette of shadings. He sang more than 50 operatic rôles, and was especially famous as Lensky in EUGENE ONÉGIN. They say that Ivan Kozlovsky considered his voice as his one and only possession and prayed every morning thanking the Lord for the priceless gift He gave him."
- Olga Fyodorova
- DIMITRI MITROPOULOS Cond. NYPO: Faust - Overture (Ginastera); Symphony #5 in B-flat (Schubert), Live Performance, 24 Feb., 1957, Carnegie Hall; DIMITRI MITROPOULOS Playing & Cond. NBC S.O.: Piano Concerto #3 in C (Prokofiev), Live Performance, 16 Dec., 1945, w. NBC Concert Hall broadcast announcer Lionel Barrymore's commentary before and after performance. (Canada) St Laurent Studio YSL 33-386. Transfers by Yves St Laurent. (C1468)
- JUSSI BJÖRLING, w.Bertil Bokstedt (Pf.): Songs by Schubert, Brahms, Liszt, Strauss,Wolf, Sibelius, Alfvén, Grieg & Tosti: Björling announces Peterson-Berger song as a substitute; Arias from Andrea Chénier, Carmen & Die Zauberflöte - Live Performance from Falkoner Centret, Copenhagen, 15 October 1959; w.Howard Barlow Cond. Voice of Firestone Orch.: If I Could Tell You (Idabelle Firsetone), Sylvia (Speaks), L'alba separa (Tosti), PRINCESS PAT - Neapolitan Love Song (Victor Herbert), TURANDOT - Nessun dorma - Broadcast Performance, 10 March, 1952. Voice of Firestone, NBC Studios Rockefeller Center, New York. (England) JSP Records JSP 682, accompanied by elaborate 24pp booklet containing Stephen Hastings' analysis of this recital. Transfers by Seth B. Winner. (V2472)
"This is an extraordinary discovery - a Jussi Björling recital that has not previously been available....There are some cases where the performances strike me as among the finest of his that can be found on disc....His singing offers a text book example of an evenly produced legato and flexible phrasing. We also recognize immediately that in Bertil Bokstedt the tenor has a particularly sensitive and skillful pianist....in fact this recital finds him in such magnificent voice that it can be recommended to anyone who loves the singer, and it also is a wonderful way for someone who wants to understand the reasons that we old-timers rave about [him]. The Copenhagen recital is greatness defined, and the recorded sound is remarkable. Apparently the concert was recorded on reel-to-reel tape by the venue...and the balance and perspective are ideal. Even if you have a reasonably extensive collection of Jussi Björling recordings, this is a worthwhile addition. If you don't, it is essential. The sound quality is more natural and well balanced than many of the tenor's live recitals, and the magnificence of the singing is something the likes of which we shall probably never hear again."
- Henry Fogel, FANFARE
- MARIAN ANDERSON: First Restored Release of the fabled 1939 concert on the steps of the Lincoln Memorial in Washington, D.C., w. Kosti Vehanen (Pf.): 'America'; 'Ave Maria' (Schubert); Spirituals; LA FAVORITA - 'O mio Fernando'.
Also a recently discovered live concert by MARIAN ANDERSON at Falkoner Centret, Copenhagen in 1961 is presented, in excellent sound, in its FIRST EVER RELEASE, w. Franz Rupp (Pf.): Songs by Brahms, Schubert, Kilpinen, Palmgren & Sibelius; Spirituals; SAMSON ET DALILA - Mon coeur s'ouvre à ta voix. Copenhagen, Falkoner Centret, Live Recital, 1961. Includes a richly illustrated 24pp. booklet featuring detailed discussion by noted author Harlow Robinson. Restorations by John H. Haley of Harmony Restorations, LLC. (England) JSP Records JSP 683. (V2481)
"About a year ago JSP Records issued a sensational disc with a newly found concert with Jussi Björling, recorded at Falkoner Centret in Copenhagen. Now comes a recital from the same source with another fixed star in the vocal firmament: the American contralto Marian Anderson. In both cases the material, from what is obviously a hitherto unknown goldmine, has been lovingly restored by John H. Haley. Coupled with the recital is a restoration of the legendary concert, broadcast from the Lincoln Memorial in Washington D.C. on Easter Sunday in 1939.
What has been preserved is of such quality that had there been no other recordings of her, [this recital] would be enough to render her a place at the top of the Pantheon of great singers. So for musical reasons this restored concert is a valuable addition to her discography in itself. The historic importance of the concert is even greater. The booklet reveals in detail the many turnabouts before the concert could be arranged, a concert that reached millions through the NBC broadcast and became the starting shot for opposition against US discrimination policies. Marian Anderson became a symbol for the Civil Rights Movement.
No one with an interest in good singing can afford to be without this disc."
- Göran Forsling, MusicWebInternational.com
- BRIC-À-BRAC (Lionel Monckton & Herman Finck), recorded 1915, w. Herman Finck Cond. Palace Theatre Ensemble; Walter Jeffries, Teddy Gerard, Murray Johnson, Gertie Millar, Gwendoline Brogden, Nelson Keys & Simon Girard; Extras by Arthur Playfair, Nelson Keys, Murray's Savoy Quartet, etc. (England) Palaeophonics 123, w.Elaborate 'The Play' 20pp. Brochure replete with numerous photos of the Palace Theatre 1915 production & biographies. Excellently transferred from the legendary Acoustic 78rpm HMV rarities. (PE0279)
"The most successful revue of 1915 was BRIC-À-BRAC. It opened at the Palace Theatre on 18 September and ran for 385 performances. The revue was originally set to star American Elsie Janis but she had returned to New York and instead it brought from the world of Musical Comedy its biggest star, the enchanting Gertie Millar. She had a strong team with her in Gwendoline Brogdon, Teddie Gerard, Nelson Keys, Arthur Playfair, Lauri Wylie and French light comedian newcomer, Simon Girard. Miss Millar's husband, Lionel Monckton, wrote much of the music with Herman Finck and the book and lyrics were by Arthur Wimperis and Basil Hood.
BRIC-À-BRAC was the most successful of the Palace revues; it would take Danny La Rue to break its record fifty-five years later. It had taken a British star of the magnitude of Gertie Millar to replace the leading spot so associated at the time with American ladies. True, Teddie Gerard who was American was still in evidence and had scored well, but for the rest, with one notable exception, they were home grown."
- phayward, OVERTURES, 16 Sept., 2015
- DIE MEISTERSINGER - Act III, excerpts (in Russian) (Wagner), w. Samosud Cond. All-Union Radio Ensemble; Boris Dobrin, Meczyslaw Schavinsky, Vladimir Zahkarov, Vladimir Tarsky, Nadezhda Sukhoitsynva, etc.; NADEZHDA SUKHOVITSYNA: Nozze - Voi che sapete; PANTELEIMON NORTSOV: Don Giovanni - Deh, vieni alla finesta; Finch' han dal vino; NATALIA ROZHDESTVENSKAYA: Der Erlkönig; Gretchen am spinnrade (both Schubert) (all in Russian). (Russia) Aquarius AQVR 397, Live Performance, 3 Dec., 1952, Moscow Conservatory (recorded in brilliant, clear sound!). (OP3189)
"This concert also includes very rare recordings of the baritone Panteleimon Nortsov performing Don Giovani's Serenade and Aria. Nortsov despised singing in the studio and apart from early recordings of EUGEN ONÉGIN and THE QUEEN OF SPADES he left only a handful of recorded arias and songs. The concert also includes Natalia Rozhdesvenskaya (the mother of conductor Gennady Rozhdestvensky) in performances of 2 Schubert lieder."
- Ned Ludd
- DIE MEISTERSINGER, recorded 1951, w.Kempe Cond. Dresden Staatsoper Ensemble; Ferdinand Frantz, Bernd Aldenhoff, Tiana Lemnitz, Heinrich Pflanzl, Gerhard Unger, Kurt Bohme, Gerhard Stolze, Theo Adam, etc. (Germany) 4-Hanssler Profil PH13006. (OP3186)
"That remarkable musician Rudolf Kempe made two recordings [of MEISTERSINGER]. The first [above] had a short catalogue life complete....It originated in a wartime broadcast from Dresden....worth having for the dulcet Eva of Tiana Lemnitz and for Ferdinand Frantz, a favourite singer of Kempe's, in fresher voice than in Kempe's 1957 set....there is a total inevitability, a sort of splendid rightness, that is striking....Frantz...makes a commanding figure, admitably clear, and catches [Sachs'] humour perhaps better than any other recorded Sachs except Paul Schöffler....for David there is an automatic first choice: Gerhard Unger.... Gerhard Unger had few equals as David...."
- Richard Law, OPERA ON RECORD, Vol. I
- DIE MEISTERSINGER, Live Performance, 23 Aug., 1937, Salzburg, w.Toscanini Cond. Vienna Staatsoper Ensemble; Henk Noort, Hans Hermann Nissen, Herbert Alsen, Maria Reining, Kerstin Thorborg, Hermann Wiedemann, Viktor Madin, Eduard Fritsch, Georg Maikl, Hermann Gallos, Richard Sallaba, Erich Majkut, Hans Rosenberg, Josef Fruchter, etc.; DIE MEISTERSINGER - Scenes, Live Performance, 8 Aug., 1936, Salzburg, w.Toscanini Cond. Vienna Staatsoper Ensemble; Charles Kullman, Hans Hermann Nissen, Lotte Lehmann, Herbert Alsen, Richard Sallaba, etc.; DIE MEISTERSINGER: Act III Quintet, with Felix Weingartner Cond. Lehmann, Thorborg, Laholm, Werning & Hofmann - Live Performance, 20 Sept., 1935, Vienna. (Canada) 5-Immortal Performances IPCD 1069, w. Elaborate 58pp Booklet, w.Notes & Audio restoration by Richard Caniell. Specially priced at Five discs for the price of Four. (OP3185)
- LE ROI MALGRÉ LUI, recorded 1960, w. Bigot Cond. Janine Micheau, Christiane Castelli, Willy Clément, Michel Cadiou, Xavier Depraz, Lucien Lovano, etc.; UNE EDUCATION MANQUÉEE - excerpts, recorded 1953, w.Bruck Cond. Claudine Collart, Christiane Castelli & Xavier Depraz (both Chabrier); CHRISTIANE CASTELLI: Chabrier Songs, recorded 1954. (France) 2-Malibran 772. (OP3188)
- LE VOYAGE DE LA LUNE, Broadcast Performance, 20 Nov., 1961, w.Kreder Cond. Claudine Collart, Joseph Peyron, Lucien Lovano & Michel Hamel; LE VOYAGE DE MESSIEURS DUNANAN PÈRE ET FILS, Broadcast Performance, 6 Feb., 1956, w.Bervily Cond. Christiane Harbell, Nicole Broissin, Jean Giraudeau, etc. (both Offenbach). (France) Malibran 786. (OP3187)
. . . numerous out-of-print CDs and LPs, [many sealed copies
of numerous out-of-print additions: Issues of Symposium's
Harold Wayne series, Romophone, The Record Collector,
VRCS, GOP & many Met Opera broadcasts,
plus Operas by
Handel, Mercadante, Marais, Cavalli, Rameau, Lully,
Monteverdi, Charpentier, Gluck, Vivaldi, Pergolesi, Rossini,
Meyerbeer, Weckerlin, Nicolai, Schreker, Marschner & Gurlitt]
have been added throughout our listings, in appropriate
categories . . . out-of-print books [many biographies,
Record
Catalogue-
Discographies . . .
more are added each week . . .
our 50% Discount Sale continues,
with numerous additions . . .
----------------- ANNOUNCEMENT ------------------
with revised closing date of
Saturday, 21 May
!
At a total of 118 pages, this is the largest auction we've ever produced, filled with many rarities, plus MINT copies of 'Society' recordings (all pressed from original masters), now at closeout prices.
It will come as no surprise that Norbeck, Peters & Ford have been concentrating our efforts in locating and promoting thousands of historical-interest CDs during the past quarter century, often at the expense of the somewhat rarified collector of the original 78rpm issues. Now, the long wait is over as we have spent much of the past year organizing, researching and listing many 78s in our vast inventory, many of them with appropriate critical and biographical quotes. This auction features a large assortment of instrumental- , vocal and historically important records, the vast majority being in truly spectacular condition.
As our little urchin stares into the recording horn, you can now view our current AUCTION whose revised closing date is Saturday, 21 May
!
For the recently-offered Archipel, Myto, Gebhardt, Walhall, Melodiya, Vista Vera & Living Stage titles on sale, simply visit our
sale section of our website). This is the ideal opportunity at bargain prices to fill in gaps in one's collection.
. . . For the Melodiya, Vista Vera, Archipel, Myto,
Walhall, Gebhardt & Living Stage titles on sale,
Once again . . .
Welcome to our new bookshop & list of Original Cast LPs, www.norpete.com where you will see a vast array of excellent, used out-of-print books. You're sure to find many books of interest which may have long eluded you, so now is your opportunity to fill in missing gaps. Our online bookshop includes composer and performer autobiographies and biographies. Soon we will include musical criticism, theory and history, plus histories of symphony orchestras, opera houses and festivals. In addition, we shall offer quite
an array of vocal scores, many of which are most rare and unusual.
Take a look at our exciting array of Broadway & Off-Broadway Original Cast and London Original Cast LPs, all in superb condition.
We continue to offer FREE Shipping on all U.S. (including Puerto Rico), Mexican and Canadian orders over $49.00. If you would like to join our emailing list, please sign up at the top right.
We carry splendid CD offerings from Yves St Laurent, VRCS, The Record Collector, Marston, Palaeophonics, Immortal Performances (Canada), Malibran, Aquarius, Truesound Transfers, Walhall, Bongiovanni, Clama and many other labels.
As always, please contact us with any special requests.
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Norbeck, Peters & Ford, LLC
Norbeck, Peters & Ford
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V2488. Vocal Record Collectors' Society - 2016 Issue, incl. Jacques Urlus, Germaine Gallois, Franz Birrenkoven, Rosalia Chalia, Ernesto Badini, Rikárd Erdös, Marie Keldorfer, Erik Ole Bye, Friedel (Friedl) Böhm, Emil van Bosch, Emma Scheidl-Hausser, Max Hirzel, Florence Macbeth, Marcelle Denya, José Beckmans, Malcolm McEachern, Margarethe Heyne-Franke, Carolina White, Donald Dickson, Mildred Miller & Mario Binci. VRCS-2016, recorded 1904-54. Transfers by Seth B. Winner.
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OP3190.
DER RING DES NIBELUNGEN, Live Performance, 1961, w.Kempe Cond. Bayreuth Festival Ensemble; Jerome Hines (Wotan), Birgit Nilsson (Brünnhilde), Hans Hopf (Siegfried), Regine Crespin (Sieglinde / Third Norn), Fritz Uhl (Siegmund), Otakar Kraus (Alberich), James Milligan (Der Wanderer), Regina Resnik (Fricka), Gottlob Frick (Hagen/Hunding), Gerhard Stolze (Loge), Thomas Stewart (Donner/Gunther), David Ward (Fasolt), Peter Roth-Ehrang (Fafner), Herold Kraus (Mime), Wilma Schmidt (Freia/Ortlinde/Gutrune), Marga Höffgen (Erda), Ingeborg Felderer (Woglinde/Helmwige/Waldvogel), Elisabeth Steiner (Wellgunde/Grimgerde), Elisabeth Schärtel (Flosshilde / Waltraute), Lilo Brockhaus (Schwertleite), Ruth Hesse (Rossweisse) & Gertraud Hopf (Gerhilde). (Germany) 13-Orfeo C 928 613Y. - 4011790928920
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S0699. GINETTE NEVEU, w.Désormière Cond. NRDF S.O.: Violin Concerto in D (Brahms), Broadcast Performance, 1948; w.Rosbaud Cond. Baden-Baden SWR S.O.: Violin Concerto in D (Beethoven), Broadcast Performance, 1949. (Germany) 2-SWR 19018. - 747313901883
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C1475. YEVGENY MRAVINSKY Cond. Leningrad Phil.: Haydn, Mozart, Tschaikowsky, Shostakovich, Ravel, Debussy & Ravel; w.SVIATOSLAV RICHTER: Concerto #2 in B-flat (Brahms); Concerto #1 in b-flat (Tschaikowsky). (Germany) 6-Hänssler Profil PH15000. - 881488150001
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