"The Hope I Know" by Thomas Centonella
doesn't come with feathers.
It lives in flip-flops and, in cold weather,
a hooded sweatshirt, like a heavyweight
in training, or a monk who has taken
a half-hearted vow of perseverance.
It only has half a heart, the hope I know.
The other half it flings to every stalking hurt.
It wears a poker face, quietly reciting
the laws of probability, and gladly
takes a back seat to faith and love,
it's that many times removed
from when it had youth on its side
and beauty. Half the world wishes
to stay as it is, half to become
whatever it can dream,
while the hope I know struggles
to keep its eyes open and its mind
from combing an unpeopled beach.
Congregations sway and croon,
constituents vote across their party line,
rescue parties wait for a break
in the weather. And who goes to sleep
with a prayer on the lips or half a smile
knows some kind of hope.
Though not the hope I know,
which slinks from dream to dream
without ID or ally, traveling best at night,
keeping to the back roads and the shadows,
approaching the radiant city
without ever quite arriving.