Chart callers: They’re the unsung documentarians of
the racing world
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Meet steeplechasing’s own, personal recording secretary.
Martin Chamberlin may not be making the history himself, but he’s
writing it down.
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Most jobs in horse racing are easy to understand. You ride them, you train them, you bet on them. You lead them around until they stop taking sips of water.
The chart caller’s role isn’t as easy to comprehend.
Martin Chamberlin, National Steeplechase Association chart caller for 30 years, describes this job that’s equal parts art as it is science as painting a verbal picture using industry shorthand. He’s recorded pretty much every single stride taken by every single horse in every single steeplechase every single year since 1991.
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The history of the historic record
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Race charts came into use in the 1880s; the Daily Racing Form started printing them in 1894, and, in 1896, started publishing a chart annual.
Past performances were included starting in 1905.
Equibase, a partnership between the Jockey Club and the Thoroughbred Racing Associations of North America, was formed in 1990 to establish an industry-owned database.
In 1998, the Daily Racing Form stopped creating their own charts and became Equibase’s principal customer. Equibase.com launched in 1995, and eBase implemented in 2000. Ever since, racetrack race results are posted within minutes of the finish of each race in the nation; charts are usually up before the next race.
Steeplechase coverage isn’t quite as prompt, Chamberlin notes, since he’s “often working out at a jump meet in the boondocks, you know, no cell coverage and no wi-fi or press box.
“Plus, I’m having to travel for a lot of these meets. Gold Cup, I’m home in a half-hour after the races and I get those charts up that same night. Radnor, say, it takes me four hours to get home and I’m exhausted from the drive. Those I put up the next day.”
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Charts – such a short word to describe the big story they tell – carry an aura of inviolability. On the surface, racing’s black-and-white information database merely reports the play-by-play. A race chart has all the data: race details, each runner -- listed in the order of finish but showing their position in the race at each point of call and lengths behind. It lists the winner's stats, all the owners and trainers, riders of course and weights, along with claiming prices and if a horse was claimed.
But they're more than that: at their heart, in the so-called "short comment" and the "footnote," there's a very human element, an interpretation of powerful minutia that makes horse racing one of the globe's most exciting sports.
Chart calling isn’t taught in school, rather it’s more of a trial-by-fire apprenticeship. There are about 100 chart callers in the U.S., an elite fraternity (and it is male-dominated, though the late Ann Barker was the longtime NSA caller) that speak their own language.
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“Everyone has their own style,” Chamberlin explains. “I kind of think there’s no need for flowery words. I just write what happened. I think that’s enough.”
Chamberlin has patterned his terminology after the illustrative chart descriptors in England’s Racing Post. “Drew clear” was Chamberlin’s short comment about champion Moscato’s 11-length laugher in last summer’s Gwathmey at Glenwood. Two short words was all it took to exposit “Wow, what a performance by this very fast, very talented horse.”
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Moscato and jockey Mickey Mitchell winning the Temple Gwathmey. ©Tod Marks
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“Closed well” was how Chamberlin described Belsaurius’s sweeping move at the top of the long run-in at the Middleburg, Virginia course not far from his home in Bluemont. “Rallied in stretch” gave life to Rashaan's valiant, but too little, too late, efforts.
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In the longer “footnote” area at the bottom of the one-page chart, Chamberlin can be more descriptive, though the reporting is still crisp. He uses a lot of commas to race through the notes: “Moscato (GB) was rated mid pack, moved to third in the final mile, drew clear after the last fence. Balisauris (IRE) went unhurried early, closed well, not troubling winner. Rashaan (IRE) raced up close early, dropped back to last, then rallied after final fence.”
“Chart callers are essential for the permanent record,” maintains NSA director of racing Bill Gallo. “It is a tough task to call our races – oftentimes the weather can be an issue, and the complete viewing of our races can also be challenging.
“Martin Chamberlin is a student of the game. He looks at it in a very analytical way.”
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Martin Chamberlin works part-time as a substitute teacher in the Loudoun County, Virginia public school system.
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He lives in Bluemont, a rural village just north of Upperville.
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He graduated from Rutgers University in New Brunswick, New Jersey with an economics degree. He studied IT and computer programing at a local college.
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He has three adult children.
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He learned to ride as an adult, and still likes to get in the saddle when he can.
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He serves on NSA’s ratings committee.
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Chamberlin’s brief stint as a racehorse breeder
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Martin Chamberlin tells the story of his short stint as owner-breeder.
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I was with my sister one day at Philadelphia Park (now Parx), this was after her classmate Mike Walsch was at the Racing Form. We were chit-chatting with some female trainer. I can’t remember who.
She had this mare that had bone chips in her knees, and she was telling the owner it’s time to stop on her (Maryland-bred Frowning Jack, a hard-knocking claimer who’d won six races at 4 at Penn and the old Keystone but whose performance had tailed off sharply.)
We looked up her form, and she’s a really nice horse, by Noble Jay and had some form. I said to Mike, ‘hey, let’s buy her and breed her.’
I called up the owner, and he was hemming and hawing. I’d pretty much forgotten about it but then one day he calls me back about six months later and says okay, you can have her. She was turned out at a farm in south Jersey, so we hired a 4-H girl with a little horse trailer and went to pick her up.
We got to the farm and there’s nobody there. I knocked on the door, looked around the barn, all over the farm. Nobody. So we just went out to the field and grabbed her and loaded her up.
I felt a little bit like a horse thief.”
Chamberlin eventually found the owner to legitimize the sale with a few hundred bucks. The excited partners sent Frowning Jack to Maryland stallion Son Excellence and brought her back to New Jersey to foal.
The resulting colt, who Chamberlin named Abstract Thinker, didn’t make it to the races at 2, and by then the mare had another foal on the ground. With three horses to board, a pregnant mare and no revenue stream, the partnership dissolved. They sold the filly foal, sold the mare and reluctantly sold Abstract Thinker.
Abstract Thinker turned out to be just the type owner-breeders dream of, a real war-horse. He had nine wins and 24 on-the-board finishes, from 55 starts and nearly $140,000 in earnings over six seasons from ages 3 to 8. And though he never made more than a regional mark, Son Excellence catered to breeders racing their own stock. He passed along durability and extreme soundness: most of his progeny, fillies included, made more than 10 starts. A half-dozen of his sons made more than 100 starts; one ran 179 times.
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Son Excellence stood at Stymie Manor, in Monkton, Md. Photo courtesy of Maryland Horse Library
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How it happens
The veracity of the historic record of any sport is no better than its record-keepers and record-keeping.
Even without betting at most jump meets, the chart caller’s job is still hugely relevant. “This is the history of the sport,” he says, but there’s a less glamorous need for fast, accurate documentation of every horse in every race. “A lot of these (spring and fall circuit hunt meet) horses will be showing up over the summer” in jump races at the major tracks, Chamberlin notes. “The steeplechase charts tell the story so people can make an educated assessment” with their wagers.
Much like chart calls at the flat track, steeplechase charts follow a predictable trajectory – starting position, a few calls during the body of the race, one or two in the stretch, and finish position with lengths behind noted.
Since there are rarely helpful painted poles marking points of call like at the track, Chamberlin makes up his own. “My favorite courses – Fair Hill, Far Hills – those you can see the whole course,” he says. “The ones that are hardest are the timber courses where the horses go out of sight.”
He records the action using his own verbal shorthand on two handheld tape recorders, and backs up the observations on the taped replay footage in the stewards’ stand.
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An ardor for horses and racing born at Suffolk Downs
Chamberlin grew up in Scotts Plains, New Jersey, near Newark. He wasn’t introduced to horse racing until the summer of his high school senior year. “My sister was studying at Boston University, and I went up there to stay with her for a summer job,” he says. “I knew nothing at all about horses.
“My sister and her friends would go to Suffolk Downs to party and bet every weekend, and I got to liking tagging along with them. I liked reading the racing form and figuring out how to bet.”
One of Karen Chamberlin’s classmates was Mike Welsch, eventual chart-caller, and later clocker and race reporter for the Daily Racing Form.
“Something with the experience going to the racetrack really resonated with me,” Chamberlin says. His freshman year at Rutgers, he decided to get a summer job as a hotwalker to get closer to the action.
He arrived at the Monmouth Park stable gate at 8 a.m. one early summer morning, “which seemed like a reasonable time to show up for work to me,” he recalls with a laugh. “The guard said come next morning at 6.”
The next day, Chamberlin drove through the dark from Scotts Plains and presented himself at the appointed hour.
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He got his first backstretch gig, walking hots for trainer Bob Dunham (left, ©Tod Marks), who trained 1972 Eclipse champion sprinter Chou Croute. By the end of the summer, Chamberlin was grooming.
The next summer he went to Saratoga and got a job with Phipps stable trainer John Russell. Chamberlin worked as the “swing groom,” taking care of three different horses every day to give the other grooms a rotating day off. “I learned a lot,” he says. “You get exposed to so many horses that way.”
He graduated in 1973, and took his economics degree to jobs in the printing industry and as a retail buyer before he went back to school on a technical track. Horses were on the shelf except weekends at Monmouth. Chamberlin learned computer programming in the already rapidly emerging IT industry.
His first steeplechase was the old Monmouth Hunt meet on the Haskell estate. “This sport was the same but different” than flat racing, Chamberlin remembers the festive crowd.
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Chamberlin became so engrossed that he drove all the way to Camden, South Carolina for the Colonial Cup a few weeks later. A few years after that, he was asked to chart steeplechases for a Racing Form competitor called Sports Eye. Through his connection with Mike Welsch, in 1991 he started chart calling for Equibase. Chamberlin does most of the mid-Atlantic ‘chase meets and has filled in at the flat track a few times at Monmouth and Colonial Downs.
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Former jump rider Skip Achuff (Tod Marks photo) helps Chamberlin by taking most of the Carolina races and some in Pennsylvania. He’s based half the year in Camden, half the year in Chadds Ford.
Achuff is actually getting the first call for the 2021 NSA season – the Paddy Neilson Memorial timber race, a stand-alone sanctioned race at the March 28 Cheshire Hunt Point-to-Point. Achuff has had the side-hustle since 2007.
“I know the jargon, know the sport, know the players,” notes the longtime director of racing at the historic Radnor meet. “I love doing it.”
“I like following the horses,” Chamberlin adds. “I like the beautiful places these races are run.
“It’s a hard job, but it’s a good gig.”
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The process
NSA chart caller Martin Chamberlin explains there’s more to it than writing down the margins.
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First, you have to get there pretty early to beat the traffic. Otherwise, you’re late.
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Next, you have to get all the scratches and changes and weights and confirm everything. You’re making the records, writing the history. It has to be right.
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My tools are two handheld tape recorders plus my 10x50 binoculars, plus the race program.
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To make my charts, which I (voice) record, I assign every horse an ID. It might be the program number, or I (also) use letters. Maybe the first letter of the horse’s name.
It’s all about efficiency.
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I memorize the horse, the ID I’ve given him and the silks to make notes.
At the flat tracks nowadays, they have standardized (colors of) helmet and saddle towels that go with the program number, but most of the jump meets don’t do that.
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As they line up for the start, I turn both my tape recorders on, two of them in case one of them fails.
I’ve made in my mind the different points-of-call I’ll note on the chart. The longer jump races aren’t as regimented as the flat track, plus, a lot of these courses go out of sight, so I can’t exactly mark that chart point.
The start is important, and a few points mid-race. The top of the stretch is key, and, if it’s a long stretch, I’ll make two calls in the stretch. And the finish.
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A race chart is a mix of verifiable data and objective observation. Time, fractions, margins – which I verify by looking at the finish camera later, those are the calibrated data points.
Then, you’ve got the interpretation. Was the horse pulling, was he ever in trouble, did he clip, did he hit a jump. Maybe he got too close to a fence and it took the run out of him, maybe he took off long and stumbled and missed a stride. Do I call the pace fast or slow?
It’s a lot of subjective information that’s an important part of the story.
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On Equibase, there’s a short comment – 22 characters maximum, at the end of the race line, and the footnote.
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One of Chamberlin's favorite tracks, Hard Scuffle, in 1980. In this Milton Toby photo, Zaccio (#5) could not catch Martie's Angler in the three mile Hard Scuffle Steeplechase.
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Fair Hill, another of Chamberlin's favorite tracks, allows a sweeping view of the entire course from the tower high atop the grandstand. TGSF photo.
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Favorites and the not-so-favorites
He’s gone racing around the world – Europe, Japan, Hong Kong – a world-view of information sharing.
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The Maryland timber races are especially hard to call. There are lots of trees, and they go behind the hill a few times. My Lady’s Manor, Grand National. Now, they’re longer races and a slower pace, so that makes it a little easier, but those are tough.
Great Meadow (Virginia Gold Cup and International Gold Cup) are hard because the horses are coming straight at you in the stretch.
I loved the old (Ohio River riverside) Hardscuffle course, and, today, I love Fair Hill, and Far Hills (New Jersey) is an extraordinary meet to go to.
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Jumps vs. flats: At the flat track, you have your own tv screen so you can replay every race as much as you want to get your margins exactly right. The jump meets are different, with one screen to watch on, and the stewards obviously have say over what we watch.
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I think, ultimately, we’ll go to a day that it’s not required to “tell the story” in the written word. You’ll be able to do on-demand video replays.
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I’m fascinated how the data is presented in other racing jurisdictions. Hong Kong racing is unbelievable. They literally set the standard. Their racing form is similar to ours, but one of their data points is the horse’s weight, on race morning, I think. That way bettors can figure if the horse won his last start at a certain weight, and if he’s more, or less, racing now.
Japan racing is so modern, so popular. They’ve got amazing racetracks.
The racing in Germany was wonderful, and Baden Baden is my favorite foreign race meet, but their Sport-welt past performance information is minimal, a little disappointing, and presented in big text blocks like the Racing Post. I don’t like it.
But, on the other hand, they’ve got real beer served in a real glass from a tap, with sausage cooking all around the racecourse. You have to love that.
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There’s a lot to like about this job. I get to travel to beautiful places around the U.S. and around the world. I get to follow the horses, and get to know the riders and the trainers. It’s always interesting.
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The cons, I guess, are that it’s time consuming, especially as I get older and it’s harder to make those long drives, up and back.
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Martin Chamberlin with the Queen's Cup Steeplechase's Bill Price.
©Tod Marks
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