|
To start your FREE subscription to the Triangle Review, click |
|
Edited and Published by Robert W. McDowell
April 17, 2025 Issue |
A FREE Weekly E-mail Newsletter Covering Theater, Dance, Music, and Film in the Raleigh-Durham-Chapel Hill/Carrboro Area of North Carolina Since April 2001. |
|
PART 1A: TRIANGLE THEATER REVIEW BY SUSIE POTTER |
PRC's Little Shop of Horrors Is a Study in Contradictions
Robert Ariza makes his PlayMakers debut as Seymour, shown here with puppeteer Elizabeth Dye as little Audrey II (photo by HuthPhoto)A talking plant with a thirst for blood, relationship abuse, and desperate longing don't exactly sound like the themes you'd see in a heartfelt musical. But, somehow, in the iconic Little Shop of Horrors, onstage now at PlayMakers Repertory Company, they all meld together seamlessly, resulting in a musical that's funny, sad, and surprisingly tender. The show, which features a book and lyrics by Howard Ashman and music by Alan Menken, first premiered Off-Broadway in 1982 and was based loosely on a black-and-white 1960 film. Since that time, it's become a dark favorite for theatergoers everywhere; and with a production like this one, directed by Jeffrey Meanza, it's easy to see why.
The story begins in Mushnik's Flower Shop, a struggling business located on Skid Row. It's the 1970s, and things are looking decidedly bleak for Mr. Mushnik (Jeffrey Blair Cornell) and his employees, Seymour (Robert Ariza) and Audrey (Maya Jacobson). It's not just business that's taken a downturn either. Audrey is in an abusive relationship with her dentist boyfriend, Orin (Jim Bray); and Seymour is, well, just plain sad. He has a huge crush on Audrey and an intense desire to be truly loved and embraced by Mr. Mushnik, who raised him. He's also more than a little on the nerdy side. Things seem to be looking up, however, when Seymour brings back a strange little plant, which he quickly names Audrey II.
PlayMakers Repertory Company's April 9-27 production of Little Shop of Horrors stars (from left) Breia Joelle Kelley as Chiffon,
Shelby Sykes as Ronnette, Jeffrey Blair Cornell as Mr. Mushnik, and Shayla Brielle G. as Crystal (photo by HuthPhoto)The exotic piece of greenery draws attention (and business) to the shop, but there's one big problem. Unbeknownst to Mr. Mushnik or the human Audrey, the plant has an insatiable appetite for blood. At first, Seymour keeps it happy by feeding it through pricks from his fingers; and it works. Suddenly, the plant is getting bigger; and equally big things are happening for Seymour. Audrey's taking notice, and so is the rest of the neighborhood. Sadly, though, as Audrey II grows, so does her appetite, which leaves Seymour to make some tough (and murderous) choices to keep her happy.
As this grim little tale plays out, it's shockingly easy to forget just how macabre it is. That's largely because both the writing and the cast are wonderfully human and heartfelt. The script paints characters who could be described as "greedy," but their hunger is for things that many of us take for granted: love, acceptance, and a sense of home. Appropriately, Robert Ariza's portrayal of Seymour isn't villainous or overly crazed. Instead, he plays the character as sweet, fumbling, and misguided. With a squeaky voice and insecure mannerisms, he effectively brings the character to life and paints Seymour as deeply sympathetic.
PlayMakers Repertory Company's April 9-27 production of Little Shop of Horrors stars Maya Jacobson as Audrey (photo by HuthPhoto)Likewise, Maya Jacobson is all softness and vulnerability in her turn as Audrey. She, like Ariza, also displays apt comedic timing; and her singing voice really shines. Her delivery of the beloved "Somewhere That's Green," in which Audrey dreams of a better life, is both funny and heart-twistingly sad; and she hits all the right notes, both emotionally and musically.
Rounding out the more bittersweet moments are uproarious performances from Jim Bray, who makes for both a hilariously maniacal and sadistic dentist and a host of other characters, and the show's own "Greek chorus," comprised of the fabulous Crystal (Shayla Brielle G.), Ronnette (Shelby Sykes), and Chiffon (Breia Joelle Kelley). Jeffrey Meanza's busy-but-controlled direction keeps this wild cast of characters moving smoothly, while Regina García's set design keeps them contained. Her set includes the ominous flower shop, of course; but it also extends into the Skid Row streets, which are lined with old furniture, incredibly detailed and realistic garbage, and a general sense of gloom and desperation.
Charlie Morrison's careful lighting touches and fun use of color also add to and enhance the mood, as does Tristan André's bouncy, joyful choreography. With all these elements combined, the show is like a study in contradictions. Lightness and dark, terror and elation, and love and hate all come across in both the production and the characters' actions, showcasing the conflicting themes and desires that make up the heart of the story.
Jim Bray stars as Orin in PlayMakers Rep's production of Little Shop of Horrors at PlayMakers Rep (photo by HuthPhoto)And, of course, there's also Audrey II, who is arguably the real star of the show. Voiced by the incredibly gifted and stage-commanding Micaela Shanyce Bundy, who does actually appear onstage in one of director Jeffrey Meanza's most cleverly directed scenes, Audrey II is a work to behold. She's essentially a large and impressive puppet (operated by Matthew Donahue and Elizabeth Dye), one that grows and shifts as the play progresses; and she's the perfect blend of scary and hilarious. Even when she's not speaking and only visible or when she's covered with a cloth, she is a dominating force that draws the viewers' eye and forces the entire cast to revolve around her force field.
Ultimately, this production, like Audrey II herself, is one that defies all the laws of nature. It makes viewers laugh when they should cry and cry when they should laugh. It's a dark, funny, and intelligent reflection on the human condition and the power and risks that come with following our dreams. Don't miss it!
Little Shop of Horrors stars (from left) actress Micaela Shanyce Bundy -- plus puppeteer Matthew Donahue -- as the full-
grown mean-green mother from outer space Audrey II and Robert Ariza (right) as Seymour (photo by HuthPhoto)Alan Menken and Howard Ashman's LITTLE SHOP OF HORRORS (In Person at 7:30 p.m. Tuesday-Saturday and 2 p.m. Sunday, April 18-20 and 22-27), directed by Jeffrey Meanza, choreographed by Tristan André, with music director Alex Thompson, and starring (in alphabetical order) Robert Ariza as Seymour, Jim Bray as Orin, Micaela Shanyce Bundy as Audrey II, Jeffrey Blair Cornell as Mr. Mushnik, Shayla Brielle G. as Crystal, Maya Jacobson as Audrey, Breia Joelle Kelley as Chiffon, and Shelby Sykes as Ronnette, plus an Ensemble that includes Matthew Donahue and Elizabeth Dye (PlayMakers Repertory Company in the Paul Green Theatre in UNC-Chapel Hill's Joan H. Gillings Center for Dramatic Art). PLAYBILL: https://online.fliphtml5.com/gtelh/knhr/#p=1. TRAILER: https://www.youtube.com/watch?v=3gUzxqJAyq0&t=3s. PRESENTER: https://playmakersrep.org/, https://www.facebook.com/playmakersrep, https://www.instagram.com/playmakersrep/, https://www.tiktok.com/@playmakersrep, https://x.com/playmakersrep https://en.wikipedia.org/wiki/PlayMakers_Repertory_Company, and https://www.youtube.com/@PlayMakersRepertory. 2024-25 SEASON: https://playmakersrep.org/season/2024-2025/. PRC BLOG: https://playmakersrep.org/about-us/our-blog/. VENUE: https://playmakersrep.org/about-us/paul-green-theatre/ and https://museum.unc.edu/exhibits/show/names/paul-green-theatre. DIRECTIONS/PARKING: https://playmakersrep.org/visitor-info/directions-and-parking/. THE LITTLE SHOP OF HORRORS (original 1960 film, a.k.a. The Passionate People Eater): https://catalog.afi.com/Catalog/moviedetails/53212, https://www.imdb.com/title/tt0054033/, https://www.tcm.com/tcmdb/title/81592/the-little-shop-of-horrors#overview, and https://en.wikipedia.org/wiki/The_Little_Shop_of_Horrors. WATCH FREE (with ads): https://www.youtube.com/watch?v=-r3OOJ0DLAc. LITTLE SHOP OF HORRORS (1982 Off-Broadway, 1983 West End, and 2003 Broadway horror-comedy rock musical): https://www.mtishows.com/little-shop-of-horrors-broadway-version, https://www.howardashman.com/howards-work/little-shop-of-horrors, https://www.spectra.theater/playhub/pr/a9277734-9805-5ea3-bbb0-90c136f6451c, https://www.ibdb.com/broadway-show/little-shop-of-horrors-11223, and https://en.wikipedia.org/wiki/Little_Shop_of_Horrors_(musical). THE SCRIPT (Libretto Vocal Book): https://drive.google.com/file/d/1CZDIpDkaorNPRLhrqkvv5sRFGwbIU9J6/view. STUDY GUIDE (Utah Shakespeare Festival): https://www.bard.org/study-guides/little-shop-of-horrors-study-guide/. ALAN MENKEN (New Rochelle, NY-born composer): https://www.alanmenken.com/, https://playmakersrep.org/artists/alan-menken/, https://www.mtishows.com/people/alan-menken, https://www.ibdb.com/broadway-cast-staff/alan-menken-12135, https://www.spectra.theater/explore/artist/27598432-61d6-4609-b029-6f56411da578, https://www.imdb.com/name/nm0579678/, and https://en.wikipedia.org/wiki/Alan_Menken. HOWARD ASHMAN (Baltimore, MD-born playwright, lyricist, and screenwriter, nee Howard Elliott Ashman, 1950-91): https://www.howardashman.com/, https://playmakersrep.org/artists/howard-ashman/, https://www.mtishows.com/people/howard-ashman, https://www.ibdb.com/broadway-cast-staff/howard-ashman-6356, https://www.spectra.theater/explore/artist/8bce64df-265e-479e-8189-d91f1738ea0e, https://www.imdb.com/name/nm0039141/, and https://en.wikipedia.org/wiki/Howard_Ashman. LITTLE SHOP OF HORRORS (1986 musical-comedy film): https://www.warnerbros.com/movies/little-shop-horrors, https://www.alanmenken.com/work/little-shop-of-horrors, https://www.imdb.com/title/tt0091419/, https://www.tcm.com/tcmdb/title/18242/little-shop-of-horrors#overview, and https://en.wikipedia.org/wiki/Little_Shop_of_Horrors_(1986_film). NOTE 1: The 2 p.m. Sunday, April 20th, show, will be an open-captioned performance, allowing the audience to read the dialogue. A post-show discussion, with members of the cast and creative team, will follow. NOTE 2: The show's 7:30 p.m. Tuesday, April 22nd, performance will be UNC Faculty Night, with FREE with free drinks and snacks on the patio for faculty members who take advantage of their 15%-off ticket discount. NOTE 3: Arts Access, Inc. of Raleigh will audio-describe and American-sign-language interpret the show's 7:30 p.m. Wednesday, April 23rd, performance. TICKETS: $20 and up ($10 and up students and youth), plus taxes and fees. Click here to buy tickets. INFORMATION: 919-962-7529 or prcboxoffice@unc.edu. PLEASE DONATE TO: PlayMakers Repertory Company. Kurt Benrud's Triangle Review Review Permalink. Melissa Rooney's Triangle Review Review Permalink. Susie Potter's Triangle Arts Review Review.
|
|
EDITOR'S NOTE: Susie Potter is a Raleigh, NC-based fiction writer. She is a 2009 graduate of Raleigh's Meredith College, where she majored in English. She holds graduate degrees in teaching and American literature from North Carolina State University in Raleigh. She is an award-winning author of short fiction. Her works have appeared in The Colton Review, Raleigh Quarterly, Broken Plate Magazine, Big Muddy: A Journal of the Mississippi River Valley, the Chaffey Review, and Existere. To read more of Susie Potter's writings, click http://www.triangleartsreview.com/ and http://www.susiepotter.com. |
WHAT: Triangle Review is a FREE weekly e-mail performing-arts and film newsletter, edited and published by Robert W. McDowell since August 2001.
TO SUBSCRIBE: To start your FREE subscription today, sign up in the subscription box at the beginning of this e-mail; or e-mail RobertM748@aol.com and type SUBSCRIBE-TR in the Subject: line. TO UNSUBSCRIBE: E-mail RobertM748@aol.com and type UNSUBSCRIBE-TR in the Subject: line.
QUESTIONS OR COMMENTS? E-mail all questions, comments, and Letters to the Editor to RobertM748@aol.com. For Letters to the Editor, please include a daytime telephone number in your e-mail.
COPYRIGHT: Editorial content in all formats © 2025 Triangle Review and the author of each article. Reproduction in any form without authorization of Triangle Review and the respective authors is prohibited. Triangle Review maintains an archive of past issues. To request copies of past articles and/or issues, e-mail RobertM748@aol.com.