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Edited and Published by Robert W. McDowell

August 7, 2025 Issue
PART 1 (August 6, 2025)

A FREE Weekly E-mail Newsletter Covering Theater, Dance, Music, and Film in the Raleigh-Durham-Chapel Hill/Carrboro Area of North Carolina Since April 2001.

PART 1A: TRIANGLE THEATER REVIEW BY MELISSA ROONEY

The National Tour of The Wiz at DPAC Is  
Dazzling and Soulful, with Room to Grow


The North American Tour of The Wiz, playing Aug. 5-10 at DPAC, stars (from left) Cal Mitchell as The Lion, Dana Cimone
as Dorothy Gale, D. Jerome as The Tinman, and Elijah Ahmad Lewis as The Scarecrow (photo by Jeremy Daniel)

Fifty years after The Wiz first hit Broadway and swept the 1975 Tony Awards®, with its all-Black cast winning seven Tonys, including Best Musical, the iconic retelling of The Wizard of Oz is back -- revitalized, resplendent, and currently rocking the Durham Performing Arts Center through Sunday, Aug. 10th.

With a book by William F. Brown and music and lyrics by Charlie Smalls -- plus sharp, updated material from Amber Ruffin (of Late Night with Seth Meyers fame) -- this revival is both a nostalgic throwback and a dynamic reimagining.

From the moment you walk in, the production sets a vibrant tone. The word "The Wiz" blazes across a massive screen in funky 1970s-style lettering, framed by bold, triangular African motifs reminiscent of Harlem street art. Zig-zagging spotlights in primary colors sweep the crowd, evoking the glitz of vintage game shows. It's an immersive prelude to the dazzling world you're about to enter.


Alan Mingo Jr. (center) stars as The Wiz, performing "Meet the Wizard," in The Wiz on Aug. 5-10 at DPAC (photo by Jeremy Daniel)

Costume designer Sharen Davis (Emmy winner for HBO's Watchmen) brings imagination to life with everything from spandex-fringed tornado dancers to golden ball gowns, while scenic designer Hannah Beachler (the first African-American woman to be nominated for and win an Academy Award® for her work on Marvel's Black Panther) creates stunning, cinematic backdrops that make Oz feel lush, surreal, and expansive. In the tornado scene, in particular, Beachler produces formidable smoky gray clouds; and lighting designer Ryan J. O'Gara (a UNC Asheville graduate) produces bright, instantaneous flashes of lightning powerful enough to make you jump.

The musical opens in Kansas, where Aunt Em, played by Kyla Jade, sets the emotional tone. With vocals evoking the soul of the Five Stairsteps and gospel runs to rival any church soloist, Jade's performance is full of warmth and rhythm. Soon, Dorothy Gale (played by Dana Cimone) is whisked away by a tornado to Oz, and the journey begins.

Cimone's Dorothy is sweet yet strong, her voice pristine and full of range. Like Diana Ross, who played Dorothy in the 1978 movie version of the inaugural 1975 Broadway production of The Wiz, Cimone's voice at times is soft and sweet, recalling the innocence, good-girl persona, and talent of Olivia Newton John as Sandy in the 1978 movie Grease. At other times, Cimone rifts so seamlessly that one might mistake her for Chanté Moore. But it's in "Home," the show's final number, that Cimone truly showcases her vocal talent.


Elijah Ahmad Lewis (center) stars as The Scarecrow and Dana Cimone (right) stars as Dorothy Gale in The Wiz (photo by Jeremy Daniel)

As for Dorothy's iconic trio of companions, the chemistry is genuine. Elijah Ahmad Lewis, as The Scarecrow, is a standout. His performance is energetic, charismatic, and funny -- a blend of Wesley Snipes swagger, Eddie Murphy timing, and James Brown overtones. His voice? Controlled, dynamic, and pitch-perfect.

D. Jerome brings The Tinman to life with smooth, jazz-infused vocals that evolve throughout the show -- from ragtime to disco to soulful R&B. His disco-inflected choreography echoes John Travolta's dancing gymnastics in Saturday Night Fever.

Cal Mitchell's Lion is a gravelly-voiced blend of vulnerability and bravado, reminiscent of Ted Ross' portrayal in the 1978 film, but peppered with flourishes that reveal vocal chops. His transitions from growling to falsetto mirror his character's emotional journey from fear to courage.


The North American Tour of The Wiz stars Dana Cimone (left) as Dorothy and Kyla Jade as Aunt Em (photo by Jeremy Daniel)

The supporting cast is a force unto itself. Addaperle The Good Witch of the North (Amitria Fanaé) turns a eulogy for The Wicked Witch of the East into a euphonious testimony, while Glinda The Good Witch of the South (Sheherazade) delivers scat-infused, Ella Fitzgerald-like vocals in a glittering gold ensemble. As Evillene The Wicked Witch of the West, Kyla Jade stops the show with her blistering, gospel-charged "(Don't Nobody Bring Me) No Bad News" -- a number made especially poignant given current political headlines.

Alan Mingo Jr. is magnetic as The Wiz himself. His wide-eyed facial expressions and broad smile glow in the dark green atmosphere of the Emerald City, and his presence and voice glide with a warmth and polish that evokes Nat King Cole.

Throughout, the Ensemble brings North Carolina-born JaQuel Knight's choreography to life with unstoppable energy. The group song-and-dance numbers performed by the Townspeople, the Crows, the Poppies, and -- my favorite -- the Ozian performers are a revue in their own right. This is no surprise, given that Knight choreographed for Beyoncé when he was only 18 years old. With such star-studded direction and 27 actors in this production, there was a LOT of talent on that stage.


Kyla Jade stars as Evillene The Wicked Witch of the West in The Wiz at DPAC (photo by Jeremy Daniel)

The Wiz is one of few family-friendly musicals that unapologetically centers Black culture, Black music, and Black performers. From jazz and funk to gospel and soul, the show is a crash course in the musical richness of the 1970s.

Although at times I couldn't understand what the actors were saying and wished that they would enunciate their lines more clearly, this is minor criticism of a production that otherwise dazzles, delights, and delivers.

VERDICT: The Wiz at DPAC is a high-energy, visually stunning celebration of Black artistry and musical history. Bring your kids. Bring your parents. Just don't forget to click your heels -- and maybe warm up your own vocal cords -- for a cheering standing ovation.


The North American Tour of The Wiz, playing Aug. 5-10 at DPAC, stars (from left) Cal Mitchell as The Lion, Elijah Ahmad
Lewis as The Scarecrow, Dana Cimone as Dorothy, and Alan Mingo Jr as The Wiz (photo by Jeremy Daniel)

Charlie Smalls and William F. Brown's THE WIZ (In Person at 7:30 p.m. Wednesday and Thursday, 8 p.m. Friday, 2 and 8 p.m. Saturday, and 1 and 6:30 p.m. Sunday, Aug. 5-10), based on the 1900 children's novel The Wonderful Wizard of Oz by L. Frank Baum and the 1939 film The Wizard of Oz, with additional material for this production by Amber Ruffin, directed by Schele Williams, choreographed by JaQuel Knight, presented as part of Broadway at DPAC, and starring Dana Cimone as Dorothy Gale, Alan Mingo Jr. as The Wiz (a.k.a. The Wizard of Oz), Sheherazade as Glinda The Good Witch of the South, Kyla Jade as Aunt Em/Evillene The Wicked Witch of the West, D. Jerome as The Tinman, Elijah Ahmad Lewis as The Scarecrow, and Cal Mitchell as The Lion, plus an Ensemble that includes Maati Kheprimeni Angaza, Sai Anthony, Joseph Armon Boyd, Lawrence Dandridge, Cyniah Elise, Amitria Fanaé (Addaperle The Good Witch of the North, Gregory Hamilton, Maya Imani, Micah Jeremiah Mims, Moriah Perry, Josh Walker, Lyn Webber, Kameren Whigham, and Chanse Williams and Swings that include assistant dance captain Aliyah Caldwell, Kaiyla Gross, dance captain Jesse Jones, Leon Ray, Ephraim Takyi, and Mikayla White (Durham Performing Arts Center in Durham). DIGITAL PROGRAM: https://issuu.com/dpac0/docs/the_wiz?fr=sZmY2ZTgzOTc0NjM. TRAILER: https://www.youtube.com/watch?v=vBlJIWZeLSE. PRESENTER/VENUE: https://www.dpacnc.com/, https://www.facebook.com/DPACNC, https://www.instagram.com/DPACNC/, https://www.tiktok.com/@dpacnc, https://x.com/DPAC, and https://www.youtube.com/user/DPACLive. 2025 BROADWAY AT DPAC: https://www.dpacnc.com/broadway-at-dpac/season/broadway-at-dpac-2024-2025. DIRECTIONS: https://www.dpacnc.com/plan-your-visit/directions. PARKING: https://www.dpacnc.com/plan-your-visit/parking. THE WONDERFUL WIZARD OF OZ (1900 children's novel): https://oz.fandom.com/wiki/The_Wonderful_Wizard_of_Oz_(book), https://www.britannica.com/topic/The-Wonderful-Wizard-of-Oz, and https://en.wikipedia.org/wiki/The_Wonderful_Wizard_of_Oz. ONLINE VERSION OF FIRST EDITION: https://www.loc.gov/item/03032405/. L. FRANK BAUM (Chittenango, NY-born children's author, nee Lyman Frank Baum, 1856-1919): https://www.biography.com/authors-writers/l-frank-baum, https://www.newworldencyclopedia.org/entry/L._Frank_Baum, https://www.britannica.com/biography/L-Frank-Baum, and https://en.wikipedia.org/wiki/L._Frank_Baum. THE WIZARD OF OZ (1939 film, directed by Victor Fleming): https://www.warnerbros.com/movies/wizard-oz, https://catalog.afi.com/Catalog/moviedetails/7892, https://www.imdb.com/title/tt0032138/, https://www.tcm.com/tcmdb/title/852/the-wizard-of-oz#overview, and https://en.wikipedia.org/wiki/The_Wizard_of_Oz. THE WIZ (1975 Broadway musical comedy fantasy): https://wizmusical.com/, https://www.ibdb.com/broadway-show/the-wiz-9433, https://thewiztheatrecompany.com/, and https://en.wikipedia.org/wiki/The_Wiz. THE SCRIPT (excerpts): https://books.google.com/books. STUDY GUIDE (Children's Theater of Madison): https://ctmtheater.org/wp-content/uploads/2024/03/WIZ_Study_Guide_Final.pdf. CHARLIE SMALLS (New York City-born composer and lyricist, 1943-87): https://thewiztheatrecompany.com/charlie-smalls/, https://www.ibdb.com/broadway-cast-staff/charlie-smalls-12421, https://www.imdb.com/name/nm0806583/, and https://en.wikipedia.org/wiki/Charlie_Smalls. WILLIAM F. BROWN (Jersey City, NJ-born playwright and screenwriter, nee William Ferdinand Brown, 1928-2019): https://www.ibdb.com/broadway-cast-staff/william-f-brown-9125, https://www.imdb.com/name/nm0114912/, and https://en.wikipedia.org/wiki/William_F._Brown_(writer). THE WIZ: (1978 film, directed by Sidney Lumet): https://catalog.afi.com/Catalog/moviedetails/57058, https://www.tcm.com/tcmdb/title/96081/the-wiz#overview, https://www.imdb.com/title/tt0078504/, https://the-wiz.fandom.com/wiki/The_Wiz_(film), and https://en.wikipedia.org/wiki/The_Wiz_(film). THE TOUR (Feb. 22, 2025–Present): https://wizmusical.com/, https://www.ibdb.com/tour-production/the-wiz-542330, https://www.facebook.com/thewizbway, https://www.instagram.com/thewizbway, https://www.tiktok.com/@thewizbway, https://x.com/TheWizBway, and https://www.youtube.com/@TheWizBroadway. TOUR CAST: https://wizmusical.com/cast/. TOUR CREATIVE TEAM: https://wizmusical.com/creative/. NOTE: Arts Access, Inc. of Raleigh will audio-describe the show's 2 p.m. Saturday, Aug. 9th, performance. TICKETS: $50 and up, plus taxes and fees. Call 800-982-2787 or click here to buy tickets. GROUPS (10+ tickets): 919-680-2787, Groups@DPACnc.com, and https://www.dpacnc.com/events/groups-services. INFORMATION: 919-680-2787 or CustomerService@DPACnc.com. Susie Potter's Triangle Arts Review Review.

EDITOR'S NOTE: A Durham, NC resident for 20 years, Melissa Rooney is a scientific editor, freelance writer, and author of several science-based children's picture books. She has published children's stories and verse in Highlights Children's Magazine and Bay Leaves. Rooney earned undergraduate degrees in English and Chemistry from the College of William and Mary in Williamsburg, VA; and she earned a Ph.D. in Chemistry in 1998 from the University of North Carolina in Chapel Hill. Her stories Eddie the Electron and The Fate of the Frog form the basis of two workshops offered through the Durham Arts Council's Culture and Arts in the Public Schools (CAPS) program, through which Rooney teaches elementary- and middle-school students about electrons and atoms or sustainability and rhyme, respectively. When she isn't writing, editing, reading, teaching, or experiencing theater, Rooney volunteers as a Soil and Water Conservationist for the nonprofit Urban Sustainability Solutions. Click here to read Melissa Rooney's reviews for Triangle Review.

 


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