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Edited and Published by Robert W. McDowell

December 12, 2024 Issue
PART 1 (December 12, 2024)

A FREE Weekly E-mail Newsletter Covering Theater, Dance, Music, and Film in the Raleigh-Durham-Chapel Hill/Carrboro Area of North Carolina Since April 2001.

PART 1A: TRIANGLE THEATER REVIEW BY MELISSA ROONEY

Scrap Paper Shakespeare's Dec. 6-15 Production of
Claire F. Martin's 2023 Feminist Comedy, Arabella,
Is Up Close and Personal at Yours, Durham

Scrap Paper Shakespeare's Dec. 6-15 production of Claire F. Martin's Arabella, based on the comedic 1752 novel by Charlotte Lennox's (1729-1804), The Female Quixote; or, The Adventures of Arabella, is up close and personal.

Arabella is a new play by Atlanta, GA playwright Claire F. Martin, who is the artistic director of the feminist theater collective Belle Esprit. Local theater company Scrap Paper Shakespeare will perform Arabella until Sunday, Dec. 15th, at Yours, Durham at 209 N. Gregson St. in Durham, NC.

Belle Esprit premiered Arabella at Atlanta's Shakespeare Tavern Playhouse in 2023, making Scrap Paper Shakespeare's production only the second time the play has been performed publicly.

Founded in 2018 in Chatham County, North Carolina, Scrap Paper Shakespeare is "a scrappy troupe of Shakespeare lovers" on a mission to create professional local theater that showcases plays by William Shakespeare, lesser-performed classical plays, and new works inspired by classic stories.


Scrap Paper Shakespeare's Dec. 6-15 production of Claire F. Martin's Arabella stars Lizzie Reynolds (below) as Lady Arabella
Kennington and (above, from left) Callie Banholzer as Katherine Granville, Bryson David Hoff as Sir George Bellmour,
Collins Wilson as Charles Granville/Mr. Hervey, and Simon Kaplan as the Marquis/Branksome (photo by Lara Coutinho)

The Female Quixote follows a sheltered adolescent named Arabella Kennington, who was brought up by her widowed father in a remote English castle, where she naively expects her life to be as romantic and adventurous as the books that she reads.

When her father dies, he makes a large part of her inheritance dependent on her marrying her cousin Charles Glanville. She visits Bath and London, where Glanville, though concerned about her unrealistic ideas, continues to love her.

Meanwhile, Glanville's friend Sir George Bellmour attempts to court the wealthy Arabella in the chivalric language and high-flown style that she naively expects. In a climactic scene, Arabella mistakes horsemen, who are approaching her from behind, to be "ravishers" and throws herself into the Thames to escape them. During her recovery, Arabella is "cured" of her romantic fantasies and ultimately marries Glanville.

Claire F. Martin's Arabella incorporates the most witty and poignant lines from the book, while introducing important changes: Arabella's lady-in-waiting Lucy was a prostitute before Arabella's father took her in, and Sir George actually manages to deflower Arabella, leaving her in a much more helpless place. The play is entertaining in the manner of the hit Netflix series Bridgerton and has some wonderfully Oscar Wilde-like scenes.


Lizzie Reynolds (left) and Callie Banholzer star as Lady Arabella Kennington and Katherine Granville in
Scrap Paper Shakespeare's Dec. 6-15 production of Claire F. Martin's Arabella (photo by Lara Coutinho)

Just going to Scrap Paper Shakespeare's performance is an adventure. The venue is actually Yours, Durham photo studio, a small glass-windowed space in a historical row of stores in Durham that is the size of a large residential kitchen. Considering that audience members are seated at the front and back of the room, there isn't much space for the performance itself. But that is what makes it most worth seeing. It's not just intimate. It's like the audience is on the stage, itself.

And the actors are truly professional, despite the audience that is quite literally leaning over them as they perform.

Lizzie Reynolds plays Arabella with persnickety, childlike innocence and self-centeredness reminiscent of Ariana Grande's performance as Glinda in the newly released film version of the musical Wicked.

Callie Banholzer switches between playing Arabella's lady-in-waiting, Lucy, and Charles Glanville's sister, Katherine, with the comically realistic talent of a Broadway actor. She feels the parts right down to their facial expressions.

Simon Kaplan is both endearing and commanding of respect in his portrayal of Arabella's father, the Marquis.

And Collins Wilson and Bryson David Hoff are charming in entirely different ways in their roles as Charles Glanville and Sir George.


Scrap Paper Shakespeare's Dec. 6-15 production of Claire F. Martin's Arabella stars Collins Wilson (left)
and Bryson David Hoff as Charles Granville and Sir George Bellmour (photo by Lara Coutinho)

Despite the small space and the apparent lack of microphones, all the actors project their voices as if they are on the stage of a large theater. I never had difficulty hearing dialogue -- or felt like anyone was yelling, for that matter.

The first act is truly a pleasure; but the second act seems superficial by comparison, tying everything up in a little bow that is too neat and, despite Charles Glanville's latitude and forgiveness of Arabella's indiscretions with Sir George, too conservative. The Female Quixote was likewise criticized. That said, the second act goes quickly. Not once did I wish the play had ended sooner. (I do, however, wish they would not use the giant vertical white light source at floor level, as it can blind audience members sitting opposite.)

Anyone who has ever thought of doing theater (or has a teenager with these thoughts) should attend one of Scrap Paper Shakespeare's remaining performances of Arabella. Go for the adventure of it, the unique venue, and to experience the intimate transition of theater between dramatic readings and large stage productions. The ticket price is only $15 for "Students, Seniors, and Artists."


Collins Wilson and Lizzie Reynolds star as Mr. Hervey and Lady Arabella Kennington in Scrap Paper
Shakespeare's Dec. 6-15 presentation of Claire F. Martin's Arabella (photo by Lara Coutinho)

Claire F. Martin's ARABELLA (In-Person North Carolina premiere at 7:30 p.m. Friday, 2 and 7:30 p.m. Saturday and 2 p.m. Sunday, Dec. 13-15), inspired by Charlotte Lennox's comedic 1752 novel, The Female Quixote; or, The Adventures of Arabella; directed by Emma Szuba; and starring Lizzie Reynolds as Lady Arabella Kennington, Callie Banholzer as Lucy/Katherine Granville, Collins Wilson as Charles Granville/Mr. Hervey, Bryson David Hoff as Edward/Sir George Bellmour, and Simon Kaplan as the Marquis/Branksome (Scrap Paper Shakespeare at Yours, Durham in Durham). PRESENTER: https://scrappapershakespeare.org/, https://linktr.ee/scrappapershakespeare https://www.facebook.com/ScrapPaperShakespeare, and https://www.instagram.com/scrappapershakespeare. 2024 SEASON: https://scrappapershakespeare.org/shows. VENUE: https://www.yoursdurham.com/, https://www.facebook.com/yoursdurham/, and https://www.instagram.com/yoursdurham/. DIRECTIONS: https://www.mapquest.com/. ARABELLA (2023 Atlanta Shakespeare Co. and Belle Esprit Collective feminist comedy): https://www.belleespritcollective.com/past-productions.html. CLAIRE F. MARTIN (Atlanta, GA playwright and artistic director of the Belle Esprit Collective of Atlanta, GA): https://www.facebook.com/claire.martin.357 and https://www.instagram.com/claire.f.martin/. TICKETS: $25 ($15 students, seniors, and artists), plus taxes and fees. Click here to buy tickets. INFORMATION: 919-213-0269 or contact@scrappapershakespeare.org. PLEASE DONATE TO: Scrap Paper Shakespeare.

EDITOR'S NOTE: A Durham, NC resident for 20 years, Melissa Rooney is a scientific editor, freelance writer, and author of several science-based children's picture books. She has published children's stories and verse in Highlights Children's Magazine and Bay Leaves. Rooney earned undergraduate degrees in English and Chemistry from the College of William and Mary in Williamsburg, VA; and she earned a Ph.D. in Chemistry in 1998 from the University of North Carolina in Chapel Hill. Her stories Eddie the Electron and The Fate of the Frog form the basis of two workshops offered through the Durham Arts Council's Culture and Arts in the Public Schools (CAPS) program, through which Rooney teaches elementary- and middle-school students about electrons and atoms or sustainability and rhyme, respectively. When she isn't writing, editing, reading, teaching, or experiencing theater, Rooney volunteers as a Soil and Water Conservationist for the nonprofit Urban Sustainability Solutions. Click here to read Melissa Rooney's reviews for Triangle Review.

 


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