Edited and Published by Robert W. McDowell

March 10, 2022 Issue
PART 5 (March 14, 2022)

A FREE Weekly E-mail Newsletter Covering Theater, Dance, Music, and Film in the Raleigh-Durham-Chapel Hill/Carrboro Area of North Carolina Since April 2001.

PART 5A: TRIANGLE BALLET REVIEW BY SUSIE POTTER

Carolina  Ballet's  World  Premiere  of  Zalman  Raffael's
Snow White Is a Careful Blend of Magic and Modernity


The Carolina Ballet will present the world premiere of Zalman Raffael's Snow White, with a score by Shinji Eshima, on March
10-13, 19, 20, 26, and 27 in the A.J. Fletcher Opera Theater in the Duke Energy Center for the Performing Arts in Raleigh

Today, when people hear the name Snow White, their minds are likely to go to the glossy animated 1937 Walt Disney film and not to the darker, more sinister source material. The Carolina Ballet's world-premiere production of Snow White, in the adept hands of its artistic director and choreographer Zalman Raffael, is something like a happy medium. This beautiful ballet doesn't shy away from ominous music or careful nods to the original tale, yet it's not so dark that families or young children can't enjoy it, and there certainly is much to enjoy here.

The ballet is staged in Raleigh, NC's wonderfully intimate A.J. Fletcher Opera Theater, which means each and every viewer is treated to a truly up-close-and-personal experience, one that is fully immersive and completely engaging from start to finish.

Speaking of the start, the performance opens with The Queen (Jan Burkhard) gazing into her magical mirror, one which glints and glimmers alluringly, thanks to impressive lighting effects from Ross Kolman. The mirror goes beyond just being a prop, however. It's also embodied by Margaret Severin-Hansen, who makes it a dimensional, deluding, and dangerous character, rather than just a mere object.

As the Queen grows more and more obsessed with the mirror and its messages, she directs her anger toward The Princess as Radiant as Snow, portrayed by the effervescent Courtney Schenberger. With a smile that goes on for days, Schenberger truly lives up to the "radiant" part of her character's title. Her graceful movements create a princess who is sweet, pretty, innocent and, ultimately, strong, thanks to the modern, much-appreciated spin that Raffael boldly places on the ending.

Although some of its elements may be fresh and unexpected, this ballet does not neglect the classic features that make the fairy-tale version of this story so beloved. There is a dashing, brave Prince (Kiefer Curtis), a high-leaping Huntsman (Yevgeny Shlapko) and, of course, seven lovable Gold Miners (Kathleen Black, Mia Domini, Ayla O'Day, Jayson Pescasio, Luke Potgieter, Rachel Robinson, and Bilal Shakur-Smith) who infuse humor and joy into the production. There are also twinkling lights, an enchanted-looking forest, and all the sparkles and softness that one could wish for.

This Snow White ballet is a perfect blend of the magic and charm that dance lovers yearn for and the grit and truth that modern storytelling demands. An experience like no other, it will change the way you think of fairy tales and leave a lovely, lasting impression.


The Carolina Ballet will stage the world premiere of Zalman Raffael's Snow White, with a score by Shinji Eshima, on March
10-27 in the A.J. Fletcher Opera Theater in Raleigh's Duke Energy Center for the Performing Arts (photo by Rachel Neville)

Zalman Raffael's world-premiere ballet, SNOW WHITE, with a score by Shinji Eshima (In Person at 2 and 7:30 p.m. Saturday and 2 p.m. Sunday, March 19, 20, 26, and 27) (Carolina Ballet in the A.J. Fletcher Opera Theater in the Duke Energy Center for the Performing Arts in Raleigh). MARCH 10, 2022 PROGRAM: https://www.carolinaballet.com/wp-content/uploads/2022/03/WEB_Snow-White_3-10_Thursday_730pm_FINAL.pdf. FEATURETTE: https://youtu.be/gZw73aez0M8. 2021-22 SEASON: https://www.carolinaballet.com/2021-2022-season/. THE COMPANY: https://www.carolinaballet.com/company/. THE PRESENTER: https://www.carolinaballet.com/, https://www.facebook.com/CarolinaBallet, https://www.instagram.com/carolinaballet/, https://twitter.com/CarolinaBallet, and https://www.youtube.com/user/CBcarolinaballet. THE VENUE: https://www.dukeenergycenterraleigh.com/venues, https://www.facebook.com/DECRaleigh, https://www.instagram.com/DECRaleigh/, https://twitter.com/DECRaleigh, and https://www.youtube.com/channel/UCUCPC9naUI3G8vHw0K8Qnew. DIRECTIONS/PARKING: https://www.dukeenergycenterraleigh.com/getting-duke-energy-center. COVID-19 VACCINATION AND MASK POLICY FAQS: https://www.carolinaballet.com/wp-content/uploads/2021/09/Covid-19-Vaccination-and-Mask-Policy-FAQs-2.pdf. CLEANING PROTOCOLS AND ATTENDEE SAFETY: https://www.dukeenergycenterraleigh.com/cleaning-protocols-and-attendee-safety. TICKETS: $27.15-$65.15, plus taxes and ticket fees. Call 800-982-2787 or click here to buy in-person tickets, and call 919-719-0900 or e-mail boxoffice@carolinaballet.com to buy livestream tickets. GROUPS (10+ tickets): 919-719-0900 and https://www.carolinaballet.com/tickets/special-rates/. INFORMATION: 919-719-0900 or boxoffice@carolinaballet.com. PLEASE DONATE TO: Carolina Ballet. Nancy Rich's Review.

EDITOR'S NOTE: Susie Potter is a Raleigh, NC-based freelance writer and editor. She is a 2009 graduate of Raleigh's Meredith College, where she majored in English. She holds graduate degrees in teaching and American literature from North Carolina State University in Raleigh. She is an award-winning author of short fiction. Her works have appeared in The Colton Review, Raleigh Quarterly, Broken Plate Magazine, Big Muddy: A Journal of the Mississippi River Valley, the Chaffey Review, and Existere. To read more of Susie Potter's writings, click http://www.triangleartsreview.com/, http://www.susiepotter.com, and http://www.myspace.com/susiepotter.

 


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