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Edited and Published by Robert W. McDowell

November 17, 2022 Issue
PART 2 (November 16, 2022)

A FREE Weekly E-mail Newsletter Covering Theater, Dance, Music, and Film in the Raleigh-Durham-Chapel Hill/Carrboro Area of North Carolina Since April 2001.

PART 2A: TRIANGLE THEATER REVIEW BY MELISSA ROONEY

Hairspray  Will  Have  DPAC  Patrons  Singing
 When  They  Wake  Up  the  Next  Morning


Niki Metcalf stars as Tracy Turnblad in Hairspray at the Durham Performing Arts Center (photo by Jeremy Daniel)

I woke up this morning humming "You Can't Stop the Beat," the hit song written by Marc Shaiman and Scott Wittman for the 2002 hit Broadway musical Hairspray, playing now through Sunday, Nov. 20th, at the Durham Performing Arts Center. It wasn't just the music that was in my head. Images of the actors in the Tuesday-night performance of this romantic comedy by Mark O'Donnell and Thomas Meehan, based on John Waters' 1988 film, were singing and dancing across my mind as well. This can only make for a good review.

I had never seen the film or the play before, so I had no biases as I took my seat in the DPAC auditorium last night and watched the lights dim onto a Baltimore, MD, girl lying in a vertical bed, dreaming of becoming a singer and dancer on local television's Corny Collins Show. From the start, Niki Metcalf makes it clear that she isn't just hefty on the outside -- she has a hefty voice as well. Metcalf captures main character Tracy Turnblad's energy, optimism, and determination in a manner invoking a star performance from the 1982 movie version of Annie.


Andrew Levitt (a.k.a. Nina West) and Ralph Prentice Daniel star as Edna and Wilbur Turnblad in Hairspray (photo by Jeremy Daniel)

The bed becomes a house front, which turns into a city, which draws down to the television studio of The Corny Collins Show, all against a backdrop of illuminated technicolor circles changing patterns and shapes. My favorite scene was when the actors shadow-danced simultaneously, reminding me of the set of the popular 1960's game-show Hollywood Squares. Scenic designer David Rockwell and video designer Patrick W. Lord deserve a big round of applause.

Likewise, Billy Dawson is impeccable as the extroverted and groovy host of The Corny Collins Show -- his voice clear as a bell and his character clearly made for television in a way that made me think of Elizabeth Banks' portrayal of Effie Trinket in The Hunger Games. When I watched scenes from the 2007 Hairspray movie, I found myself thinking Dawson should have been cast in the role.


The cast includes (aloft, from left) Sage as Gilbert, Kyle Kavully as Thad, and Charlie Bryant III as Seaweed (photo by Jeremy Daniel)

Thanks to lighting designer Paul Miller and choreographer Robbie Roby -- not to mention the multi-talents of the large cast -- the lighting and choreography were top-notch, seamlessly integrating with the actors' matching movements and voices. Most impressive was the quality of vocals that the actors created as they jumped and twisted about in energetic West-Coast-swing and rocking Motown dance moves. The costumes, designed by William Ivey Long, follow suit as the lighting changes from pastels to electric blues and the atmosphere evolves from ordinary white privilege to the delightful array of personalities and dancing styles that come from inclusion and racial integration.

Ryahn Evers and Addison Garner play Amber and Velma Von Tussle with expert comedic wickedness, though I would have preferred if their direction had been more toward light-hearted caricature than the mean-spiritedness that comes through. Nick Cortazzo's portrayal of Link Larkin subtly reveals Link's human anxieties and general good will in the face of what at first appears to be narcissistic television fame -- something his crooning, vibrato-laden voice seems to parallel. And Emery Henderson's portrayal of awkward, well-wishing Penny Pingleton is both endearing and chuckle-producing; and her songs are cute and catchy in a way that makes you want to hear them again.


Hairspray stars Sandie Lee (center left) as Motormouth Maybelle and Niki Metcalf (center right) as Tracy Turnblad (photo by Jeremy Daniel)

The African-American trio The Dynamites (Syndey Archibald, Melanie Puente Ervin, and Jade Turner), Seaweed J. Stubbs (Charlie Bryant III), and Motormouth Maybelle (Sandie Lee) play and sing their Motown-drenched roles with talent and heart that brings the house down.

Andrew Levitt's performance as Edna Turnblad is comically campy, but not so much that you don't have to look twice to convince yourself that she is actually played by a man. And I was thrilled when Ralph Prentice Daniel revealed that he could sing as well as act in his role as Edna's husband, Wilbur Turnblad.


Billy Dawson as stars as Corny Collins in Hairspray at he Durham Performing Arts Center (photo by Jeremy Daniel)

I would mention every actor by name if the cast weren't so huge, which just demonstrates how well director Matt Lenz and this team have navigated the complexity of this production. But I'd be loathe not to mention musical conductor Julius LaFlamme, associate conductor Charlie Yokom, and their talented band of musicians -- it was easy to forget that the musical accompaniment was being performed live, which is exactly what these guys are going for.

DPAC's performance of Hairspray leaves you feeling young at heart, with renewed faith in the belief that the future will improve on the present, a feeling that is often difficult to muster these days. You can get your faith renewed for the rest of the week by attending one of the remaining shows (Nov. 16-20).


Niki Metcalf (center) stars as Tracy Turnblad in Hairspray at DPAC (photo by Jeremy Daniel)

Marc Shaiman, Scott Wittman, Mark O'Donnell, and Thomas Meehan's HAIRSPRAY (In Person at 7:30 p.m. Wednesday and Thursday, 8 p.m. Friday, 2 and 8 p.m. Saturday, and 1 and 7 p.m. Sunday, Nov. 16-20), directed on Broadway by Jack O'Brien, choreographed on Broadway by Jerry Mitchell, directed on tour by Matt Lenz, choreographed on tour by Robbie Roby and presented as part of Truist Broadway at DPAC (Durham Performing Arts Center in Durham). TOUR VIDEOS: https://www.youtube.com/channel/UC581KZXAnUZqsBTqOBIWT8w. 2022-23 TRUIST BROADWAY AT DPAC SEASON: https://www.dpacnc.com/truist-broadway/season/truist-broadway-at-dpac-2022-2023. THE PRESENTER/VENUE: https://www.dpacnc.com/, https://www.facebook.com/DPACNC, https://www.instagram.com/DPACNC/, https://twitter.com/DPAC, and https://www.youtube.com/user/DPACLive. DIRECTIONS: https://www.dpacnc.com/plan-your-visit/directions. PARKING: https://www.dpacnc.com/plan-your-visit/parking. DPAC COVID-19 FREQUENTLY ASKED QUESTIONS: https://www.dpacnc.com/events/latest-updates-on-events-at-dpac/reopening-faq. THE TOUR: https://hairspraytour.com/, https://www.facebook.com/HairsprayOnTour/, https://www.instagram.com/hairsprayontour/, https://twitter.com/hairsprayontour, and https://www.youtube.com/channel/UC581KZXAnUZqsBTqOBIWT8w. TOUR CAST & CREATIVE TEAM: https://hairspraytour.com/cast-creative/. THE SHOW: https://www.mtishows.com/hairspray, https://www.ibdb.com/broadway-show/hairspray-11033, and https://en.wikipedia.org/wiki/Hairspray_(musical). THE SCRIPT (excerpts): https://books.google.com/books. TICKETS: $30 and up, plus taxes and fees. Call 800-982-2787 or click here to buy tickets. GROUPS (10+ tickets): 919-680-2787, Groups@DPACnc.com, and https://www.dpacnc.com/events/groups-services. INFORMATION: 919-680-2787 or CustomerService@DPACnc.com. Susie Potter's Original Triangle Arts Review Review.

EDITOR'S NOTE: A Durham, NC resident for 20 years, Melissa Rooney is a scientific editor, freelance writer, and author of several science-based children's picture books. She has published children's stories and verse in Highlights Children's Magazine and Bay Leaves. Rooney earned undergraduate degrees in English and Chemistry from the College of William and Mary in Williamsburg, VA; and she earned a Ph.D. in Chemistry in 1998 from the University of North Carolina in Chapel Hill. Her stories Eddie the Electron and The Fate of The Frog form the basis of two workshops offered through the Durham Arts Council's Culture and Arts in the Public Schools (CAPS) program, through which Rooney teaches elementary- and middle-school students about electrons and atoms or sustainability and rhyme, respectively. When she isn't writing, editing, reading, teaching, or experiencing theater, Rooney volunteers as an Associate Supervisor on the Durham's Soil and Water Conservation District.

 


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