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Edited and Published by Robert W. McDowell
November 7, 2024 Issue |
A FREE Weekly E-mail Newsletter Covering Theater, Dance, Music, and Film in the Raleigh-Durham-Chapel Hill/Carrboro Area of North Carolina Since April 2001. |
PART 5A: TRIANGLE THEATER REVIEW BY DANI DANIELA SILVA |
The Themes of Curse of the Starving Class, Sam
Shepard's 1977 West End and 1978 Off-Broadway Play
About an American Family in Crisis Are Still Timely
Michael Tourek stars as Weston Tate in Curse of the Starving Class at Theatre Raleigh (photo by Jennifer Robertson Photography)In Curse of the Starving Class, Theatre Raleigh and director Charlie Brady bring Sam Shepard's haunting exploration of the American Dream to vivid life, exposing the hunger and sickness lurking within. This production reveals the Tate family's fractured pursuit of a better life, highlighting the hollow promises and illusions that often accompany it.
Throughout the play, characters repeatedly open the refrigerator, searching for food and nourishment in a dark room, only to be met with a dim glow inside. This act of searching for something meaningful, despite the emptiness within, becomes a repeated visual reminder of each character's longing for fulfillment.
In one memorable scene, the refrigerator holds only artichokes. Initially amusing, this detail gains depth as the artichokes are tossed out due to their strong smell, symbolizing how easily we discard things that may nourish us in search of something sweeter. Shepard suggests that we are all seeking a "sweet savor" or even a "savior," yet we often overlook what might truly sustain us.
Theatre Raleigh's production of Curse of the Starving Class stars Heather Shore as Ella Tate (photo by Jennifer Robertson Photography)Weston Tate, the alcoholic father played by Michael Tourek, embodies this emptiness as he clings to false hope. His liver, strained from his destructive habits, might benefit from the artichokes tossed aside, highlighting the tragic irony of ignoring what might heal us. Weston's struggles bring up the question: Am I hungry, starving, or sick? Much like Weston, are we clinging to illusions that harm us, overlooking what we truly need?
The timing of this play feels especially relevant as recent elections raise questions about wealth, property, and pride, issues that lie at the heart of the American experience. This timeliness is mirrored in the staging, where the carefully orchestrated sound and lighting work to draw out themes of uncertainty, sacrifice, and aspiration with an intensity that parallels post-election reflections.
Heather Shore's portrayal of Ella Tate, the mother, captures the resilience of a woman making endless sacrifices, whereas Maddie Behrens as Emma Tate, the frustrated daughter, adds a youthful voice of discontent. Her complaints echo the restless energy of a generation searching for more.
Maddie Behrens stars as Emma Tate in Curse of the Starving Class at Theatre Raleigh (photo by Jennifer Robertson Photography)Tom Butler's character, Wesley Tate, embodies reason, and reveals the futility of logic in a family trapped by cycles of despair. The play's references to figures such as Trump and Harris give the story added relevance, capturing a country divided by conflicting dreams. Like America, this family aspires to escape its troubles, but remains bound to the same broken framework.
Executed with precision, the play's technical design enhances the emotional depth of each scene, immersing the audience in the family's struggles and inevitable decline. The presence of a lamb, symbolizing innocence and sacrifice, invokes biblical themes and invites the audience to reflect on what we are willing to sacrifice for our ambitions. As the characters gather around the dining table, a space meant for nourishment but filled with disillusionment, the play asks us to consider what we bring to the table in our own lives and as a society.
Curse of the Starving Class is a potent reflection on ambition, emptiness, and the costs of our choices. It urges us to confront our illusions about fulfillment and challenges us to reconsider what we discard in pursuit of the American Dream. This thought-provoking production runs through Wednesday-Sunday through Nov. 17th, with tickets available here.
Don't miss the chance to experience this powerful exploration of the sacrifices that we make and the empty spaces that are left behind in the pursuit of something better.
Theatre Raleigh's production of Curse of the Starving Class stars Tom Butler as Wesley Tate (photo by Jennifer Robertson Photography)Sam Shepard's CURSE OF THE STARVING CLASS (In Person at 7:30 p.m. Wednesday-Friday, 2 and 7:30 p.m. Saturday, and 3 p.m. Sunday, Nov. 10 and 13-17), directed by Charlie Brady and starring Michael Tourek as Weston Tate, Heather Shore as Ella Tate, Tom Butler as Wesley Tate, Maddie Behrens as Emma Tate, Jim Bray as Taylor/Emerson, Drew Solomon as Ellis/Slater, and Brian Westbrook as Malcolm, plus understudies Keagan Kermode (Taylor/Emerson, Malcolm, Ellis/Slater, and Wesley), Blaire Thompson (Ella), and Mollie Reeves (Emma) (Theatre Raleigh in the De Ann S. Jones Theatre at the Theatre Raleigh Arts Center at 6638 Old Wake Forest Rd. in Raleigh). TRAILERS AND FEATURETTES: https://www.youtube.com/watch?v=oTtSqcSAQo4. PRESENTER: https://theatreraleigh.com/, https://www.facebook.com/TheatreRaleigh, https://www.instagram.com/theatre_raleigh/, https://twitter.com/theatreraleigh, and https://www.youtube.com/channel/UCBrPHqUNhtfRMWQ2Ej8Fxeg. 2024 SEASON: https://theatreraleigh.com/2024-main-stage-season/. VENUE: https://theatreraleigh.com/main-stage-theatre-dedication/. DIRECTIONS/PARKING: https://theatreraleigh.com/location-parking/. CURSE OF THE STARVING CLASS (1977 West End and 1978 Off-Broadway play): https://www.dramatists.com/cgi-bin/db/single.asp?key=1352, http://www.iobdb.com/Production/2519, and https://en.wikipedia.org/wiki/Curse_of_the_Starving_Class. THE SCRIPT (excerpts): https://books.google.com/books. SAM SHEPARD (Fort Sheridan, IL-born playwright and screenwriter, nee Samuel Shepard Rogers III, 1943-2017): https://samshepardarchive.com/, http://www.iobdb.com/CreditableEntity/492, https://www.imdb.com/name/nm0001731/, https://www.ibdb.com/broadway-cast-staff/sam-shepard-8584, and https://en.wikipedia.org/wiki/Sam_Shepard. TICKETS: $33 and up, plus taxes and fees. Click here to buy tickets. INFORMATION: 919-832-9997, info@theatreraleigh.com, or boxoffice@theatreraleigh.com. PLEASE DONATE TO: Theatre Raleigh. Kurt Benrud's Triangle Review Review Permalink. Susie Potter's Triangle Arts Review Review.
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EDITOR'S NOTE: Dani Daniela Silva is a dynamic content creator, writer, facilitator, and podcast host whose work focuses on self-awareness, faith identity, and meaningful conversations. She blends everyday experiences with the arts to spark thoughtful dialogue and inspire personal breakthroughs. Her mission is to connect people through storytelling and creative expression, fostering community and deeper understanding. Dani is the host of EarthXperiences, a podcast in which she explores questions about faith journeys and mindset with other content creators and thought leaders, creating space for honest dialogue and fresh perspectives. She has co-written the web series Urk My Nerves and served as a contributing play reviewer for RDU on Stage. Dani is also the author of Ma, What's Investing?, a children's book promoting financial literacy, and Brown Girl All CULT Up, a personal exploration of her experiences with religion and self-discovery. Through her writing and workshops, Dani promotes self-awareness, mindfulness, and the use of thoughtful questions to help individuals explore their relationship with themselves and the ideas or people that shape their thinking. Her sessions encourage intentional decision-making and personal growth through reflective dialogue and critical inquiry. Her academic background in Family Science deeply informs her approach to both writing and facilitation. Dani has contributed to Carolina Playwrights Lab as a panelist, bringing her expertise to conversations around cultural identity, faith exploration, and the audience experience. As a proud mother of three, Dani draws inspiration from the lessons of parenthood, infusing her work with empathy and practical insight. Whether reviewing art, hosting panels, or leading workshops, Dani's goal is to inspire reflection and help people explore the intersections between creativity, faith, and everyday life. Through her mindful analysis as a reviewer, she uncovers new ways for us to connect, encouraging thoughtful engagement and deeper conversations that resonate long after the experience. Click here to read Dani Daniela Silva's reviews for Triangle Review. |
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