Welcome to the WODL Newsletter
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This edition of the newsletter concentrates on the WODL Festival 2016 at Woodstock and the results of the out-of-Festival competition.
These's lots for everyone. Enjoy!
Tricia... |
Woodstock - Ready and Waiting
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Since the meeting on February 21st - everything has gone into high gear both here and for the FIVE groups. Here, posters have been designed, printed and distributed. Interviews with radio, local cable and newspaper are out there and we're thrilled to have made the cover of WOW (What's on Woodstock) a monthly magazine about local happenings. A great article inside as well, complete with old photos to help celebrate Theatre Woodstock's 70th year. And then there are the casts & crews of our FIVE Festival shows. Adrenaline is pumping in Elmira, London, Elora, Simcoe and Sarnia. Truck rentals confirmed, reservations made and fingers crossed.
Being in Festival means moving your show to a new venue that may be larger, smaller, have a different lighting or sound system. This often means needing to add crew to help move things or deal with new tech demands. And life happens. People get sick, circumstances change, and sometimes people who were part of the show need to be replaced. We all know of actors stepping into roles at the last minute - sometimes carrying a script. Sarnia finds themselves in the unusual situation of having to replace their pianist - no small feat when your show is about Beethoven. As I write this, Andrew Norris is carefully editing the program to keep up with additions and changes. Our print deadline is looming!
We also know that sometimes things get left behind and our Tech/Stage management team is here to help, as are many others. Locations of hardware and dollar stores will be readily available, if we don't have what is needed. Once many years ago we had to extend a trailer set as the show was going to a larger stage. When we arrived in Guelph we realized that the exterior extension piece had been left behind. Some frantic phone calls (no cells back then) to find someone with keys and a truck to bring it. Luckily we weren't in Thunder Bay!
But all that extra adrenalin and energy adds to Festival week. So does the comradery. Techies from one play will help with another. I recall one year when some costumes pieces were borrowed from another production because, after all, "the show must go on" - and it always does. And what a wonderful week of shows we have in store. Such variety! We have Beethoven and Elvis, robberies and lotteries, and a city kid wanting to write a play about farming. Three are Canadian, two are award winning scripts and one just had its première! Something for everyone. See one or see them all!
Hospitality Suite
Our hospitality crew in the Wellington Room on the 2nd floor of the hotel is ready to help you find places to shop or to eat. Be sure to pick up your Downtown Woodstock "Passport to Savings" full of discounts and deals.
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We are hoping that a new restaurant just a block away will meet its deadline and open on March 8th. We have menus from the restaurants that supported us and hope you'll check them out. We highly recommend that you make reservations - phone numbers will be available in the Hospitality Suite. They are also on the hospitality link on the Festival website
http://wodlfestival2016.ca/
Plan ahead!
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Tip: The Charles Dickens Pub has a great 2 for 1 fish & chip deal on Mondays, and it's close to the theater - but it will be busy.
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Or perhaps you'd like to check out the exhibits at our wonderful Woodstock Museum or Art Gallery. They are both within a block of the historic Market Centre Theatre, as are many of the restaurants. Or maybe venture a little further afield, or follow the Cheese Trail. Oxford County is the Dairy Capital of Canada! We have the statue of Springbank Snow Countess to prove it.
Our Hospitality team led by Maria St Laurent can help with all of this.
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And the Hospitality Suite is where you can sign up for the workshops we have planned. Ron Cameron-Lewis has limited participants for both his Acting (Tues) and Directing (Thurs) to 20 people but will allow others to observe. The more the merrier for the Improv workshop on Wednesday and the session with playwright Mark Crawford on Friday. Anne Mooney & Mona Brennan-Coles will be looking after morning adjudications, workshops and the book sale - all in The Altadore Room of the hotel.
Tickets
Tickets to all shows are selling quickly - so if you don't have yours, check out the Tickets tab on the Festival website
http://wodlfestival2016.ca/
or call the Box Office at 519-537-2582. Gala tickets are only available through the box office. You'll be asked about dietary issues, and if you have a group affiliation. On March 1st we will release seats not claimed by the FIVE participating groups. Three tables had been set aside for each of the groups until that date.
If you're planning to stay at the Quality Hotel you should reserve ASAP. Call 519-537-5586 and ask for the Festival rate. More info on our website.
So Woodstock is Ready! We're looking forward to a week of good weather, great theatre, getting to know some new people and celebrating with old friends.
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All adjudications & workshops are in the Altadore Room on the lower level.
Workshop registration is in the Hospitality Suite (Wellington Room near 204).
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Monday, March 14
11:30 - 4:00
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Hospitality Suite at the Quality Hotel - Wellington Room (near room 204)
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6:00 - 7:30
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Opening Reception (by invitation) at the Oxford County Administration Building across from the Theatre
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8:00 -
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Suburban Standoff
presented by Elmira Theatre Company
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10:30 (approx)
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Encore reception in the TW Lounge
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10:00 - noon
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Detailed adjudication in the Altadore Room of the Quality Hotel (public welcome) **
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11:30 - 4:00
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Hospitality Suite at the Quality Hotel - Wellington Room (near room 204)
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1:30 - 3:00
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Workshop:
Ron's Top Ten Practical Pieces of Advice for Actors
(Ron Cameron-Lewis)
Altadore Room of the Quality Hotel (max of 20 - others may watch - register in hospitality suite) **
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8:00
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All The King's Women
presented by London Community Players
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10:30 (approx)
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Encore reception in the TW Lounge
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10:00 - noon
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Detailed adjudication in the Vansittart Room of the Quality Hotel (public welcome) **
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11:30 - 4:00
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Hospitality Suite at the Quality Hotel - Wellington Room (near room 204)
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1:30 - 3:00
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Workshop: Improvisation for Fun and Skill Building - with Kim Watson &
Jessica Watson of Enchanted Theatre Company
A
ltadore Room of the Quality Hotel (public welcome - register in hospitality suite)
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8:00
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The Drawer Boy
presented by Elora Community Theatre
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10:30 (approx)
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Encore reception in the TW Lounge
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10:00 - noon
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Detailed adjudication in the Altadore Room of the Quality Hotel (public welcome) **
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11:30 - 4:00
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Hospitality Suite at the Quality Hotel - Wellington Room (near room 204)
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1:30 - 3:00
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Workshop:
Ron's Top Ten Practical Pieces of Advice for Directors
(Ron Cameron-Lewis)
Altadore Room of the Quality Hotel (max of 20 - others may watch - register in hospitality suite) **
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8:00
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Whole Lotto Love
presented by Simcoe Little Theatre
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10:30 (approx)
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Encore reception in the TW Lounge
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Friday, March 18
10:00 - noon
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Detailed adjudication in the Altadore Room of the Quality Hotel (public welcome) **
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11:30 - 4:00
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Hospitality Suite at the Quality Hotel - Wellington Room (near room 204)
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1:30 - 3:00
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Workshop: Playwright Mark Crawford, writer in Residence at Blyth Festival, will do some readings from his work and discuss his writing process & the development of Canadian plays. **
Altadore Room of the Quality Hotel (public welcome - register in hospitality suite)
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8:00
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33 Variations
presented by Theatre Sarnia
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10:30 (approx)
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Encore reception in the TW Lounge
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10:00 - noon
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Detailed adjudication in the Altadore Room of the Quality Hotel (public welcome)
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5:00
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Awards Gala at the Quality Hotel - Vansittart Ball Room (lower level)
5 pm cocktail social
6 pm opening remarks & pre-festival awards
Dinner
CAST performance, In Festival Awards
Dancing to follow with live band, Full Nelson
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**Playwrights Canada Press will have a display of Canadian scripts for perusal and purchase
inside the Altadore Room during adjudications and workshops.
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Monday, March 14 -
Suburban Standoff
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Elmira Theatre Company
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Synopsis
Written and Directed by Michael Grant
Presented with permission of the Playwrights Guild of Canada
Ty, down on his luck and in need of some quick cash, attempts his first Home Invasion with the help of his girlfriend. However, he may have picked the wrong house as the home owners seem to be more knowledgeable in the art of guns and violence.
Who is really in control of this crazy comedy?
Join us once again for another world premiere from Elmira's very own award winning playwright.
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Director's notes - Michael Grant
The story of Suburban Standoff's dates back to September 2013 when attending the beginning of my son's hockey season. A young lady who is a family friend discovered I was a playwright and every time we attended the rink, she'd ask if I had written anything. I hadn't for almost a year. After the same scenario played out five or six times at the arena, I was driven to begin the process. "I couldn't let Alex down again". Three months later, the first draft was complete and yes, Alex was the first to read it.
In writing Suburban Standoff, I wanted to achieve several things. First, and rather personal, was to write a script that would appeal to professional theatres. They tend to not like shows with a large cast. Secondly, I wished to explore the ever growing class division within our society. As I age, I also find the generation gap interesting. How for generations, the older generation are always complaining about the youth of the day only to be repeated as both parties age. It seems to be a funny cycle that is continually repeating itself.
But the social divide was the catalyst for this story. The location and premise were driven by the current events and issues. I found it amazing to be able to see the growing social divide within our society. We have come a long way in a short time, and not in a good way, or perhaps that's just the perception of an older generation guy.
Giving life to a new play requires many hands. Yes, mine had the idea and typed the words but there are many others that require a nod and bow. First, my young friend Alex Thaler for pushing me to start the process, I am forever in her debt. Her father and my close friend, Kevin Thaler for his endless knowledge of guns and how to use them as well as her mother, Lisa Thaler, for being a true teacher and correcting my pathetic spelling and grammar.
My father-In-Law, Dennis, who added his weapons knowledge and shone a light on a "What was I thinking" moment, thanks, as well as my ongoing editor, Mom. Thanks.
ETC. What can be said? We all are in the presence of greatness every time we enter this theatre. There is a reason they are celebrating their 35th season, its professionalism, teamwork, and dedication. They have encouraged and supported me from day one and I'm truly blessed to have such a wonderful group in my corner. Years ago, Norm Foster suggested I find a local group to support and produce my work as I started out as a playwright, but even he couldn't have imagined what ETC has done for me. I'm honoured and humbled every time I walk into this building.
And as always, big thanks to my family, Sherry, Brendan, Daniel and Kelly for their understanding and support. I wouldn't be anything without you all. I'm very excited that for the first time, my entire family will be able to sit together and enjoy one of my full length scripts.
And finally you, whether here for the first time or as a long time patron. Your support for ETC and myself is not taken lightly and we strive to give you the best possible production every time.
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Tuesday, March 15 -
All the King's Women
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London Community Players
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Synopsis
All the King's Women
by
Luigi Jannuzzi
Directed by Sue Perkins
Presented by special arrangement with Samuel French, Inc
London Community Players presents the story of "The King of Rock and Roll" as told through the eyes of 18 women. Some enthralled. Some appalled. All obsessed!
All the King's Women, a fast paced series of plays and monologues based on the life of Elvis Presley.
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Director's notes - Sue Perkins:
Most of you in the audience will know who the King is - like me, I am sure many of you danced to Elvis Presley's music, sang along with his songs on the radio, and maybe fell in love with this handsome icon. He created a sensation with his gyrations - the censors reacted with horror, the teenage girls screamed for more - they loved him. This group of monologues and one acts catches those moments in time - the women who adored him, and those who disapproved. He certainly laid the groundwork for the pop stars of today - Elvis' antics are tame by comparison! But his sincerity shone through and he was generous to a fault. Even today, 38 years after he died, he has a huge fan base and his albums still sell.
We have had a lot of fun taking this script from page to stage. Cast and crew have worked so well together - it has been a pleasure to lead this talented group. We all hope you enjoy the show as much as we have enjoyed putting it together.
Review of this show:
Note from Sue Perkins:
Before I auditioned I sent an email to Luigi Januzzi about a change to the show - mindful of an adjudication process. The script calls for a series of radio announcements in the darkness to introduce each unit. I hate stuff in the darkness. So I asked permission to go "live" with real people doing the announcements and create more continuity in my mind. Enthusiastic response from Luigi gave me permission, freedom of interpretation and a whole new monologue which I could use or not as I wished! I have used it. He has stayed in touch and already sent us a very enthusiastic email about being in Festival!
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Wednesday, March 16 -
The Drawer Boy -
Elora Community Theatre
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Synopsis
The Drawer Boy
by
Michael Healey
Directed by Julie Wheeler Bryant
A touching uplifting comedy about true friendship and whole lot more! This Canadian play has been a multi-award winner since its premiere in 1999 in Toronto.
It tells the story of two farmers who let the city boy into their farm home to learn about farming and write a play about it. As the plot unfolds, it brings surprises for everyone, some hilarious and some heart wrenching.
The Farm Show created and first performed in the 70s was the inspiration for playwright and Blyth actor Michael Healey to later write The Drawer Boy. The play has been described as 'a triumph of the human spirit and the healing power of art, friendship and loyalty'.
Note:
Gary Bryant "appearing with permission of Canadian Actors' Equity Association".
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Notes from Julie Wheeler Bryant:
The Drawer Boy
by Michael Healey is an acclaimed Canadian play and has received many awards including the Governor General Award 1999. This production has run to very appreciative audiences at the Fergus Grand Theatre with many standing ovations and seems to have had quite an impact on people that have seen it during the Feb. 5-14th run. A special performance of ECT's The Drawer Boy was requested by the local high schools in Fergus and Guelph and was enjoyed by almost 150 secondary students who study the play on their curriculum or are serious drama and technical theatre students. The cast and crew was cheered by the enthusiastic students after the afternoon performance.
The director writes in her message:
"Searching for just the right script to direct is a long process for me because I have to love and believe in the story/play in which so much time and effort will later be invested. I was surprised to find myself a couple of years ago enjoying a script of The Drawer Boy, a Canadian play that had been on our bookshelf for a long time, unread. What a surprise! Reading it, I laughed and later reading further was pulled in by the depth of the story, the hidden truths, what people do to keep going, the ties of friendship and loyalty, the impact of storytelling and the arts, the push that keeps people struggling and persevering through good times and bad times. That's us! That's our lives!
We are honoured to have earned the 'Best Production of a Canadian Play' by adjudicator Sandy Macdonald and we hope that our WODL newsletter readers will see the show and share in our discoveries, our creation, that we have painfully and joyfully put together for each of you. You, as an audience member, will help make the contribution of thousands of ECT 'volunteer hours' worth it."
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Thursday, March 17 -
Whole Lotto Love -
Simcoe Little Theatre
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Synopsis
Whole Lotto Love
by
Kevin Arthur Land
Directed by Matthew Wilson
Presented with permission of the Playwrights Guild of Canada
This "romantic-dramedy" features an apartment superintendent Dwight whose ex-wife suddenly shows up after having left him ten months before.
Dwight sees this as reconciliation, but ex-wife Lenore has really returned because the lottery numbers they played a year ago is a winner. Lenore only wants the ticket and is gone: but Dwight has a total different agenda.
Enjoy the shenanigans as one tries to outdo the other.
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Director's notes - Matthew Willson
Dwight and Lenore are represented in you, in me, and in every other human being. They are the typical Canadian couple who, although separated, are now back together for an afternoon - the thought of which makes them both nervous but for completely different reasons.
She, there on a scheme and a prayer to find a winning ticket; and he, anxious but hopeful that love can be revived. We are flies on the wall, watching the couple dance an intricate tango strung together with lies, truths, heartbreak, and a whole "lotto" love!
I hope you enjoy this tale that is focused on the characters - more so than on the plot itself. Dwight and Lenore are just two people making their way through life; separately but together again for what is sure to be an incredible ride.
I'd like to extend a special thanks to: Deanna, Kym, Brittany and Daniel for your patience and contributions. Larry Dawson; Doug Grant; Dave Kent; Jan Rainey; Ian Madge; Charles Norcote; Kevin Land; Tom Makan; Steph Christiens; Lakeview Sand and Gravel; and Jacqueline and Thatcher Willson.
Reviews of this show:
http://www.simcoereformer.ca/2016/02/25/whole-lotto-success-at-slt
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Friday, March 18 -
33 Variations -
Theatre Sarnia
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Synopsis
33 Variations
by Moises Kaufman
Directed by Henri Canino
Presented by special arrangement with Dramatists Play Service, Inc., New York.
33 Variations
is a play inspired by Ludwig van Beethoven's work. In parallel tales of obsession, a musicologist attempts to uncover the motivation behind Beethoven's Diabelli Variations, a series of 33 variations on an ordinary waltz by a composer he felt was beneath him.
33 Variations
debuted on Broadway in 2009, starring Jane Fonda. The Broadway production was nominated for 5 Tony Awards, including Best Play. "Passionate and illuminating!"
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Reviews of this show:
Promotional video:
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Audrey
Hummelin, Claire Ross, Darryl Heater (Photo,
Ian Alexander)
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Cast & crew. Jessica Rabbit is a stand in for director Henri Canino, the photographer |
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The Audrey Vale Award for an Outstanding Performance by an Actress in a Major Role
Bev Pitt
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Claire
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Kiss the Moon, Kiss the Sun
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Binbrook Little Theatre
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Nominee
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Melissa Metler
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Sally Bowles
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Cabaret
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St. Marys
Community Players
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Nominee
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Krystle Komaranski
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Poona
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Poona the Fuck Dog
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Kitchener Waterloo Little Theatre
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Nominee
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Cynthia Crofoot
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Sorel Bennett
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Death by Desig
n
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Theatre Burlington
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Nominee
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Caitlin Popek
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Constance
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Goodnight Desdemona,
Good Morning Juliet
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Guelph Little Theatre
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Winner
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Catherine Camp-Paynter
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Nana's Naughty Knickers
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Paris Performers Theatre
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Nominee
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The Theatre Sarnia Memorial Award for an Outstanding Performance by an Actor in a Major Role
Rory Ruud
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Robert
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Kiss the Moon, Kiss the Sun
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Binbrook Little Theatre
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Nominee
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Landon Hoare
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Emcee
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Cabaret
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St. Marys Community Players
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Winner
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Jason Parkins
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Nick
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Over the River and
Through the Woods
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Theatre Tillsonburg
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Nominee
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John Low
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Captain Hook
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Peter Pan -
a Pantomime
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Kincardine Theatre Guild
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Nominee
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James Neely
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Jacob Marley
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A Christmas Carol:
Scrooge and Marley
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Theatre Ensemble
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Nominee
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Clinton Hammond
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Ebenezer Scrooge
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A Christmas Carol: Scrooge and Marley
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Theatre Ensemble
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Nominee
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The London Community Players Award for an Outstanding Performance by an Actress in a Supporting Role
Olivia Prunean
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Holly
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Kiss the Moon, Kiss the Sun
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Binbrook Little Theatre
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Nominee
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Greta Hofsteede
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Mrs. Higgins
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My Fair Lady
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Thistle Theatre
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Nominee
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Cindy Pastorius
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Ghost of Christmas Present
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A Christmas Carol: Scrooge and Marley
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Theatre Ensemble
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Nominee
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Suria Runstedler
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Queen of Hearts
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Alice in Wonderland
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Cambridge Community Players
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Nominee
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Heather MacDonald
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Shrub
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Poona the Fuckdog
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Kitchener Waterloo Little Theatre
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Winner
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Sandy Beacom
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Sheila
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Jake's Women
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Elgin Theatre Guild
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Nominee
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The Repuski Award for an Outstanding Performance by an Actor in a Supporting
Role
Pete Matthews
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Frank
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Over the River and Through
the Woods
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Theatre Tillsonburg
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Nominee
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Matt Harvey
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Miss Smee
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Peter Pan - a
Pantomime
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Kincardine Theatre Guild
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Winner
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Barry Nielson
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Pirate Sinker
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Peter Pan - a
Pantomime
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Kincardine Theatre Guild
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Nominee
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Elijah Shafer
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the Mad Hatter
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Alice@Wonderland
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Hanover Community Players
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Nominee
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Bill Kirby
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the Man Who Can Sell Anything
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Poona
the Fuckdog
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Kitchener Waterloo Little Theatre
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Nominee
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Robert Mills
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Nick
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The Catering Queen
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London
Community Players
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Nominee
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The Mooney Award for Outstanding Direction (Out of Festival)
Terry Todd
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CABARET
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St. Marys Community
Players
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Nominee
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Joan Veldman
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My Fair Lady
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Thistle Theatre
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Nominee
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Shirley Bieman
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Peter Pan a Pantomime
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Kincardine Theatre Guild
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Winner
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Shannon Markle
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Alice in Wonderland
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Cambridge
Community Players
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Nominee
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Jaime Fleet
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Alice@Wonderland
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Hanover Community Players
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Nominee
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Rob Coles
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Mom's the Word
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Theatre Woodstock
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Nominee
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The Inez Hayes Memorial Award for an Outstanding Ensemble Production (Out of Festival)
The Cast of CABARET
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St. Marys Community Players
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Winner
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The Cast of My Fair Lady
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Thistle Theatre
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Nominee
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The Cast of Peter Pan a Pantomime
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Kincardine Theatre
Guild
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Nominee
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The Cast of Alice in Wonderland
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Cambridge Community Players
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Nominee
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The Cast of Alice@Wonderland
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Hanover
Community Players
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Nominee
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The Cast of Mom's the Word
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Theatre Woodstock
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Nominee
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The Elmira Theatre Company Award for Best Visual Production (Out of Festival)
CABARET
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St. Marys Community Players
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Nominee
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My Fair Lady
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Thistle Theatre
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Nominee
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Peter
Pan a Pantomime
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Kincardine Theatre Guild
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Nominee
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Alice in Wonderland
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Cambridge Community Players
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Winner
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Alice@Wonderland
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Hanover Community Players
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Nominee
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Mom's the Word
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Theatre Woodstock
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Nominee
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The Elmira Theatre Company Award for Best Visual Production (Out of Festival)
CABARET
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St. Marys Community Players
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Nominee
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My Fair Lady
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Thistle Theatre
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Nominee
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Peter
Pan a Pantomime
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Kincardine Theatre Guild
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Nominee
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Alice in Wonderland
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Cambridge Community Players
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Winner
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Alice@Wonderland
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Hanover Community Players
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Nominee
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Mom's the Word
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Theatre Woodstock
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Nominee
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In- or Out-of-Festival Awards
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The Hadley Award for an Outstanding Performance by a Juvenile (in or out of festival)
Maddox Keller
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Young Boy
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CABARET
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St. Marys
Community Players
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Nominee
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Carson Rutledge
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Skunk
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Peter Pan a Pantomime
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Kincardine Theatr
e Guild
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Nominee
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Mason Doomaert
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Adam
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A Christmas Carol:
Scrooge and Marley
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Theatre Ensemble
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Nominee
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Suria Runstedler
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the Queen of Hearts
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Alice in Wonderland
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Cambridge Community Players
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Nominee
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Emily E.
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Alice
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Alice@Wonderland
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Hanover Community Players
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Winner
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Maddie Lampman
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Molly, age 12
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Jake's Women
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Elgin Theatre Guild
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Nominee
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The Theatre Kent Award for the Most Promising Newcomer (in or out of festival)
Juliana Rutledge
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Slightly
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Peter Pan a Pantomime
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Kincardine Theatre Guild
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Nominee
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Julia Hourahine
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Alice
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Alice in Wonderland
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Cambridge Community Players
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Winner
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Kayley O'Rourke
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Dormouse
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Alice@Wonderland
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Hanover Community Players
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Nominee
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Candise Pacheco
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Carolyn Bingham
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Having Hope
at Home
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Theatre Kent
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Nominee
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Lynn McNeill
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Claire Schmidt
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Nana's Naughty
Knickers
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Paris Performers Theatre
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Nominee
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The Christopher Covert Memorial Award for the Best Cameo Performance (in or out of festival)
Dan Costello
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the Sailor
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CABARET
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St. Marys C
ommunity Players
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Nominee
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Ann Jackson
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the Gorilla
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CABARET
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St. Marys
Community Players
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Winner
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Cliff Ruthen
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the Caterpillar
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Alice in Wonderland
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Cambridge Community Players
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Nominee
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John Riehl
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Do Gooder/Old Joe
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A Christmas
Carol: Scrooge and Marley
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Theatre Ensemble
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Nominee
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The Molly Yearham Memorial Award for the Best Visual Coordinated Costumes of a Non-rental Nature (in or out of festival)
Tania Harvey
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CABARET
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St. Marys
Community Players
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Winner
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Sarah FitzGerald / Susanne Blaney-Ottagalli
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A Christmas Carol: Scrooge and Marley
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Theatre
Ensemble
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Nominee
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Kari Mullin
|
Alice in Wonderland
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Cambridge Community Players
|
Nominee
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Holly McAdam / Chuck Exel
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A Christmas
Carol: Scrooge and Marley
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Theatre Ensemble
|
Nominee
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Donna Douma / Sherry DeGroot
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Alice@Wonderland
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Hanover Community Players
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Nominee
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Sharon Vandenberg / Pamela Niesiobedzki
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Goodnight Desdemona, Good Morning Juliet
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Guelph
Little Theatre
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Nominee
|
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The Kincardine Theatre Guild Award for Best Sound Design (in or out of festival)
Rob Blowey / Kyle Franklin
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Kiss the Moon, Kiss the
Sun
|
Binbrook Little Theatre
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Nominee
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Andy French / Jaki Mayer-Duggan
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Peter Pan a Pantomime
|
Kincardine Theatre Guild
|
Nominee
|
Samuel Los
|
Alice@Wonderland
|
Hanover Community Players
|
Winner
|
Michelle Spanik
|
Death by Design
|
Theatre Burlington
|
Nominee
|
John Hammond
|
Mom's the Word
|
Theatre Woodstock
|
Nominee
|
|
The Harmony Award for Best Set Design (in or out of festival)
Mark Mooney
|
Mrs. Parliament's Night Out
|
Theatre Woodstock
|
Nominee
|
Jay Harrison
|
CABARET
|
St. Marys
Community Players
|
Nominee
|
Terry Bryan / Bonnie Bryan / Andy French / Jim Cook /
Donna Baxter
|
Peter Pan a Pantomime
|
Kincardine Theatre Guild
|
Nominee
|
Tom Coatsworth
|
Having Hope at Home
|
Theatre
Kent
|
Nominee
|
Michael Hannigan
|
Death by Design
|
Theatre
Burlington
|
Nominee
|
Kevin Rutherford
|
Mom's the Word
|
Theatre
Woodstock
|
Winner
|
|
The Palace Theatre Award for Outstanding Lighting Design (in or out of festival)
Gary Austin
|
CABARET
|
St. Marys Community
Players
|
Nominee
|
Mark Mooney / Tim Cockle
|
My Fair Lady
|
Thistle
Theatre
|
Winner
|
Dan Holm / Bill McLaughlin / MaryClair-Luckhardt /
Brendan Rodgers
|
Peter Pan a Pantomime
|
Kincardine Theatre Guild
|
Nominee
|
John Bardwell / Pete Blain
|
Heroes
|
Aylmer
Community Theatre
|
Nominee
|
Greg Oliver
|
Having Hope at Home
|
Theatre
Kent
|
Nominee
|
|
The Catharine Brickenden Award for the Best Production of a Canadian Play (in and or out of festival)
Kiss the Moon, Kiss the Sun
|
Binbrook Little Theatre
|
Nominee
|
Suburban Standoff
|
Elmira Theatre Company
|
Nominee
|
The Drawer Boy
|
Elora Community Theatre
|
Winner
|
|
Special Adjudicator Awards
|
|
Outstanding Achievement in
Makeup and Hair/Wigs
Chelsea Smith/Samantha Lane
|
Peter Pan a Pantomime
|
Kincardine Theatre Guild
|
Winner
|
|
The Phenomenal Kit Kat Girls: 18 - 80!
CABARET
|
St. Marys Community Players
|
Winner
|
|
Outstanding Achievement in Multiple Roles
Brian Moore
|
Watch Salesman / Devlin/Puncho / Andre
|
Mrs. Parliament's Night Out
|
Theatre Woodstock
|
Winner
|
Mercedes Ranjit-Pelkey
|
Bella / Clara
|
A Christmas
Carol: Scrooge
and Marley
|
Theatre
Ensemble
|
Nominee
|
Liam Brewster
|
Fish Foot / Mock Turtle / Tweedle Dum
|
Alice in Wonderland
|
Cambridge Community Players
|
Nominee
|
Greg Allen
|
Prince / Computer
|
Poona the Fuck Dog
|
Kitchener Waterloo Little Theatre
|
Nominee
|
Annabel LeGood
|
Cop / Devil / Intercom Voice / Kid /
Sparky / Stagehand 2 /Telegram
|
Poona the Fuck Dog
|
Kitchener Waterloo Little Theatre
|
Nominee
|
Amal Al Salami
|
Aide / Citizen / orderly / Stagehand 1 /
Suzi Suzi
|
Poona the Fuck Dog
|
Kitchener
Waterloo
Little Theatre
|
Nominee
|
|
Outstanding Achievement in a 'Double Act'
Dylan Trahan & Barry Neilson
|
Sailor Line and Sailor
Sinker
|
Peter Pan a Pantomim
e
|
Kincardine Theatre
Guild
|
Winner
|
Liam Brewster & Mike Hodges
|
Tweedle Dum and
Tweedle Dee
|
Alice in Wonderland
|
Cambridge
Community Players
|
Nominee
|
|
Outstanding Achievement by the Stage Management Team
Tania Harvey, Altiera Essensa, Patti Muma-Cook,
Fern Pridham
|
CABARET
|
St. Marys Community Players
|
Nominee
|
Linda Murray, Victoria Hilborn
|
My Fair Lady
|
Thistle Theatre
|
Nominee
|
Caroline Gorski, Margaret Visser, Sylvia Berg,
Liz Small
|
Peter Pan a Pantomime
|
Kincardine
Theatre Guild
|
Nominee
|
Ellen Starkiss, Michael K. Potter
|
A Christmas
Carol: Scrooge and Marley
|
Theatre Ensemble
|
Nominee
|
Carolyn Galvin, Annie Divadale
|
Poona the Fuck
Dog
|
Kitchener Waterloo Little Theatre
|
Nominee
|
Samantha Dawdy, Bridget Hall, Carley Farr
|
Goodnight Desdemona, Good Morning Juliet
|
Guelph
Little Theatre
|
Winner
|
|
Outstanding Achievement in Slides/Video/Sound and Lighting Effects
Rob LeGood
|
Poona the Fuck Dog
|
Kitchener Waterloo Little Theatre
|
Winner
|
|
Music Rights forTheatre - Theatre Ontario Webinar - April 4, 2016
|
|
Live webinar Monday 4 April, 7:00 pm to 8:00 pm
Thinking of using music in your performance or creating a musical revue? You are invited to attend Theatre Ontario's "Music Rights for Theatre" webinar ... free for Theatre Ontario members.
Know your music rights (and responsibilities) for theatre! Craig Brockie, Industry Relations Executive for SOCAN, and Serge Cassano, Senior Licensing Representative for Re:Sound Music Licensing Company, will take you through the ins and outs of working with SOCAN and Re:Sound.
Learn the value of music and what that means for those who create theatre. The workshop will cover the following:
- Copyright pillars
- What are SOCAN and Re:Sound and what are their responsibilities?
- Performing Rights and Grande Rights - the difference
- What are SOCAN and Re:Sound licences?
- Licensed to play campaign
- Re:Sound negotiates agreement with the Performing Arts industry
For more information
click here.
|
Canadian Play Map of Canada
|
|
Each month the Playwrights Guild of Canada publishes a map showing which Canadian plays are being produced and where. To see the map for March
click here.
|
Theatre Ontario publishes an online list of current and upcoming productions by its member groups. To see what is on
click here.
|
Is your WODL Membership Information Up-to-date?
|
|
Are you on the board of a theatre group that belongs to WODL? If your group has:
- A new President
- New WODL delegates
- A new Treasurer
|
14 to 19 March 2016 |
WODL Festival 2016, Woodstock
|
18 to 22 May 2016 |
Theatre Ontario Festival 2016, North Bay.
|
7 to 13 August 2016 |
Theatre Ontario Summer Theatre Intensive
|
13 to 18 March 2017 |
WODL Festival 2017, Guelph
|
May 2017 |
Theatre Ontario Festival 2017, Ottawa |
|
This newsletter was prepared by:
|
Tricia Ward Communications Coordinator WODL |
|
|