Meher Baba Books Los Angeles
 

Beloved Avatar Meher Baba with His Beloved Mehera

  Meher Baba described Mehera as the purest soul in the universe, and said that she
loved Him  as He ought to be loved. He called her his "Radha" and said,
"She is my very breath without which I cannot live."

 

Weekly Reflections No. 27
from Meher Baba Books
(Los Angeles, California)
Greetings from rainy Los Angeles. Due to ongoing drought in California, we are very happy for the rain, and it is also Baba's Blessing. Wishing you well in Beloved Baba.

Well, It is time for us to meet again in our appointment with Meher Baba. This mini-circular is now celebrating its 27-weeks  birthday.

This week's theme is "Mehera Irani reunites with Beloved God". Mehera J. Irani  (January 7, 1907 - May 20, 1989), played one of the most important roles in this Advent of the Avatar. Baba said  Mehera was the one who represented all the opposite attributes of God. Mehera Maha-Maya! That is what Upasni Maharaj called the consort of the Avatar. She is necessary to keep Maya in existence. Her presence in each advent is essential, otherwise the Avatar could destroy the Illusion in the smallest fraction of a second. "Mah?m?y? is also a force and/or the principal deity (shakti, power) who creates, perpetuates and governs the phantasmagoria, illusion and dream of duality in the phenomenal Universe." Without her presence, creation as we know it would be destroyed.

Thank you Beloved Baba for your coming amongst us and bringing the Queen of Creation with you.

  

We lately started reflecting on the topic of "Women In the West and their Roles." Filis Frederick, who was one of the principal founders of our Los Angeles Meher Baba Center, wrote a great series of articles on this interesting topic, from which we are now drawing. This week we share Filis' account of the life of Margaret Craske.

  

We hope you enjoy these small occasions for reflecting on the divinity of Beloved Baba's words and life. Be Happy first and make it last. Happy Birthday to all the wonderful people who are born in May. You know who you are ... Make it a happy one.  

  

In His Love and Service, 
Meher Baba Books 
~~
Mehera Irani unites with Beloved God! 
~~

        

(photo: Wikimedia Commons image) 

 

 

Mehera Jehangir Irani (January 7, 1907 - May 20, 1989) was Meher Baba's closest mandali (disciple). Meher Baba said she was the purest soul in the universe and that she loved him as he ought to be loved. He called her his " Radha" and said, "She is my very breath without which I cannot live." Her accounts of her life with Meher Baba are exhaustively and carefully documented in the three volume chronicle, Mehera-Meher: A Divine Romance, written by David Fenster, based on tape-recordings of Mehera he made.

 

Mehera met Meher Baba for the first time on October 15, 1922 at the age of 15 in the Sakori ashram of Upasni Maharaj during a visit with her mother, but did not come to stay with Baba permanently at Meherabad until 1924. Unique among Meher Baba's women mandali, Mehera was sequestered by Baba from contact with men. It was not until the late 1960s that Mehera J. Irani was permitted by Meher Baba to come out of her seclusion and meet some of the men mandali from a distance. On the porch at Meherazad, she simply folded her hands to them out of respect to their love for Baba and saluted them with "Jai Baba!"

 

Mehera was one of four women who accompanied Baba in his New Life period from 1949-1951. In 1952 Mehera suffered a severe head injury in an automobile accident while traveling across the United States with Meher Baba near Prague, Oklahoma.

 

In accordance with Meher Baba's directive, Mehera's final resting place is by his side, adjacent to his Samadhi. Although Mehera was born in January, from 1968 her birthday has been celebrated on December 22 as it was in 1968 in accordance with the Zoroastrian calendar, that being the last year it was celebrated in Meher Baba's physical presence.

 




(click link to hear)

 

 

 

Mehera, seated on the Main Bungalow Verandah, Meherazad (1980)
(Photo by Win Coates)

Meher Baba, the Divine Beloved of all hearts, has called Mehera His Beloved. I'm sure His lovers must wonder what this can actually mean.As Mehera's constant companion throughout our lives with Baba, I can besaid to be entitled to answer this unspoken question in so far aswords can be entitled to speak for the heart! My words can only try,through this introduction to Mehera's book which gives a glimpse ofher unique life and role in this Avataric Advent.

As Sita was for Ram, Radha for Krishna, Mary for Jesus, for this Advent of Meher Baba it is Mehera who plays the leading role. This role, of being the chosen counter-part to the God-Man, amounts to the highest, purest, most spiritual relationship consisting of a divine love which the world cannot imagine.

This love between Baba and Mehera is in an inner realm which has nothing to do with the 'love' as defined in the world's dictionary. In these times, when the outer has become the altar of worship, when the wrapping of a gift often receives more attention than its contents, it is natural that everything, concerning 'love' should be translated into the external, the physical. But do not make that mistake about Mehera's relationship with Baba; or for that matter, about any of us living with Baba. The keynote of our life with Baba was purity, and Baba was very very particular and strict about it. He never allowed the slightest compromise in this regard, so our relationship with Baba and with each other was always totally innocent of physical involvement.

 

You could even say that we were as children together around Baba. Easterners and Westerners, young and old, Baba kept us like children in this respect and shaped that childlike quality of life which leads to true purity of heart, involving self-forgetfulness and self-sacrifice of the highest order. And so, just as Mehera is Baba's Beloved, she is also His "child" in the spiritual sense. The absolutely clear mirror of Mehera's immaculate heart, which Baba took great pains to keep unclouded by the dust of the world, reflects Baba's image, the image of the Divine Beloved, as none other can...

 

 

 

...Shortly before He dropped His body, Baba asked me to make a message to Mehera. He told me to tell her, "Mehera, be brave." And, although it seems Baba was asking something from Mehera with these words, in actuality Baba was giving her the courage with which to be brave. And because it came from Him, she was able to be brave during that most difficult period after He left His form...

 

...Beloved Baba has said of His Beloved, "Mehera loves Me as I should be loved."

 

This Divine Romance of infinite beauty will be sung and celebrated throughout the world inspiring lovers of God to aspire for Mehera's one-pointed love for the Beloved God-Man.

From foreword by Mani S. Irani, in Mehera (1989), Beloved Books


          (photo: courtesy of Mehera Irani Videos)

Such Was Her Love For Baba

 

Although Mehera was no longer alive when I was a resident, I did have the wonderful opportunity to meet her when I used to visit as a pilgrim. Baba said that she was the purest soul in the universe. He also said that she was His beloved and that she was to Him as Radha was to Krishna, or Sita was to Rama.

When I would sit on the porch with her, listening to her stories, I always felt that she was giving me all of her attention. This is what everyone felt around her. She could touch your heart in such an intimate manner, bringing to mind stories of how Baba, when in a crowd of thousands, could make each person feel that He was giving His full attention only to him or her. Of all the Mandali, I have found Mehera to possess this quality.

Another distinctive feature of Mehera's personality was that when she told stories, it wasn't so much that she was remembering past incidents, as it was that she was reliving them at that moment. The expression on her face showed that she was seeing Baba in her mind's eye.

 

She also seemed to see Baba in everyone and everything, such was her love for Baba. It is for this reason that Baba had declared, "Mehera is the only one who loves me as I should be loved." Though I did not meet Baba, I feel fortunate to have met His reflection in His beloved Mehera.

From Rustom Falahati, The Real Treasure, Vol. 1, p. 4
Upper Meherabad (circa Jan. 1937)
photo taken by Elizabeth Patterson
Last meeting of Meher Baba with Upasni Maharaj
at Dahigaon (1941)
 
"Mehera Sees the Lord"

Meher Baba and Sadashiv arrived in Sakori early in the morning on October 15th. On the same day, Daulatmai had also arrived with her two daughters, Freiny and Mehera. While Maharaj's niece, Ganga, was giving them a tour, they heard footsteps descending a nearby staircase. Ganga told Mehera and Freiny, "Merwanji, Maharaj's closest disciple, is coming." Meher Baba swiftly descended the stairs and walked past them, giving Mehera her first opportunity of seeing him, though she was very shy.

 

Although no words were spoken, it was a great moment in silence. Our Age was destined to be deeply moved by its significance. Mehera's heart was struck by his countenance and sang out:

"At last, at last! I've seen the Lord at last!"

Mehera's mother, Daulatmai, had met the Master before when she had been to Sakori, but she had not explained to her daughters about Upasni Maharaj or Meher Baba. Later, in Upasni Maharaj's thatched hut, Mehera and her mother and sister were seated on the floor when Meher Baba entered. With folded hands, he stood before Maharaj, who beckoned him to leave and wait outside under a nearby mango tree. He immediately bowed to Maharaj and left, circling the hut three times performing what is known to Hindus as parikrama - reverently honoring the Guru's abode.Seeing Meher Baba's love for his Master touched Mehera's heart. The Divine Song had called her awakening heart to Sakori, and he himself had traveled here only to meet her. Her tears were now crying:

Oh Song! How humble you are! How beautiful you are!

And the Song replied:

"I am yours forever and you are mine. Because I am humble, my melody will melt the hardest stone!"

Mehera spontaneously longed to be with Meher Baba and the voice of our Age whispered:

Pure one! Soon you will join your beloved Lord, and the lute of your life will play his sweet song every day!

 

Lord Meher , 1st ed, Vol. 2, pp. 443-445
 
            
Baba's Love for Mastan 

 
In the afternoons I would give Mastan his food, but later on Baba wanted to feed Mastan Himself. He would ask me to bring Mastan to His room. Mastan was never allowed to be free. Except in the mid-afternoon when he would rest in the passageway, I would keep Mastan on a long leash. When I would free Mastan, he would never run away. He would wait patiently until I said, "Go to Baba, Mastan. Go to Baba." Then he would go romping happily to Baba's room. We taught Mastan to kiss Baba and he would do it so sweetly, like a child showing affection for his father.

 

Baba would pat His bed for Mastan to come on and jump up. Rano and Meheru would place an old spread over the bed at Baba's feet and Mastan would sit there contentedly. He would look at us with a twinkle in his eyes as if to say, "See! See where I am seated! Right next to Baba!"

 

Baba would then tell me to quickly bring Mastan his food. His plate would be kept ready - bhakri (millet bread) broken up in gravy with pieces of mutton. Baba would carefully take out the pieces of meat - the very best ones and give these to Mastan, leaving the remainder for me to give to Mastan later.

 

Baba was relaxed and happy as He fed Mastan on His bed. With His own hands, He lovingly fed Mastan morsel by morsel. Then when all the meat was finished, Baba would snap His fingers, gesturing for Mastan to jump down. I would have to coax Mastan, saying, "Come on. Down, Mastan, down." Of course eventually he would obey me and jump down, wagging his tail slightly in a sort of "Thank you, Baba," gesture.

 

I remember one day especially when Baba gestured to me, "Isn't Mastan like a child? He looks so big, but he is just like a child. After this life, I will see that he is born as a human being." And Baba's love for Mastan affected us all very deeply.

 

Mehera

 

from Mehera J. Irani, Baba Loved Us Too  (1989), pp. 149-150  

 

 

     
    Mehera in Beloved Baba's Bedroom, early 1980's. (Photo by Lindesay Reiter)

Teardrops of Joy
Mani Irani


        In Heather's words:

"Throughout the day, Mehera's body lay on her bed in her room, as Baba lovers from Ahmednagar, Poona, and nearby places came to pay their last homage. A most beautiful smile was on Mehera's face, an air of purity and deep serenity around her. The women mandali, whose grief can scarcely be imagined, received each one graciously - handling the situation with courage as they had when Baba passed away.

 

"It was Mehera's very strongly expressed wish that she not be photographed after she passed away. She wanted to be remembered as she was in life. I doubt if even a camera could have captured the radiance of her face in her last repose, the sublime peace and triumph of a supremely loved being!


 

"Ice coolers and fans kept the room cool throughout the day, despite the intense summer heat outside. Near sundown Mehera's body was transferred onto a stretcher and carried by a group of women to Baba's bedroom for a final darshan. Then she was carried across her garden to Mandali Hall, arriving there just at sundown, as the full moon was rising over the trees and bushes and flowers of her beloved Meherazad."


 

Mehera's stretcher was placed before Beloved Baba's chair, and there her body rested till morning, surrounded by large blocks of ice which gave an ascetic touch, a feeling of the Himalayas reflecting her supreme purity.


 

A Baba lover recollects, "A number of Baba people had gathered and were sitting quietly around Mehera. My heart skipped a beat because to me she looked alive and present; not like someone sleeping, but like someone resting fully awake with their eyes closed. Mani, Meheru, Goher, Arnavaz, Katie, were sitting by her side. Although in deep grief, they were generous to share with others an account of Mehera's last weeks. It was all so intimate, yet so informal, often there were tears but also there was laughter. Mehera seemed to be participating in all that happened. The vigil lasted all night, full and deep, like Amartithi at night. It will ever remain vivid in my memory."


 

The all-night vigil in Mandali Hall was like a darshan, filled with Baba's presence, vibrating with his beloved Name sung together in varied tunes, as well as other songs loved by Mehera. And there were the still silences, when the sound of the whirring fans seemed to say: this is goodbye, goodbye, goodbye. But above all, it was a reminder of words given by God, Meher Baba: "It is all a going forward, forward, always a going forward."


 

I had taken some rose petals from the Beloved's Body as he lay in the crypt of his samadhi at Meherabad in 1969. I had taken them for Mehera, and kept them with me all these years for just this moment in the galaxy of time. At one point during the vigil in Mandali Hall, I stepped forward and gently placed the rose petals near to Mehera's heart.


 

One of the close ones gazing at Mehera's face at the time, was overwhelmed with amazement to see it flush with happiness at the touch of these precious petals from her Beloved.

from David Fenster,  Mehera-Meher: A Divine Romance , Vol. 3, pp. 608-611   
 
 
 

                     

Photo by Cindy Ceteras                      



 

WE BOW TO HIS IMAGE  

 
One day, it must have been in July 1969, I was standing at a window in the bedroom that I share with Mani at Meherazad, looking out at a little flower garden that Baba would also see from His bedroom. I had planted it for Him to enjoy, and I was missing darling Baba's physical presence and feeling very sad and lonely.

 

Very close to my window is a large tree of the wild fig family. We can it an umar. It had always been there, so I never really noticed it. But his morning I felt my eyes being drawn to that tree. I looked at its trunk, and I could not believe what I saw. On the trunk of the tree was exactly the image of Baba's face looking so very beautiful.

 

"Oh Baba," I said. I was so excited. How sad I had been feeling without Him, and there was His lovely face with a crown on His head on a tree in His garden. And He was looking in my bedroom window. I knew that Baba was showing me that He had not forgotten us; that He is always here with us; that He is in the tree, inside the house, in every heart; that He is God, and He is everywhere. Baba was giving us proof that He is with us all the time, and so I felt a little consoled and comforted.


 

I quickly called Mani to see Baba's lovely image, and Mani called all the girls. The next day the men mandali, too, were called. (And later the whole of nearby Pimpalgaon village came to see it, too.) Then we had the idea of taking a photo in case the bark which formed the image changed. Mani took the photos, and she sent them to the West for His lovers there to see.


 

Every morning I pick a marigold, a flower that I know Baba liked, kiss it, and put it in a little crack in the bark near His crown. And for many years I used to sweep around the tree, because the birds eat the wild figs growing on it and drop half-eaten ones on the ground around it. Now a gardener sweeps there, because bending to sweep with an Indian-style broom has become difficult for me.


 

For seven years the image was very clear and beautiful, but then the bark began to shed and it is no longer clear in the daytime. It has served its purpose. But now at night, after all the pilgrims have gone, the image of Baba's face is still very beautiful. Mani says that in the daytime Baba is in seclusion, and that at night He comes out of seclusion. And we bow to His image before going to bed.


 

 
 

 

Heroines of the Path:

Margaret Craske  

 

By Filis Frederick

  

   

Margaret Craske, 1946

   (from The Awakener Magazine online, used by permission)                                 
 
 

II. Margaret Mary Craske "Zulekha" (Persian name) Baba's Dancer

 

My special link to Margaret: Meher Baba's first letter to me (1947) was written in her hand. 

 

I first met "Miss Craske," as her ballet pupils invariably call her, in the fall of 1946, when she arrived from London to take up her position as ballet mistress of Lucia Chase's Ballet Theatre. It was her first job on her return from seven years in India with Baba . . . years that had told on her health. She was not sure she could handle such a position, not only because of her health but because of her long absence from the professional world, her total immersion in the incredible discipline of following the Avatar on His home territory, as part of His intimate Circle. But Baba loves to throw you from one opposite of maya to the other, from absolute seclusion to great worldly activity, just as He alternated His seclusions with His whirlwind public darshan tours and work with the masses.

 

Margaret was born in Norfolk, England in 1892. Her father was owner of a small coastal fleet. She started studying dance at an early age; and was always very athletic. At 18 she took up ballet and progressed quickly. She studied with the famous Enrico Cecchetti in the private London studio he ran from 1918 to 1923, while he served as teacher for the Diaghilev Ballet Company. She says of Cecchetti, "He was already old when I met him . . . he was a darling . . . he would bend his head and look under his eyes at you as if you were a criminal. And he did occasionally give us a tap with the stick. That's not legal now. He was a very fine teacher. One loved him."

 

At the end of her study with him, the Maestro gave her a certificate indicating she was qualified to carry on his teaching tradition, a rare honor. Today her own book, The Theory and Practice of Allegro in Classical Ballet  (1920), co-authored with critic Cyril Beaumont, is a classic reference on the famed Cecchetti method, and she is considered the world's leading authority. 

 

She danced with the Diaghilev Ballet Company but her performing career ended abruptly with trauma of the Achilles tendon. Thus she took up her incredible career as a teacher. She founded her own ballet school in London in the Thirties. She is philosophical about the loss of a stage career: "I hurt a tendon. I couldn't dance for some time, and then I was getting older . . . so what!" she says now.

 

In one year she lost five people dear to her. Her parents, a teacher, a friend, a sweetheart. In a depressed mood she searched for a place to get away and heard from a casual acquaintance about a retreat in East Challacombe, Devonshire, run by a man named Meredith Starr. When she went down there for a rest, she was much drawn to a photograph of Meredith's spiritual teacher, Shri Meher Baba. Meredith had recently been to His ashram in India and was expecting Him to visit England.

 

As we all know, Baba came much sooner than expected and the small group of souls drawn to Starr's retreat had the privilege of being the first "aspirants" Baba contacted in the West. They included Mabel Ryan, Margaret's partner in her dance school, Delia de Leon, Kitty Davy, and Kim Tolhurst. Baba nicknamed a small group "Kimco" of which Margaret was a part. They were the "lighthearted" ones, as distinguished from those who were spiritually "serious", addicted to long hours of meditation, etc.

 

Margaret met Baba at the home of Kitty Davy in London. It was she who first opened the door for Him. At that moment, she saw Him as "a vision of gentleness, grace and love that touched the heart immeasurably." At the end of that momentous day, she says, "I only knew that from that moment, whatever rough treatment He may have afterwards handed out, there has never been a moment's doubt as to His being the embodiment of Love and life."

 

  

In 1933 Baba called a group of women to India to be with Him permanently. Margaret gave up her ballet school to go. But they were all sent back in a few weeks. She reopened the school and continued teaching, taking part however in Baba's many trips to the West She describes some of the episodes in her delightful book of reminiscences, The Dance of Love.

 

In one amusing incident at Portofino, she went out on the terrace to enjoy the moonlight, peeked in the window, and scared her roommates silly, who took her for a ghost. When told the story, Baba said. "There's one thing I admire about my Western disciples (pause) their courage!" Once, on the train to Marseilles, Baba, whose compartment adjoined Margaret's, said He would tap on the wall 3 times if He was awake, and if she was too, she was to reply with 3 taps . . . meaning? 'I love you.'

 

In 1939, the Master called her to India for the 3rd time. Again, she gave up her ballet school. Baba's order was to come immediately after war broke out: He had to have someone cross the sea after war began. By a series of persistent maneuvers she got on the last boat out of England and arrived in India at a time when Baba was involved in creating the first Universal Spiritual Center at Bangalore.

 

Some young Baba lover said when you go to India you just exchange Western maya for Eastern maya. Now Margaret became one of the close group around Baba Easterners and Westerners mingling their sanskaras together. Margaret told me that one doesn't know how "Western" one really is until you live in the East. For example, she described some of the intense East-West battles in the kitchen over food and diet. One Eastern lady insisted rice was pure protein! A Westerner, an avid vegetarian, found a piece of pork in the canned beans, but the others showed their sense of humor  they took it out in the garden and buried it with great ceremony! Finally, the work of preparing separate menus became too tedious; and all agreed on a common menu. The same happened with religious holidays. There were a tremendous number and Baba insisted each should celebrate the others' holidays. Again, it got to be too much and just a certain number were celebrated by everyone.

 

Anita de Caro once told Margaret she was tired of Maya and would like to get out of it. Margaret's answer was "But I love Maya." I always loved her for that answer.

 

   

(photo: pinterest) -- seated around Baba -- Anita De Caro (profile, looking up), Margaret Craske

From Anita, Zurich, 13 December:1933    

 

In the ashram and on tour Baba made use of her expertise in physical exercise. She taught Baba's Eastern women how to swim. At first they showed up in long-sleeved blouses and pantaloons which Margaret quickly vetoed. She also taught them some basic exercises. Several times at Baba's request, they practiced with sticks called  lathi . Margaret felt these "martial" exercises may have had some inner link with outer military events in the world in the '40's . . . World War II, Partition in India, etc. Though absolutely down-to-earth and as uninterested in the occult as Margaret is -- she is always so grounded it is a delight,  nevertheless she feels Baba often used her as a "link" with outer events, perhaps just because she wasn't into the occult, and perhaps, too, because she was English. 

 

For example, one rainy day in June 1944, Baba asked her to "throw the cat out"  a feline she had been taking care of. But she couldn't bring herself to do it. Again, Baba asked. Again, she couldn't do it. Then Baba threatened that if she didn't do as He asked, she would have to leave, and never see Him again. She threw the cat out into the pouring rain. That was "D-day", when the Allied forces made their Normandy landing in horrendous wet weather.

 

Again, late in 1941 He dictated many cables for her to send to Elizabeth, stating His wish to visit "Honolulu, the Philippines, or any place in the Pacific." After December 7, 1941 and the sack of Pearl Harbor there was no more mention of the Pacific. Most of the places mentioned by Baba were later seized by the Japanese.

 

The seven years of life with Baba in India had many phases. She was one of the few Western women allowed to live intimately with the close Eastern disciples, Mehera, Mani, Dr. Goher, Naja, Mehru. Ostensibly she joined them because of an illness that needed special care. How kindly Baba circumvented the jealousy of the other Western women! But there were also trying times; for example, when Baba ordered her to "disappear" whenever He came to visit the Eastern women - and without explanation. Surely a most humbling experience.

 

 

Standing - Margaret, Meher Baba, Mani, Khorshid. Sitting - Kitty, Norina, Mehera

 

Another way Baba "peeled" her ego was to ask her to dance for Him, often in the strangest places and ludicrous circumstances! When the famous film project was being worked on, she was asked to devise a "Dance of the Spirits"  with two "dancers" only, Delia and Rano, each representing 60 dancers, while Kitty played the piano! Another task Margaret had was to read aloud to Him, especially His favorite detective stories by Wolfe or Edgar Wallace. Zuleika was the Persian name given her by Baba.

 

But Baba had, in a playful moment, under the name of "Mr. Thomas", taken a dancing lesson from her (Santa Margherita, 1932) and acquitted Himself as gracefully as ever. "He had a perfect spine," she says, "And I know what a perfect spine is!"

 

One test for all the Western women was the presence of His beloved Mehera. Every Avatar has His "feminine counterpart" as part of His innermost Circle. Ram had His Sita, Krishna His Radha, Buddha, His loyal wife, Mohammed His Khadijah and Jesus, Mary. Avatar, of course, is the true Beloved of us all, man or woman. But for some of the Western women, the privileged position of Mehera in His Circle evoked real jealousy, at times concealed as derogatory indifference, sometimes flaring in bad moods. It was a blow to your female vanity to find yourself "in second place" and some never got over it. It is to Margaret's credit that she saw through Baba's game, and harmonized with His chief woman disciple so well that Mehera was often in Margaret's care. Baba used to take Margaret's palm and trace an "M" on it, meaning "How is Mehera?"

 

When Baba, very abruptly in Dehra Dhun in 1946, sent her back home, and she began her career with Ballet Theatre, His significant words "Your dancing is Mine" came true. Gradually a small group of dancers came to hear of Him through contact with her, and came to meet Him in 1952 in Myrtle Beach. She never "pushed" Baba on anyone, but let them seek her out. "I let them knock hard on my door," she says. Some well-known ballet stars have become close Baba lovers, such a Tex Hightower (featured in the movie,  Carousel ); Don Mahler, now in charge of the Metropolitan Opera Ballet Company; Bunty Kelly, top dancer in the musical Brigadoon , now teaching at Adelphi College; Peter Saul, in charge of dance at Cornell U.; Marie Adair, in charge of ballet at Sarah Lawrence, and others. In 1956, they gave a special ballet performance for Baba in the Barn at Myrtle Beach; and you can see them in the old 1958 movies carrying Baba about in His special chair. 

Photo: Cecchetti International -- Classical Ballet. All Rights Reserved

After the stint with Ballet Theatre, Margaret was a moving force behind the Metropolitan Opera Ballet for nearly 20 years. At 90 years of age she is still teaching at the Manhattan School of Ballet. It is still the aim of an aspiring dancer to "study with Margaret," and of aspiring Baba lovers to touch base with her and draw from her some of Baba's love, wit and wisdom. Asking her once for spiritual "advice," she told me, "Be like a rag doll, then Baba can work through you." It's perhaps the technique of a good dancer, to be so relaxed, so balanced, Maya can't tip you over . . . You may even get to love her, like Margaret.  

 

Article from The Awakener Magazine online, used by permission. 

 

 

                                          1956 ; [ top ]( l - r ) - Tex Hightower, Baba, Peter Saul [ bottom ] Bunty Kelly,  

                                          Margaret Craske & Marie Adair. photo - Tony Zois.  

 

   

Next week we will share from an account of the life of Jean Adriel

from The Awakener Magazine, Volume 20, Number 2 

  

Editor's Note:

Born : 26th November 1892 - Norfolk, England

Died : 18th February 1990 - Myrtle Beach, S.C., USA

Buried : Her ashes are interred at Upper Meherabad,India

Parents : Edmund George Craske & Hannah ( nee Bishop )

Moved to live in America in 1946.

~~ Prayer Corner ~~

 

   

A Meher Baba Prayer

I am not the body.
I am not the mind.
I am not this.
I am not that.
I am nothing but a living lie
of that truth that is me
and unless the lie is dead
the truth cannot be.

A personal prayer/meditation given by Meher Baba to his close disciples in the early 1950's

Avatar Meher Baba Ki Jai!

         
 
I Will Fly To You 
     Meher Baba - Divine Romance. 
Poem to Meher Baba written by Mehera J. Irani  
Music by Simon Reece

See you at our next appointment, next week.
Keep Happy in His Love.

 

Jai Baba


Mehera J. Irani 
Artist: Merwansgirl 
(via Pinterest)

Note:  This is Issue No. 27 of Weekly Reflections
in a corrected, Archival Edition [May 2015]


Meher Baba Books (Los Angeles)

 

www.meherbababooks.com

Avatar Meher Baba Center of Southern California 
1214 S. Van Ness Avenue 
Los Angeles, CA  90019 


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