Nov. 12, 2023 NEWSLETTER (Special Edition)
THE ALIEN-NATIONS AND SOVEREIGN STATES OF OCTAVIA E BUTLER

FROM ARTIST chlee -  A FEELING BOTH FAMILIAR YET BRAND NEW

by P. Andrews-Keenan

I’ve had the privilege of experiencing Candace (chlee) Hunter’s work in many settings – The South Side Community Art Center, the DuSable Black History MuseumStella Jones Gallery in NOLA and Blackbird Gallery in Detroit.  Yet while there is a familiarity to her work, it comes across as totally new and different each time.  Such is the case with her exhibit in the Kanter Family Foundation Gallery at the Hyde Park Art Center.  The exhibit opened yesterday and continues until March 3, 2024.
 
Here the artist once again masters multiple medium – installations, collage, paintings, audio.  The things that are consistent and familiar are the use of magazines, vintage maps, cloth, various re-used materials.  This newest landscape also includes foliage and of all things a unicorn.
 
Specifically, The Alien-Nations and Sovereign States of Octavia E Butler takes us to an apocalyptic moment in time, that eerily enough in true Octavia Butler fashion – mirrors todays. The exhibition notes say it best.
 
 “In 1993, Butler envisioned the impending world at odds and headed for destruction.  Violence in community streets, food scarcity, environmental devastation.” 
 
The novels the artist pulls from, Parable of the Sower and Lilith’s Brood: A Tribology, chronicle the end of society as we know it.  And can’t we all just see it? Between the years 2025 – 2027 (eerie again).
Artist Candace Hunter joins the Women's Artist Live Studio in showcasing her work at SCOPE Miami Beach next month. Click her pic to support the group. In partnership with Pigment International
HARMONIA ROSALES: MASTER NARRATIVE
 
Runs through December 2 at the Spelman College of Museum of Fine Art

by Rohan Zhou-Lee

Upon stepping into Harmonia Rosales’ Master Narrative exhibition at Spelman College, one enters the Afro-Elysian. Grandiose portraits of Black people in fine fabrics standing on oceans greet attendees from the far end of the hall, inviting people into a world where Black people are the centerpiece to storytelling. Rosales captures and reworks classic stories in the Black image, introduces viewers to classic Yoruba folklore, and weaves the Black experience into a rich story.

Rosales often depicts Eve as a Black woman. In Forbidden Fruit, she sits haloed with watermelon. While many find the association stereotypical, Rosales references how several enslaved Black people sold them to buy their freedom. It possibly reflects how modern society forbids Black liberation. Eve returns in other paintings, surrounded by flowers and nature as a child in Among The Peonies and again in Garden of Eve. Rosales not only challenges Eurocentric narratives around the first woman, but also probes patriarchal punishment of a woman who questioned authority.
DINIS DIAS': Land of the Negros, 2022. Oil, fabric, iron oxide, and 24k gold on Belgian linen mounted on wood panel, 36 x 72 in., Private collection
Chicagoan Harmonia Rosales
Forbidden Fruit, 2021
PIGMENT INTERNATIONAL IS A PROUD MEDIA PARTNER TO SCOPE MIAMI BEACH

FEMALE NUDE - $2,500 PRICE REDUCTION

This acrylic on masonite board is by noted Chicago based artist, poet and sculptor Gerald Griffin. First exhibited at Art Miami in 2018. 
39 X 39 Framed Original. 

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