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The DL: The Oscars’ move to YouTube in 2029 is a clear signal that even the biggest live TV franchises are following audience behavior, not legacy distribution. For broadcast television, this reinforces that its strength is narrowing to older-skewing reach and select tentpole moments, not cultural monopoly. YouTube’s scale on connected TVs blurs the line between “digital” and “television,” while introducing more flexible targeting, sponsorship control, and measurement. Networks will still offer premium live environments, but competition for high-impact events — and the ad dollars behind them — will intensify. For advertisers, this accelerates the need to balance broadcast credibility with streaming platforms that deliver younger, global audiences. The takeaway: broadcast remains valuable, but it can no longer carry a video strategy on its own.
Read More: New York Times
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