A U D I T I O N S !

Book, Music & Lyrics by

IRENE SANKOFF and DAVID HEIN


Original Broadway Production Produced by

Junkyard Dog Productions


Orchestrations by August Eriksmoen

Arrangements by Ian Eisendrath


COME FROM AWAY is based on the true story of the time when the isolated community of Gander, Newfoundland, played host to the world. What started as an average day in a small town turned into an international sleepover, when 38 planes, carrying thousands of people from around the globe, were diverted to Gander’s airstrip on September 11, 2001. Undaunted by culture clashes and language barriers, the people of Gander cheered the stranded travelers with music, an open bar and the recognition that we’re all part of a global family.


PRODUCTION STAFF 

Director | Eric J. Potter

Musical Director | Jarrett Rettman

Choreographer | Lauren Stuart
Costumer |
Eva Grove

Stage Manager/Props Manager | Amy Vickers

Technical Director/Set, Lights & Sound Designer | Marc W. Smith


AUDITION DATES AND TIMES

Saturday, November 21 • 10 a.m. - 3 p.m.

Sunday, November 22 • 12 p.m. – 5 p.m.
Monday, November 23 • 6 p.m. - 8 p.m.
Callbacks will also be on Monday evening



AUDITIONS ARE BY APPOINTMENT ONLY
After you sign up for an audition time, you will be sent an audition information packet.
Please arrive 15 minutes prior to your audition and expect to stay the entire one hour time slot. If you arrive late, we cannot guarantee you will audition with your group. 
We will fit you in with the next group.
We are not accepting video audition submissions, and appreciate your understanding.


IMPORTANT: PLEASE REVIEW YOUR CONFLICTS BEFORE AUDITIONING


Come From Away is a true ensemble show, meaning every cast member is an essential part of the storytelling. Rehearsals are highly collaborative, and everyone’s presence and participation are critical to the success of the production.


All conflicts must be disclosed at auditions and will affect casting decisions. 
Once the rehearsal schedule is established, cast members are expected to be present for all rehearsals for which they are called.
No conflicts will be accepted during Tech week.


Please carefully review your availability before auditioning. We want everyone to have the opportunity to be part of this extraordinary story, but we also need to ensure that every cast member can make the commitment this unique production requires.


LOCATION

CCBC Dundalk, John E. Ravekes Theatre

7200 Sollers Point Road, Baltimore, MD 21222 


PRODUCTION INFORMATION

First rehearsal is Saturday, December 12th beginning at 10 a.m.

Tech week will be February 27 - March 4, 2027

Performances are March 5, 6, 12, 13 at 8 p.m.

as well as March 7 & 8 at 3 p.m. 
NOTE:
There is a possibility of adding additional performances either Saturday matinees or a third weekend (March 19-21, 2027)


AUDITION INFORMATION

Dundalk Community Theatre is committed to growing our diversity and inclusion at all levels: on our stage, in our audience, on our staff and within our leadership. We seek to be inclusive and color-conscious not only in our casting but also in the works we choose to present. We aim to keep performers from historically underrepresented backgrounds visible and valued in the casting process. As such, we encourage performers of all races and ethnicities, gender identities, sexualities, abilities, and ages, to attend auditions.


Song - Actors should prepare 16 - 32 bars of a contemporary musical theater song that showcases your range and storytelling ability. Actors should bring sheet music. An accompanist will be provided.


Monologues/Readings - Actors will be sent a monologue to prepare.

Actors will be taught a selection from the show to perform during audition.


Headshot and Resume - These are not required, but are highly recommended.

 

For more information about the show please visit:

https://www.mtishows.com/come-from-away


Click HERE to Sign Up!


We are unable to accept video audition submissions, and appreciate your understanding.

CHARACTER BREAKDOWN

ALL ROLES ARE OPEN AND UNPAID



Claude

The gregarious and well-liked Mayor of Gander, Newfoundland, Claude loves his work, the townspeople and his daily traditions, but he's never had to deal with a crisis of this magnitude before.

Gender: male

Secondary Roles: Derm, Brenda’s Brother, Eddie

Age: 40 to 60

Vocal Range: Gruff, natural sounding Baritone with a strong high G. Baritone


Bonnie

A no-nonsense mother of three, Bonnie is the head of the Gander area SPCA. When she discovers animals are trapped on the planes, she stops at nothing to ensure their safety - but in frustration, she often lashes out at those around her.

Gender: female

Secondary Roles: Martha

Age: 30 to 40

Vocal Range: Mezzo with belt up to B.

 

Beulah

The head of the Gander Legion, with a firefighter son, who walks Hannah to her church and prays with her.

Gender: female

Secondary Roles: Delores

Age: 40 to 60

Vocal Range: Mezzo with belt up to B.


Oz

The quirky constable in the two-person Gander police force. When the town's population suddenly increases, Oz helps out in unexpected ways.

Gender: male

Secondary Roles: Joey, Customs Officer, Mr. Michaels, Terry, Matty, Rabbi, Head Cardiologist

Age: 30 to 50

Vocal Range: Strong contemporary Tenor up to G


Janice

An eager new local TV reporter, Janice is thrown into the deep end on her first day. Initially naïve about the world, Janice must face the pain and confusion around her.

Gender: female

Secondary Roles: Britney, Flight Attendant

Age: 20 to 30

Vocal Range: Contemporary Soprano with strong pop belt and a mix up to E

 

Beverley

The first female captain for American Airlines, Pilot, Beverley Bass has always loved flying, when her world suddenly changes.

Gender: female

Secondary Roles: Annette, Reporter

Age: 50 to 60

Vocal Range: Strong mezzo with an easy mixed or belted C#.

 

Diane

A traditional divorcee from Texas, who is terrified that her son may have been flying at the time of the attacks. When she finds out that he's safe, she's given a new lease on life and discovers a wilder, more carefree side of herself.

Gender: female

Secondary Roles: Crystal, Brenda

Age: 50 to 60

Vocal Range: Warm, natural contemporary Soprano with strong mix up to D


Nick

An English oil engineer who is focused on his work, Nick's life is turned upside down when he falls for Diane.

Gender: male

Secondary Roles: Doug, Officer Stephenson, Male Townsperson

Age: 50 to 60

Vocal Range: Warm, natural Baritone or Baritenor with an easy E and strong pop sensibility.

 

Kevin T

The head of an environmental energy company in Los Angeles, Kevin was on vacation with his boyfriend (and secretary, also named Kevin), when they are stranded in Gander. Inspired by the town's generosity, Kevin creates the Pay It Forward Foundation.

Gender: male

Secondary Roles: Garth, President Bush

Age: 30 to 50

Vocal Range: Strong contemporary Tenor up to G.

 

Kevin J

Kevin's boyfriend and secretary. Sarcastic and unhappy, he wants to leave as soon as possible.

Gender: male

Secondary Roles: Dwight, Ali

Age: 30 to 50

Vocal Range: Tenor or Baritenor


Bob

A hardened New Yorker, Bob is suspicious of where he's landed, fearing that it's World War 3, that someone is going to shoot him and steal his wallet - but instead, he ends up losing his New York jadedness.

Gender: male/African American

Secondary Roles: Muhummuza, Captain Bristol

Age: 20 to 40

Vocal Range: Baritone


Hannah

The mother of a firefighter in Manhattan, Hanna waits for news about her son and is comforted by Beulah.

Gender: female/African American

Secondary Roles: Margie, Mickey

Age: 40 to 60

Vocal Range: Contemporary Soprano with strong pop belt and mix up to E.


Swing Roles: We will be casting four swings (two male and two female) who will sing offstage and be prepared to step into any role as needed. Swings must be versatile, flexible, and ready to cover roles at a moment’s notice to ensure the show can go on!


Click HERE to Sign up!

Questions about this audition or production should be sent to: 

Lisa Boeren, DCT Administrative Manager

lboeren@ccbcmd.edu

Tickets may be purchased online:

www.ccbctickets.com

or by calling the Box Office (443) 840-ARTS 


Directions to CCBC Dundalk

Alvin & Mary Lloyd College Center, John E. Ravekes Theatre 

www.ccbcmd.edu/dct


COME FROM AWAY is presented through special arrangement with Music Theatre International (MTI). www.mtishows.com 

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