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Every year around this time, my inbox starts to disappear under a familiar, wonderful kind of clutter: artist applications for the Coconut Grove Arts Festival.
I'll admit it — reviewing these applications is my second favorite part of this job. First place still goes to the festival itself: seeing artists I've known for years set up their booths again, meeting new friends among the 285 artists who join us, and watching families stroll the grounds and leave with a piece that will hang in their home forever. There's nothing quite like watching a child walk away from the Young Collectors Club clutching their very first piece of art.
But none of that happens without this part right here. Every artist at the festival got there because someone — me, first — sat down and read their application before our judges made their selections.
Each application is an artist saying, in their own way:"Here is what I've been working on, here is what matters to me, I'd like you to see it." I read their statements, look through their images, and imagine how their work might sit in our space — how it might catch someone's eye or stay with a visitor long after they've left.
Some applications come from artists we've shown before, and it's a pleasure to see how their work has grown. Others are applying for the very first time, and there's a particular excitement in discovering a new voice — like last year’s Best in Show winner, Nathalia Toledo Barcia. I invite you to learn about the artist application process, key dates and deadlines, the jury process, and more.
It's a genuine privilege to be one of the first people to see the 2027 show take shape. I can't wait to share what's coming with all of you.
Warmly,
Camille Marchese
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