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American theaters once relied on Neil Simon to guarantee at least one box office hit each season. Last December, Adele Adkins threw him overboard – scrapping a planned production of Simon’s “Laughter on the 23rd Floor” for a smaller, more cost-efficient show with little name recognition but a perfect title for a beach town: “The Shark Is Broken,” which opened last week.
The move wasn’t about artistic merit. It was about survival.
When Adkins arrived last summer as the Laguna Playhouse’s managing director, she quickly saw the theater under financial pressure, struggling to recover from the pandemic and slow audience return.
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