Clemson Entrepreneurs of the Week

Jennifer Smith Rogers and

Shannon Smith Hughes

Art Gallery Website: Anglin Smith Fine Art

Jennifer Smith Rogers

(pictured on the left)



Artist (Oil Painter) and Co-Owner of Anglin Smith Fine Art, Charleston, SC

Bachelor of Fine Arts, 1994


What role do you play in the entrepreneurial ecosystem?


I feel incredibly fortunate to have built a career around something I truly love and am

passionate about, which is painting. I would describe what I do as three interconnected

roles: I’m an artist, a gallery co-owner, and an educator.


As an artist, I primarily work in oils on large canvases, and I’m drawn to landscapes and

architectural scenes. Interestingly, I started at Clemson as an architecture major, and

architecture has remained a dominant subject in my work. Whether I’m painting a street

scene or a panoramic view of Charleston rooftops, I’m always interested in capturing that

sense of place.


One of my ongoing series is called Holy City, which focuses on Charleston’s rooftops and

architecture. My goal is to convey a strong sense of place through expressive brushwork,

often exaggerated color, and especially the way light interacts with my subject. I love

moving back and forth between architectural subjects and more organic landscapes. That

contrast keeps me inspired and excited to paint every day.


Painting in our gallery and studio also allows me to bring my two worlds together. I get to

spend my days creating my own work while interacting with clients and other artists while

being involved in the business side of owning a gallery. I co-own our family gallery, Anglin

Smith Fine Art, with my mother, Betty Anglin Smith, and my identical twin sister, Shannon

Smith Hughes.


We’re a pretty unique family of artists. My mom, Shannon and I are oil painters, and our

triplet brother, Tripp, is a photographer. Our gallery has built a national clientele, and many

collectors have bought works from each of us, so there’s a piece of our family in their

homes. We also represent about nine other artists from around the East Coast.


I’m also a member of the Plein Air Painters of the Southeast, the American Impressionist

Society, and Oil Painters of America, which allows me to participate in plein air events and

juried shows around the country. Shannon and I also teach painting workshops together in

Charleston and throughout South Carolina, which is especially rewarding because we get

to share what we love as a team.


For me, the roles of artist, gallery owner, and teacher really complement one another. They allow me to stay connected to the thing that started it all for me—painting—while also building a business, connecting with collectors and other artists, and sharing what I love with others.



What are some of your best memories of your time at Clemson?


Football Saturdays, of course! Watching the sunset over Death Valley from our Johnstone A freshman dorm room, the fall colors, the Esso Club, pledging Kappa Kappa Gamma and

walking along the dikes and Lake Hartwell with friends.


I love that I got to experience Clemson with my twin sister and best friend. We were

roommates, sorority sisters and classmates~ both Fine Art majors. We were even the

“Doublemint Twins” in TIGERAMA with our sorority on the football field — riding a tandem

bicycle with big white balloons in our mouths!


Another highlight was seeing our senior exhibit of paintings hanging in Lee Hall just before

graduating.



What were the key inflection points in your career after you left Clemson?


When I graduated from Clemson, I thought I wanted to become an art therapist. I majored

in Fine Arts and minored in Psychology. While applying to graduate Art Therapy programs, I was painting and exhibited my work at the Piccolo Spoleto Outdoor Art Exhibition.


After the show, I drove to Vermont to begin a graduate program at Vermont College of

Norwich University. A few weeks later, I withdrew. I realized that my passion was really for

art, not art therapy. I just couldn’t ignore that burning desire to paint.


I came back to Charleston in 1995 and have been painting professionally ever since and

have not looked back!


I exhibited alongside my mother and worked part time at The Wells Gallery until we opened our family gallery, Anglin Smith Fine Art, which we just celebrated 25 years! In 2024, we opened our second location in the Old Village of Mount Pleasant, which also serves as a studio for Shannon and me.



What are your personal and professional dreams?


Personally, I want to really embrace and enjoy this next chapter of life. Both of my

daughters have flown the nest, and while I’m learning to navigate this new stage, I hope to

continue being a role model and a nurturer to them. I want to travel more with my family

and friends and also look forward to more painting trips with my sister and artist buddies.

Those “business trips” really feed my soul and recharge my art spirit! I want to live more in

the present and make the most of the time I have with the people I love.


Having survived two serious car accidents that were caused by other drivers—one involving a drunk driver and the other a reckless driver, including one while I was a student at Clemson—I think I’ve always had an awareness of just how precious life is. There’s an old vintage Land Rover that I pass every day on my walk to the studio with my dog, and it has a sticker on it that says, “ONE LIFE. LIVE IT.” It has become a little daily reminder for me to do just that.


Professionally, Professionally, my dream is simply to keep painting for as long as I’m able. I want to continue growing and fostering our family gallery, expand our painting workshops beyond South Carolina and even internationally, and keep evolving as an artist.


I’d also love to gain greater national recognition and exposure through gallery

representation, juried exhibitions, and opportunities to share my work with a broader

audience. But perhaps most importantly, I want to continue developing my painting style—

to become more invested in the process and less concerned with the finished product. I

want my work to feel loose, painterly, expressive and fresh. I would also like to explore

painting new and different subject matter than just landscapes and architecture.



What would you recommend students do to maximize their remaining time at Clemson?


Take advantage of everything Clemson has to offer, both inside and outside the

classroom, and really savor the experience.


Follow your passion. I’m incredibly fortunate that I’ve been able to build a career around

something I truly love. You don’t have to have your whole life figured out at 21 or 22 — listen to that inner voice and pursue what excites you.


And invest in the Clemson network. It’s such a strong community, and the relationships and connections you make there can truly last a lifetime.



What else should we know about you?


The Clemson Tiger actually came to our wedding reception! It was a surprise for my

husband and our families, which made it especially fun since both of our families are

so deeply rooted in Clemson.


My dad, my father-in-law and my brother-in-law all graduated from Clemson, as did two of

my aunts and uncles. My father-in-law also played football for Coach Frank Howard in the

late 1950s.


I recently completed six years serving on the CAF —Clemson Architecture Foundation

Board of Trustees and just joined the CAAC — the College of Architecture, Arts and

Construction — Advisory Board this year.


And I’m very proud to say that my oldest daughter graduated from Clemson in 2025 — and she loved it just as much as I did!



Shannon Smith Hughes

(pictured on the right)


Artist (Oil Painter) and Co-Owner of Anglin Smith Fine Art, Charleston, SC

Bachelor of Fine Arts, 1994


What role do you play in the entrepreneurial ecosystem?


First and foremost, I am an artist working primarily in oils on large canvases filled with

light and color. My inspiration comes from my Lowcountry roots and my travels, and

my work includes landscapes, still lifes, interiors, and figures. I create original work,

occasionally accept commissions, and enjoy plein air painting, where I create smaller

works outdoors on location.


I play several roles within the entrepreneurial ecosystem of the arts. I exhibit and sell

my work primarily through galleries, as well as regional and national competitions. I

have been a Signature Member of Plein Air Painters of the Southeast (PAP-SE) since

2000, and I am also a Signature Member of the American Impressionist Society (AIS)

and Oil Painters of America (OPA). These organizations have provided wonderful

opportunities for networking, education, fellowship, and professional growth, as well

as the chance to exhibit and receive recognition for my work.


Education is also an important part of what I do. My twin sister, Jennifer Smith Rogers,

and I teach workshops together, allowing us to give artists more individual attention

while sharing our experience and helping them develop their skills.


I am also a co-owner of our family gallery, Anglin Smith Fine Art, with Jennifer and our

mother, Betty Anglin Smith. Being involved in the business side of the art world has

given me a greater appreciation for the entrepreneurial and administrative skills

required to run a successful gallery. I enjoy building relationships with artists and

collectors and working alongside my family.


Being an artist, teacher, and gallery owner has shown me how interconnected

creativity and entrepreneurship truly are. It has taught me the importance of building

relationships, supporting other artists, continually learning, and contributing to a

strong and vibrant art community. 



What are some of your best memories of your time at Clemson?


I loved watching beautiful sunsets over Lake Hartwell from the window of my

freshman dorm in Johnstone A. Another perk of that view was the west end of the

football stadium with the scoreboard. Of course, attending nearly all of the home

games and experiencing that incredible, electric school spirit was a real highlight. I

made wonderful friends through sorority life in Kappa Kappa Gamma. First Friday

parades, Homecoming floats, themed mixers with fraternities, and frequenting Esso

Club were some social highlights. I have fond memories of pulling all-nighters on

projects in Lee Hall with late night pizza orders in a delirium state. It was a real treat to

share a lot of my college experience with my twin sister and best friend, Jennifer. We

were freshmen roommates, sorority sisters, classmates, and we shared clothes, a car,

and a studio space our senior year. I also reminisce over just walking to classes

through Clemson’s beautiful campus of hilly and tree-lined green spaces.



What were the key inflection points in your career after you left Clemson?


After graduating from Clemson, I was honestly scared to death to pursue an art career.

I had broken my leg skiing my junior year and spent a semester in physical therapy,

which sparked an interest in occupational therapy. I took a year of prerequisite

science classes at Trident Tech in Charleston before applying to MUSC, but I wasn’t

accepted into the program. What initially felt like a disappointment turned out to be a

total blessing in disguise!


I decided to return to painting and participated in Charleston’s Piccolo Spoleto

Festival, an outdoor art exhibition. My show sold out, giving me the confidence I

needed to take the leap and pursue art professionally. That was in 1996, and I haven’t

looked back since.


Early on, I supplemented my income by waitressing while working to get my paintings

into galleries. I sought out artists I admired and traveled to study with them in

workshops. It was certainly a risk, but I stayed true to myself and followed my passion.

I was fortunate to grow up watching my mother and her artist friends build successful

careers, which showed me that making a life in art was possible. That example also

inspired my triplet siblings—we are all artists!


Eventually, my siblings and I began exhibiting together and realized we had a unique

family story and marketing advantage. That led my mother, Jennifer, and me to open

Anglin Smith Fine Art. What began as a dream for our family has grown into a

successful gallery representing our work as well as artists we admire. We recently

celebrated our 25th anniversary and commemorated the milestone by publishing a

book.


Two years ago, we opened a second location in the Old Village of Mount Pleasant.

Jennifer and I run that gallery together while also sharing the space as our painting

studio. Looking back, some of the biggest turning points in my career came from

unexpected doors closing—and having the courage to follow where my passion led

instead.



What are your personal and professional dreams?


Personally, I want to travel more with my husband and 12-year-old daughter and

create those memories that last a lifetime. When it comes to gifts, we are more into

giving each other experiences rather than material things.


Professionally, I want my artwork to leave a mark on this world. My paintings are

representational but not realistic or detailed. They are impressionistic, loose and

painterly, full of energy, dramatic light and rich colors. I like to say I paint things how I

wish they looked. Naturally I would like to improve on my painting skills. However,

painting is never fully mastered…it is an ever-changing journey. I hope to always feel

excited and challenged by my work and not feel complacent, also to not have fear and

really push my work towards more self-expression…more abstract perhaps? My goal

is to evoke emotion in the viewer in a way they can personally relate to. If my work can

bring comfort, happiness, or peace to one’s life that is the ultimate reward. As far as

teaching, I would love to see Jennifer and me organize workshops afar and abroad. My

dream for Anglin Smith Fine Art is to continue to prosper and grow as a family gallery,

preserve the importance of art, and enrich the lives of locals and visitors for years to

come.



What would you recommend students do to maximize their remaining time at Clemson?


Make the most of your time as a college student by going to all your classes and truly embracing and enjoying the learning process. If you’re a visual art student, take your drawing classes seriously because they help you learn how to draw before you start painting. Paint from life instead of photographs! Paint what truly excites you; that enthusiasm will generally show in your work. The more you paint, the more likely you are to find your unique voice. Seek out artists you admire and study their work. Build connections with people and resources related to your professional interests, and nurture the ones that matter. Take advantage of extracurricular activities to get involved in campus life. Go to sports, music, and art events. Most of all, be true to yourself and follow your passion. Your career will take up a lot of your time, so make sure it’s something that excites and fulfills you.



What else should we know about you?


One of the most special parts of my life and career is getting to paint alongside my

twin sister, Jennifer. We have not shared a studio space together since our senior year

at Clemson in Lee Hall, so it feels like such a blessing to come full circle and now paint

together every day in our family-owned gallery.


Another bonus is that we get to travel together on painting trips. We have been to Italy,

Mexico, and many places across the US. We are about to head to Maine for a week-

long artists’ painting retreat, which we are really looking forward to. Stepping away

from our busy everyday lives to paint, recharge, and be inspired by our surroundings is such a gift. I truly believe these experiences help refuel an artist’s soul.



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