Visual 1st Perspectives


November 20, 2024

 


 

Targeting your photo products for a typical US household: Parents with kids? 

Think again.

With a “bomb cyclone meets atmospheric river” brewing here in Northern California and my gutters now properly cleaned, I got some time to ponder the US Census Data that shows how the US household composition has changed in the last 60 years. 


Our photo industry has a long tradition of photo products – from cameras to photography services to software to photo print products – targeting households with kids. Not only are their needs pretty obvious (memory preservation and to some extent gifting), but these households were typical, i.e. most numerous. 


But times have changed, and are a-changin’. Pretty dramatically. While it’s tempting to continue to focus on the household types one has always focused on, it won’t hurt to do a reality check of where we are these days in terms of household composition and the direction things are trending. 


So here it goes: a few things about household composition that stand out in my opinion:


Unlike 60 years ago, households without children are now in the majority (58% + a few % points from the Other category). 


In fact, the percentage of households with children has dropped by half compared to what they were back in 1960 (now just 25% + a few % points from the Other category):

Source: US Census Bureau


[The US Census Bureau defines “other households” as those that include cohabiting, unmarried couples (2/3 of them being childless), people who live with other relatives, and nonfamily households like housemates/roommates].


What caused the “no kids” household category to grow so much? 


It’s not an increase in married couples who opted to not have kids (that stayed about the same) – it’s the growing share of single person households without kids. With that increase, the old picture of a typical household consisting of a married couple with kids has dramatically crumbled of the years (from 44% to 18%). 


There are now substantially more single person households without kids than married couple households with kids. In 1960 it was very much the opposite.

Source: US Census Bureau


Finally, this graph shows the trends over time:

Source graph 


Where does this all leave us?


When pondering your target photo or video solution customers or defining their persona, it’s worth asking yourself: 


Are your marketing campaigns or products addressing the same old household types that traditionally everyone in our industry targeted: married couples with kids? And is that still the best market to go after? If so, how can you differentiate your offering enough to successfully compete in this well-served but declining market? If you can… heck, there are still an estimated 22 million of those households in the US to monetize! 


Or are you missing out on opportunities for the traditionally less targeted households of single person or married couple households without kids? How can you differentiate your photo or video solutions from what the large social media networks, who very much target these household types, already offer?


Happy pondering!


Best,


Hans Hartman 

 

And a few more things...

 

GenAI going anonymous. Generating facial images that are photo realistic, resemble a person, but are not person-identifiable? Not an easy feat, but a research group used Stable Diffusion to do just that. Details on GitHub.


Glass. Ad-free photosharing beyond individual photos. Glass, which labels itself as a photosharing platform that prioritizes artistry over engagement metrics and ad revenues, is launching Series, a solution for sharing entire visual projects or stories that unfold over time. Photographers can use Series for documenting extended shoots, artistic explorations, or event coverage. Series is meant to be a way to build a narrative over time without the limitations found on more commercialized social media.


CEWE. Well, the world didn't end when CEWE appointed a female CEO 1.5 years ago. In fact, under Yvonne Rostock’s leadership, the company is doing just fine. In fact, more than fine. In the first 9 months this year revenues were up by 6.3% YoY and EBIT by 137%. The Q1-3 €396M revenues for its main business segment, photofinishing, reflect an 8.5% increase YoY, and the EBIT of €4.9M corresponds to an increase of 169%.

For the upcoming holiday season the company is anticipating seeing the effect of a range of product and software innovations, including a panorama page in its photobook offering, a Fineline wall calendar, and a variety of new photo gifts options. CEWE forecasts between €770 and €820 million in revenues this year.


Zerocam. The “anti-AI” camera app going Android. Besides on iPhone, the Zerocam app is now also available on Android. Zerocam promises to “shoot in RAW and process your photos to remove all artificial effects, delivering soft, pleasant-to-eye images.” 

Zerocam is similar to the no-processing options Halide and ProCamera offer in their iPhone camera apps, but Zerocam goes further. The app doesn’t even have much of an interface: it’s just a viewfinder with a camera button, leaving no option to fiddle with any settings. 

Its “0.0.0” version on Android lacks the improvements made on iPhone, which is reflected by its low average user ratings: just 1.9 rating on Google Play; compared to 4.2 on Apple’s App Store.


FotoNation. A co-founder hat-trick targeting imaging on edge devices. Congratulations to past Visual 1st panelist Eran Steinberg and his colleague co-founders of FotoNation, who have successfully completed a management buyout of FotoNation's chip-level hardware, firmware, and imaging business, acquiring the company for the third time. 

This time around their focus is on developing the third generation of the company's image processing core, which will be optimized for edge devices requiring ultra-low power, high bandwidth, and AI-based signal processing.


IMG.LY. Create your own favorite video app. We all know it – the need for easy-to-use video apps is exploding. So why not build your own? IMG.LY CEO and last year’s Visual 1st presenter, Eray Basar created an MVP (minimum viable product) in just one day by tapping into an LLM (Anthropic Claude) for coding and scriptwriting, ElevenLabs for voice synthesis, Flux (via fal.ai) for visuals, and IMG.LY’s own CreativeEditor SDK for composition, animation, and rendering of the video, which the AI apparently quickly understood and was able to leverage.


Catch+Release. License your own favorite TikTok videos. Rather than creating marketing videos themselves, brands can now also easily find and license authentic UGC TikTok videos. This year’s Visual 1st presenter Catch+Release announces integration of its platform with TikTok to enable brands to easily curate and license TikTok-shared videos.


Adobe. Stock & photo editing unite. Remember the days when stock photography meant photos that were professionally taken, curated, and offered on an industry-trusted platform? Well, we since got microstock, UGC stock, and now hybrid stock/editing platforms.

Case in point of the latter: Adobe has integrated the latest version of Firefly in Adobe Stock, which enables users to perform a range of “Generative Edits” to Adobe Stock photos and illustrations before they license the content. 

The idea is that the customer can tweak the imagery so that they end up licensing exactly what they need. The creator of the original image is still compensated as if their unmodified original image was used, according to Adobe.

 
 

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