Dialogue up, music under, delivered on spec — meet the dubbing mixers and sound designers ready for your next mix.
 ‌​‍‎‏ ‌​‍‎‏ ‌​‍‎‏ ‌​‍‎‏ ‌​‍‎‏ ‌​‍‎‏ ‌​‍‎‏ ‌​‍‎‏ ‌​‍‎‏ ‌​‍‎‏ ‌​‍‎‏ ‌​‍‎‏ ‌​‍‎‏ ‌​‍‎‏ ‌​‍‎‏ ‌​‍‎‏ ‌​‍‎‏ ‌​‍‎‏ ‌​‍‎‏ ‌​‍‎‏ ‌​‍‎‏ ‌​‍‎‏ ‌​‍‎‏ ‌​‍‎‏ ‌​‍‎‏ ‌​‍‎‏ ‌​‍‎‏ ‌​‍‎‏ ‌​‍‎‏ ‌​‍‎‏ ‌​‍‎‏ ‌​‍‎‏ ‌​‍‎‏ ‌​‍‎‏ ‌​‍‎‏ ‌​‍‎‏
View as Webpage
Soho Editors

Soho Editors

Freelance Training Recruitment

●  Rec  /  Dubbing Mixer Highlight

Dialogue up.
Music under.
Delivered on spec.

Nobody notices the mix until it's wrong. Meet the freelance dubbing mixers and sound designers who make sure they never do — Pro Tools experts who've mixed everything from Channel 4 docs to features in 5.1, and know the delivery spec before you've sent the AAF.

Book a Mixer

What's in the Session


Turn over the picture and our audio freelancers take every lane from there — then print the mix, the stems and the M&E your deliverables list asks for.

● ● ●

Edit: Your_Next_Job_v1.ptx

 

● ▶ ■

01:00:00:00

01:00:30:00

01:01:00:00

 

DIA

R S M

Clean-up, fill and level-matching across every mic and every take.

Dia_Sc14_Boom

 

ADR

R S M

 

Re-recorded lines, synced and sat back into the scene.

ADR_Sc14_tk3

 
 

FOL

R S M

 

Footsteps, cloth and props, performed to picture.

Foley_Fts_Sc14

 

VO

R S M

 

Voice-over in the booth or over Source-Connect.

VO_Narr_Final

 
 

FX

R S M

 

Spot effects and sound design that carry what the picture can't.

SFX_Design_v4

 

BG

R S M

Backgrounds and room tone that make a location feel like a place.

BG_Ext_Night

 
 

MX

R S M

 

Music edited to picture, ducked under dialogue, never fighting it.

Score_Edit_R2

Featured Mixers


Dino S.

Dino S.

Dubbing Mixer / Sound Designer

Former Senior Dubbing Mixer at Channel 4 and a Promax award winner. Mixes on ICON, S3 and S6 to international loudness specs, and records ADR, Foley and VO over Source-Connect.

Pro ToolsADR & VO
View Profile →
 
Scott M.

Scott M.

Re-Recording Mixer

14+ years as a re-recording mixer, sound designer and immersive audio artist — film, TV, commercials, even 360 and VR. Credits include The Patrol and History's Cold Case.

Pro ToolsImmersive
View Profile →
Matt S.

Matt S.

Dubbing Mixer / Sound Designer

Brighton-based, 15 years in the chair, with his own Pro Tools room for remote mixes. From Gordon Ramsay's F Word to a 5.1 feature-doc mix of Billion Dollar Game.

Pro ToolsRemote
View Profile →
 
Ian M.

Ian M.

Dubbing Mixer / Sound Editor

15 years mixing TV, radio and commercials — The Apprentice, QI, Geordie Shore — plus spots for BMW, British Airways and Range Rover. Portable rig for location work.

Pro ToolsCommercials
View Profile →
 
 
 

L

 
 
 

C

 
 

R

 
 

Ls

 
 

Rs

 
 

LFE

Giles L.

Dubbing Mixer / Sound Editor

A Pro Tools operator with an excellent ear and a long run of TV mixes — Holby City, Great British Menu, Jamie's Ministry of Food. Tracklays in Media Composer too, and travels.

Pro ToolsMedia Composer
View Profile →
 

Plenty more
on the desk.

Dubbing mixers, sound editors and sound designers — browse the full audio roster and find the right ears for your next mix.

View All Mixers

Know Your Numbers


Every platform has its own rulebook, and a mix that bounces at QC costs a day you didn't budget for. Our mixers know these by heart:

EBU R128

−23LUFS

European broadcast · −1 dBTP

 

Netflix

−27LKFS

Dialogue-gated · −2 dBTP

 

US broadcast

−24LKFS

ATSC A/85 · −2 dBTP

A large-diaphragm condenser microphone in a shockmount behind a pop shield

Also in the booth

VO, ADR and Foley, sorted in the same booking.

Plenty of our mixers record as well as mix — voice-over sessions with remote talent over Source-Connect, ADR pickups, multi-language VO — so the session never has to leave the room.

Sound Designers →   All Pro Tools Talent →

Picture locked?
Send us the AAF.

Tell us the spec, the deadline and where it's going, and we'll match you with the right mixer — usually within the day.

Get in Touch

bookings@sohoeditors.com

Free · Funded Course

AI-assisted workflows for offline editorial in HETV & film

And don't forget our funded course — free to attend, and built for editors and assistants working in high-end TV and film. Applications are open now through ScreenSkills.

Apply Now
in li X ▶ f