March 2022
Volume 2, Issue 2
Newman's Grocery Store 1940's,
corner Alvarado and Pearl St.
"sharing the histories and the diverse legacies of people, stories and places"
President's Desk
During the last couple of months, MHAA has enjoyed some remarkable achievements. Many of you will have read the various articles in the Herald, the Pine Cone, or Monterey Weekly regarding our acquisition of the art and artifacts formerly held by the Jo Mora Trust. This valuable collection of Jo Mora’s letters, designs, printing plates, cartes, paintings, bronzes, etc. has been curated for many years by Peter Hiller and Peter has agreed to continue this work with MHAA. The acquisition was made possible by a generous gift from Susan and Dennis Mar. We plan to archive this collection professionally and a generous gift from Maxine Reneker will enable us to start this effort.
Another significant accomplishment was paying off the Doud property mortgage. We have a long list of deferred maintenance items that we can now address. These include many tasks related to owning old buildings, e.g. pest control, painting, window repairs, etc., but also include activities like repairing or replacing some of the decades-old signage that MHAA originally purchased for the Path of History.
A third major achievement has been the culmination of several months work to develop and sign a new Joint Venture Agreement with Dali at 17 Mile Drive. This agreement was completed and signed just days ago and covers many aspects of our partnership and use of Stanton Center. Among other things, we plan to refresh the museum by reducing the number of Dali art items being displayed and to use the space to feature some of our other collections.
-Gary Spradlin, MHAA President

Casa Serrano History Notes
Casa Serrano is an adobe structure originally started in 1840 by an Englishman named John Chamberlin.  He soon sold the property to Thomas Larkin, the first and only American Consul in Monterey during the Mexican period. The adobe was purchased from Larkin in 1846 by Florencio Serrano as a home for himself and his bride, Rita de la Torre. Serrano is credited with the expansion of the adobe and the surrounding property to accommodate his growing family.

The adobe was the family home for several generations of the Serrano family, and it also served as the site for one of the earliest schools in Monterey. Florencio Serrano was the headmaster of the first American school in California and taught students in one of the adobe’s parlors for many years, later assisted by one of his daughters.

In the 1930’s and 40’s the adobe was rented out and used as an Italian diner, Cadematori’s. The Serrano family sold the adobe and property to the city of Monterey in 1959. Monterey History and Art Association purchased Casa Serrano from the City to save and restore the historic structure for future generations.

Today Casa Serrano is open to the public Saturday and Sunday from 2:00 pm - 4:00pm. Upon entering Casa Serrano visitors are treated to several works by artist Jo Mora. Monterey History and Art Association was recently able to purchase the Jo Mora Trust. This purchase was made possible due to a large donation by a member who wanted the art from the Jo Mora Trust to stay in Monterey and be available for people to learn and appreciate the work of this versatile artist.

Casa Serrano is located at 412 Pacific St. and is available to rent for special occasions and will soon host quarterly lectures on the history, people and places of the Monterey Peninsula. This lecture series will be free for members of Monterey History and Art Association and $10.00 for non-members.

Photo credit: Susan Mar

Mayo Hayes O'Donnell Library

Mayo Hayes O’Donnell’s article was published in the Monterey Peninsula Herald on March 3, 1958. Readers can find other articles with information on Jo Mora by searching in the ‘Peninsula Diary’ section of the library’s website.


Measuring by ‘Vara’
For those who now live in these parts who are not familiar with the meaning of some of the Spanish or early day expressions they hear or read, we are interested today in the creation and length of a “vara.’’
One hardly knows what to do with a fact like this, even when you have succeeded in grasping it, but if you wish to study early California history and realize that some of these early Spanish grants were not measured in terms of footage lots or acreage, it is necessary to know the length of a vara. All early deeds are recorded and expressed in this term. When people refer airily to 50 or 100 vara lots, with quick addition we should be able to come pretty near the accurate measurement of the land being discussed.
The Mexicans, it seems, sometimes employed methods of measurements that in these days of hair-splitting precision possess a certain charming relaxation.
In marking off a large piece of land, they frequently tied one end of a lariat to a vaquero's saddle, and the other end to another vaquero’s saddle. The first vaquero would ride ahead along the line of measurement until the lariat was taut. Then the second would come up from behind and advance until it stretched tight again, and so on, until the measurement was completed.
They were horsemen, we were told, and you could not expect them to get down off their horses and walk.
It was generally the custom to keep track of the number of lariat lengths by putting a pebble in the pocket for each length marked off. Another practice was the “cigarette method.” A large grant holder would sometimes measure his land by the number of cigarettes a vaquero could smoke while riding at a certain pace from one end of the grant to another. Naturally, he would have to smoke at a certain pace, too. He could not stop. He would have to smoke one right after another.
But to get back to the vara, it is said that it was originally known, in Mexican antique history, as “Solomon's pace.” Under this very early system of measurement, there were 1,000 paces of Solomon to a mile, and three miles to a league. In Spanish colonial times, “Solomon’s pace” in Mexico and other Latin-American countries became the vara, and it was stabilized at roughly 33 inches.
In looking through various lists of measurements we find variations exist. The Cuban and Philippine vara, for instance, measures 33.38 inches; the Brazilian vara, 43 inches and the Texas vara, 33.33 inches.
Once upon a time, scientists, as scientists will, undertook to determine the exact length of the San Francisco vara, which is also used in Mexico and Honduras, and have discovered that it measures 32.99311 inches. Surveyors and others concerned, however, saw no reason to quibble over the lacking .00689 of an inch, and called it an even 33 inches. This has been legally accepted and established as the official length of our California vara unit. It is the result of this survey that San Francisco still has three major districts that are referred to in the City Engineer’s office and even legally as “vara districts.”
The late Jo Mora, author of “Californios” and "Trail Dust and Saddle Leather” and one of the west’s best known artists, wrote this description of surveying in the early days of California: "The district alcalde gathered together his surveying equipment-consisting of two witnesses and a 50 foot reata - and set out for the land designated in the application. They started from a common monument, the initial post, which was generally a pile of stones.
"Then on their horses the alcalde and his witnesses measured out with 50-foot reata the desired chunk of terra firma, and before long there it was, all staked out, recorded, and witnessed. All the settler had to do was to scratch the virgin sod, drop in a few garbanzos, and watch them grow.”

Photo Credit: mayohayeslibrary.org
P.O. Box 1082
Monterey California, 93942
montereyhistory.org
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