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Elmo Peeler Note-for-Note Piano Transcriptions
Greetings!

Today is the first day of April and time again for my monthly newsletter, to keep you informed of recent transcriptions and other news of the last month.
This month is the opposite of an April's Fool joke - I have five brand-new outstanding note-for-note transcriptions available.

One is the outstanding piano part in Bob Seger's "Old Time Rock and Roll".

My personal favorite this month is an old-time Gospel arrangement of the 1887 classic hymn, "Leaning on the Everlasting Arms".

Also new this month are three solos in recordings by Booker T. Jones, Merle Haggard, and Usher.

Plus, a new exercise describing step-by-step how to transform any melody into old-time Gospel.
BTW, to make sure that my email doesn't end up in your Spam folder, please add me to your Contact list and/or mark my email as "Not Spam".

Note that every Title Heading is clickable.

ALL of the Sheet Music listed on my website has been personally transcribed by me, and guaranteed to be note-for-note perfect.

Whether you:

  • have a cover band and want to get your keyboard parts exactly correct,
  • are a professional who wants to study the styles of rock's greatest keyboard players, or
  • are a hobbyist that wants to learn how to play pop/rock and great piano music,

    ...these note-for-note transcriptions will prove extremely helpful.

And as always, if you ever need any help, just drop me a note at: elmo@manymidi.com
In the News! - Bob Seger, Booker T., Usher & Merle Haggard & "Leaning on the Everlasting Arms"
Bob Seger was born in Detroit, Michigan, the son of Charlotte and Stewart Seger. Seger's father, a medical technician for the Ford Motor Company, played several instruments and Seger was exposed to music from an early age. Regarding his early musical inspirations, Seger has stated, "Little Richard – he was the first one that really got to me. Little Richard and, of course, Elvis Presley." "Come Go with Me" by The Del-Vikings, a hit in 1957, was the first record he bought.

Since then he has released 18 studio albums.

His tenth studio album, Stranger in Town, released in 1978, contained "Old Time Rock and Roll", which was recorded in Muscle Shoals, with Randy McCormick on piano.
Bob Seger on the 88's
His eleventh studio album, Against the Wind, released in 1980, contained "Against the Wind", with Paul Harris on piano.

His twelfth studio album, The Distance, released in 1982, contained "Roll Me Away", with Roy Bittan on piano.

Seger performed his very last concert on November 1, 2019 in Philadelphia, PA, capping a 56-year concert career.
Randy McCormick,
"Old Time Rock & Roll"
Randy McCormick, whose dad played guitar, started playing piano by ear around the age of five. He heard a song at church one Sunday and came home and played the melody on the piano, which upset his grandmother, who said, "He shouldn't be able to do that. He's too little." Later on he took lessons for two weeks but told his father Dad, she doesn't want me to play any of the popular songs that I already play, she wants me to play these little simple children's songs." His dad replied, "Son, you can already play the piano. You don't have to take lessons if you don't want to."

He grew up in Florence, Alabama, where there were no music stores, and at age of 11 he started playing with rock bands. Keyboardist Spooner Oldham happened to have been his classmate in high school. He taught himself trumpet, which he played in the high school band.

And when he was 16 he got a phone call asking him to come to Muscle Shoals to play piano on a record with Percy Sledge. One session led to another, Barry Beckett became one of his mentors. He began working at Fame Studios and later for Muscle Shoals Sound Studio. Along the way he performed on hundreds of albums including those featuring Mac Davis, Clarence Carter, Roy Clark, Eddie Rabbitt and Dr. Hook. Randy may be best known for the keyboard lead-in for the most requested song in Jukebox history, Bob Seger’s “Old Time Rock and Roll”.
One Saturday he was recording demos at the Muscle Shoals studio when George Jackson came up with "Old Time Rock and Roll". That's when he came up with the Intro lick. Months later when Seger tried to recut the song with different musicians it didn't have the same feel as the demo, so Seger simply added his vocal onto the original demo recording. Randy calls those 16 notes that comprise the Intro the most famous 16 notes of his career.

"I remember thinking at the time that it was kind of dumb, but you know sometimes the magic of simplicity is the fact that everybody can relate to it. I don't know where the lick came from... I was forced to come up with something, and that was it."

Listen to it here.
Booker T. Jones, one of the key session players at Stax Records in Memphis, TN, has long been famous for his 1962 smash hit, "Green Onions".

Almost fifty years later he was asked to jam with singer Daryl Hall's (of Hall & Oates) backing band on MTV's Palladia TV show, Live from Daryl's House.

During that jam Booker T. added two solos near the end that were much more dramatic than the minimalist approach he used on the original recording. Using both hands to voice fat 5-note chords he built the instrumental classic to a more intense level than his 1962 version with the M.G's version had been.

Listen to it - and watch Booker T. create his B-3 magic - here on YouTube.
Booker T. Jones, jamming
with Daryl Hall's band
Buddy Strong & Usher
Usher Terry Raymond IV was born on October 14, 1978, in Dallas, Texas and raised in Chattanooga, Tennessee. He began singing in his church choir when he was six years old. Two years after moving with his mother and brother to Atlanta, Usher performed on the hit show Star Search, and landed a recording contract with LaFace Records soon after. He released his first, self-titled album in 1994, at age 15.

His second album,You Make Me Wanna? skyrocketed the young artist to fame, selling more than 7 million copies.

In all, the singer has won 17 Billboard Music Awards; eight Soul Train Music Awards; five Grammys; and nine awards from the American Society of Composers, Authors and Publishers, among other honors.
Arthur“Buddy” Strong was born in Phoenix, Arizona with an ear for music developing at a young age. Being surrounded in a musical environment helped cultivate his natural-born talent.

At the tender age of 9, he was already serving as a primary musician and impressively playing the drums and organ at his father’s church.

His influences range from Herbie Hancock to Jay-Z.
In 2000, Buddy was invited to join Usher for his worldwide “8701” tour. In 2004, he joined forces with Usher again, this time earning production credits on the hit album Confessions.
Buddy Strong, pianist for Usher
Buddy was again on the road with Usher for his 2014-2015 “UR Experience World Tour" and Ariana Grande for her 2016-2017 “Dangerous Woman World Tour”.

He has also played for Justin Bieber, Miley Cyrus, Katy Perry, Pharrell Williams, the Black Eyed Peas and Coldplay at the “One Love Manchester” Benefit Concert. Strong has recently worked with Selena Gomez and Camila Cabello on the Billboard Women in Music Awards Show.

Listen to his piano solo with Usher on "Mercy Mercy Me/What's Going On Medley here.
Merle Haggard
In 1937 Merle Haggard was born in Oildale, California, during the Great Depression. His childhood was troubled after the death of his father, and he was incarcerated several times in his youth.

After being released from San Quentin State Prison in 1960 at the age of 23, he managed to turn his life around and launch a successful country music career.
Haggard's twenty-sixth number one country hit was "I Think I'll Just Stay Here and Drink" from his 31st studio album, Back to the Barrooms in 1980.

He had a total of 38 #1 hits on Billboard's country singles chart. "I Think I'll Just Stay Here and Drink" featured a terrific piano solo by Larry Muhoberac, Elvis Presley's former pianist and ace session player.
Born in 1937, the same year as Merle Haggard, Larry Muhoberac was raised in Louisiana and began playing accordion and piano at age five. He went on the road with Woody Herman at 20 and moved to Memphis in 1959.

In 1961, he and his band played two of Presley's Memphis charity concerts. He then moved to the West Coast to work as a studio musician. Presley recruited him to work on his movie soundtracks.

He developed a reputation as a top player and arranger, working first with Elvis and later with Neil Diamond, Tina Turner, Ray Charles, Tanya Tucker, Paul Anka, Helen Reddy, Glen Campbell, Barbra Streisand, Barry White and others. He composed themes to many TV shows during this time as a production music composer for Network Music, including the theme song to The Bold and the Beautiful, for which he received neither credit nor royalties. He composed the opening theme for The Lawrence Welk Show, and also "Interlude", the title theme for the Bob Ross television show The Joy of Painting.

Listen to the piano solo here.
Larry Muhoberac, session ace
Also new this month is my arrangement of one of the most famous hymns, written back in 1887 - an old-time Gospel version of "Leaning on the Everlasting Arms". Last summer I watched a terrific Robert Mitchum/Lillian Gish movie from 1955, The Night of the Hunter. In it they sang a brief version of "Everlasting Arms" (click here to listen).

I remembered the hymn from my Mississippi Baptist church childhood and loved the melody. However, not a single version on YouTube really did it justice, at least not in the old-time Gospel style of my memories.

So I decided to arrange it and try to recapture some of that old style. The melody is one of the best hymn melodies - very 'catchy' and singable.

And in the last half of the third verse (there are four) by splitting the lower-mid-register melody between the hands you'll hear a three-hands effect.

Click here to listen.

If you like this style, check out my previous arrangement of "Victory in Jesus" here and my transcription of "Amazing Grace" here.
April's New Transcriptions - Bob Seger's "Old Time Rock & Roll" & "Roll Me Away", "Leaning on the Everlasting Arms", "Green Onions" (Live), & "What's Going On", "I Think I'll Just Stay Here and Drink"
Note-for-Note Accuracy
Roy Bittan - Pianist on
Bob Seger's "Roll Me Away"
There are five brand-new transcriptions this month, plus a complete update of a very old one using new software that has allowed the piano part to be more audible.

"Old Time Rock and Roll" is one of Bob Seger's biggest hits for good reason - its classic piano track. I've transcribed the entire recording, note-for-note. If you love good ol' Rock and Roll, you'll love this piano part.

Also, my transcription of Seger's "Roll Me Away" has been completely updated, thanks to new software that has made Roy Bittan's outstanding piano part more audible.
My favorite this month is an old-time Gospel version of the classic hymn, "Leaning on the Everlasting Arms" - four Verses & Choruses of toe-tapping Southern Gospel piano.
Plus, three outstanding solos - Booker T.'s two 'new' "Green Onions" solos from his live MTV appearance on Live from Daryl's House.
Usher has videotaped a medley of two Marvin Gaye classics, "Mercy Mercy Me/What's Going On" that contains a wonderful Motown-style piano solo. It's transcribed note-for-note (of course).
Plus, Larry Muhoberac's terrific piano solo on Merle Haggard's "I Think I'll Just Stay Here and Drink". It's much more sophisticated piano-playing than one would expect from a Merle song - with some excellent licks.
Bob Seger - "Old Time Rock and Roll" - played by Randy McCormick - NEW!
 (click here to hear it on YouTube)

Bob Seger - "Roll Me Away" - revised & updated - played by Roy Bittan
(click here to hear the solo on YouTube)

"Leaning on the Everlasting Arms" - arranged by Elmo Peeler - NEW!
(click here to hear it)

Booker T. Jones - "Green Onions" (2 Solos) - Live with Daryl Hall's band - NEW!
(click here to hear it on YouTube)

(click here to hear it on YouTube)

(click here to hear it on YouTube)
April's New Exercise - Transform Any Melody into Old-time Gospel
Six Steps To Understand & Play Gospel Piano
Ethel Caffie-Austin's hands
Most pianists love old-time Gospel piano-playing - but most don't know exactly how to play that style.

My new exercise this month demonstrates how to take any melody - even one not remotely associated with Gospel itself - and transform it into the old-time Southern Gospel piano style.

Inspired by Ethel Caffie-Austin's wonderful version of "Amazing Grace", I arranged "Leaning on the Everlasting Arms" in that style, and then created this exercise to show how it's done with a non-Gospel melody.
This exercise contains seven sections. The first is just a statement of the main theme that will be gradually transformed. I chose "Mary Had a Little Lamb" because if that simple nursery rhyme melody can be transformed into old-time Gospel, then any other melody certainly can. The six transformative steps are:

1) The meter is changed into a 'swing' rhythm and the melody into basic chords.
2) Walk-ups and walk-downs are added.
3) Some chords are changed into more Gospel-sounding chords (substitutions).
4) Gospel fills are added
5) 'Strums' are added.
6) The Right Hand register is raised an octave; IV-chord & ii-chord 'bumps' are added; more Gospel-chord substitutions are added.

Listen to the two audio versions. One is on a Steinway; the other on an old upright like many small churches use. You'll see how a nursery-rhyme melody gradually changes into a full-blown Gospel version that would feel at home in a Southern tent revival. Say Amen, somebody.

BTW, if you need other good, effective technical exercises, pleases check out the other 85 exercises available.)
(to listen to it on a Steinway, click here)
(to listen to it on an out-of-tune upright, click here)
Crowdfund a Transcription - The Beatles - "Revolution" Piano Part
A Nicky Hopkins Classic
Most pianists love Nicky Hopkins' playing - for good reason. He was one of the very best. The Rolling Stones knew it. Jeff Beck knew it. And The Beatles knew it.

That's why The Beatles asked him to play on "Revolution" - which became one of their biggest hits.

I'd like to transcribe Nicky Hopkins' electric piano part on "Revolution". If you'd like to contribute to the effort - and receive a copy of the transcription before anyone else, please email me.
'Custom' (to-order) arrangements can be expensive because of the time required. And when a project is particularly long and/or complex, the expense can be too much for one person.

Fortunately, "CrowdFunding" (I use the term generically) has now succeeded four times with important transcriptions: first Ethel Caffie-Austin's "Amazing Grace", then Don McLean's "American Pie", then Johnny Rivers' "Rockin' Pneumonia". and Chuck Berry's "You Never Can Tell". Thanks very much to everyone that contributed.

The way it works is simple: No contributor will be allowed to pay in advance, but only after the transcription or arrangement is finished and distributed to all the contributors and everyone is happy with it.
Synth Patches - Great Sounds & Highly Organized
If you're using a vintage synthesizer, please check out our synth patches here.

These are the most highly-organized and best-sounding synth patches available anywhere, guaranteed. Get the most out of your vintage hardware with these large patch libraries:

Ensoniq

Kawai

Korg

Roland

Yamaha

Even if you don't use the actual hardware synthesizers, there are software emulations that will allow you to play these patches on your computer, as VSTI's in your sequencer. These include:

Korg Legacy Digital Edition (for M1 & T1 synths)
Native Instruments FM8 (for DX7 synths)
Aurora FM (for DX7 & TX81Z synths)
SQ8L (for ESQ-1 synths)
Skype Piano Lessons - Old-time Southern Gospel or the Blues?
You don't have to choose between them - I'll help you improve your skills in whatever your favorite piano styles are (except Cocktail-Lounge piano, which is not my cup of tea).

Whether you love rock-and-roll, blues, boogie-woogie, Gospel, ragtime, C&W or the classics - or all of them, as I do, embrace your passion and musical talent.

I've had the good fortune to have taught some of the biggest names in the entertainment industry, and if you're serious about learning, I'll be happy to help you, too.
 
By means of Skype lessons (or in-person if you're in L.A.), I can coach you and help you to improve your technique, your rhythm, your ability to improvise, your knowledge of music theory, your sight-reading, and to develop relative pitch.
 
I've had the good fortune to have toured the world playing keyboards and arranging/conducting for these Rock and Roll Hall of Fame Artists:
  • The Beach Boys
  • Rod Stewart - All 'Unplugged' Concerts
  • Ricky Nelson - Stone Canyon Band

And I've also won classical piano competitions performing Beethoven, Rubinstein and Saint-Saens' Piano Concerti. See me playing here"Josie's Boogie" is quite the virtuoso dramatic minor-key showpiece; check out the ascending double-octave run at the ending... :)

Thanks to the internet, I can help you play piano better - rock or classical, by ear or by note.

Or if you live near the Hollywood Hills and are willing to wear a mask, I'll teach you in my home.

If you'd like to improve, drop me a note at info@manymidi.com. Tell me three things:

1) Your musical background
2) Where you are currently, musically-speaking
3) Your musical goals
My students include members of:
  • Weezer (Rivers & Brian)
  • Vampire Weekend (Ezra & newest addition, Greta)
  • Incubus (Mike)
  • The Strokes (Nick)
  • Rooney (Robert)
  • Jason Schwartzman (Mozart in the Jungle)
  • Courteney Cox
  • Pablo Dylan
Franz Liszt - Practicing Old-time
Southern Gospel on "Everlasting Arms"
"I listened to this ("Leaning on the Everlasting Arms") yesterday and loved it! Fantastic arrangement. One can't object to the beautiful sounds of the Steinway but the Tack piano sounds more like what I heard growing up...

Thank you very much... and congratulations on a fantastic arrangement."

- Patrick S.
Los Angeles, CA
323-650-6602