Aug. 25, 2026

Top stories

■ Pentagon spokesperson admits there’s a secret blacklist of journalists (The Intercept)


■ BBC files new motion to dismiss Donald Trump's $10 billion lawsuit (Deadline)


■ AP, Reuters call for accountability on anniversary of Gaza strike that killed journalists (Associated Press) / Statement from Reuters Editor-in-Chief Alessandra Galloni and AP Executive Editor Julie Pace (Reuters) 


■ Louisiana supreme court justice wins rare $300,000 defamation trial against newspaper (The Guardian)


■ ‘The day I disclose, my career is over’: The journalist facing an $800 daily fine to keep her sources secret (The Guardian) 


■ Groups seek to join Disney’s lawsuit against FCC over ABC licenses (The Desk) 


■ ‘Bari Weiss has set her sights on yet another big-name TV news star, holding talks with Chris Cuomo, we have learned — though actually getting him to the network will be difficult.’ (Status) / Paramount CEO David Ellison is at the final hurdle before buying WBD. So far, he can't clear it (CNBC)


■ Former hedge fund manager Stanley Druckenmiller says he used AI to write a WSJ op-ed, likening it to using a calculator for math problems (NOTUS) / ‘In a statement, WSJ opinion editor Paul Gigot defends Druckenmiller's use of AI to write Monday's op ed...’ (Max Tani)


■ Karen Attiah is still waiting for the Washington Post to call (Washingtonian)


■ Peter Clowney to lead Iowa Public Radio (Current) / The Atlantic announces Jessica Goldstein as SVP of events (The Atlantic) / Education Writers Association names executive director (Education Writers Association) / WRMD Tampa names Andrea González news anchor (TV News Check) / Sean Kelly joins WCVB Boston as weekend meteorologist (TV News Check) / Culture’s new pop music and platforms editor (New York Times) / New York Times awards columnist Kyle Buchanan exits paper to launch podcast series (Variety)


■ A decade later, reporter who broke Colin Kaepernick protest story looks back (SF GATE)


■ ‘Live coverage everywhere of Dolly Parton's death. CBS was the first broadcast network to break it, with a special report led by Tony Dokoupil and an obit by Anthony Mason.’ (Brian Stelter) / ‘The WNYC series on Dolly was divine. The premise basically being that she was the last institution that everyone agreed to love. And the irony being that she was not universally beloved once upon a time.’ (Sam Stein)

CRAFT

Know your rights while covering immigration enforcement operations


By Le Nguyen, NPCJI Press Freedom Fellow


The recent escalation of immigration enforcement operations in the United States has led to an increased need for accurate and rapid media coverage. However, journalists may not always fully understand their rights while covering these often intense events.

If journalists are not aware of their legal rights as reporters, they run a greater risk of being detained, arrested, having their equipment seized, or being subjected to criminal charges.


To help journalists better understand their rights while covering operations by Immigration and Customs Enforcement (ICE) and Customs and Border Protection (CBP), the Institute spoke with Jennifer Nelson, director of pre-publication review and journalist support at the Reporters Committee for Freedom of the Press (RCFP).

Nelson, who has trained newsrooms on their legal rights while covering immigration, stressed that journalists have the right to cover immigration enforcement operations in public, but should strike a balance between exercising their rights and protecting themselves.


This interview has been edited for length and clarity.


What rights do journalists have when it comes to recording, filming, or talking to ICE or CBP agents during an immigration enforcement action?


Nelson: If a journalist is witnessing an immigration enforcement action, their rights to be present, to observe, and to record are well established, particularly if they are in a public location. Think about a public park or public sidewalk or someone’s car that has been pulled over on a public street. 


However, journalists should avoid putting themselves in a position where they could be accused of obstructing or interfering with officers or the target of their enforcement. Having good situational awareness is important. Try to keep a safe distance. Make sure that you are not blocking traffic or any of the enforcement actions.


If the enforcement action is taking place in a public business, such as a restaurant, you should have the same rights as any member of the public to be in the public-facing areas of that business, like the dining room or host stand.


There are some circumstances where law enforcement can establish a security perimeter or ask people to take a few steps back so that they can do their work. Things like that are generally permissible. 


But if law enforcement officers are targeting journalists, saying something like, ‘you with the camera, you with the notepad, get out of here,’ that should not be allowed. Restrictions or security perimeters should be applicable to everyone. That’s in the First Amendment law.


How can journalists respond to law enforcement attempts to restrict their reporting?


Nelson: The reality of the situation is a power imbalance that favors law enforcement, so if a law enforcement officer is repeatedly getting in your face, demanding that you leave, that you stop recording, it can be very challenging to push back. Every journalist ends up needing to decide for themselves how much they want to advocate for themselves.


I think it is perfectly fair to be respectful and to say: ‘I’m a journalist, I have a right to be here, I have a right to report. I’m not going to get in the way of anything you’re doing.’ But if the officer continues to persist, you could be subject to arrest for failing to comply with their orders. 


If you’re arrested, you’re done with your work for the day, so every journalist has to decide for themselves how much they want to push back. Maybe [after they leave the area] they’re not in an ideal location to record what they want to record, but they’re still in the field and they’re still doing the work. 


There are still options after the fact to be able to submit a complaint, get an organization like the Reporters Committee to write a letter to say what the officers did was wrong and that they were obstructing the news gathering rights of these journalists.


Do journalists have the right to visit detention facilities or gain access to immigration court proceedings?


Nelson: Detention facilities are similar to prisons. It is difficult to gain access to those facilities for journalistic purposes. They are not open to the public. Journalists often will have to make formal requests in order to visit those facilities.


Immigration courts are handled under the executive branch. They are not like other courts. They are by statute supposed to be open to the public, but there are a number of grounds on which an immigration judge could choose to either limit access to a proceeding or close a proceeding entirely. For example, if the individual will be testifying about serious harm that was done to them or if a child is testifying.


These courtrooms are in all sorts of different facilities. Sometimes they are in detention centers or sometimes in federal buildings. They’re not typical courthouses that we think of, so there are different security standards. In theory, journalists should be able to cover these proceedings under most circumstances. 


If they’re having trouble with that kind of access, we [RCFP] would be really happy to hear from them. We operate a legal hotline and we have responded to journalists who are having trouble accessing immigration proceedings.


What are the risks journalists should be aware of when covering enforcement operations where tensions are escalating? 


Nelson: I know some instances where journalists are polite, introduce themselves as a journalist, and stay to the side, but in very high-stress environments, it’s just not going to work well. 


Law enforcement officers could be acting aggressively in times of significant stress. In many cases, these individuals wear masks, and they take issue with being recorded at all.


When journalists are covering a protest or social unrest, they should carry press credentials or some evidence that indicates that they are a journalist. They should write contact numbers on their arm as opposed to just saving them in their cell phones in case they are arrested. 


Journalists should also try to utilize the buddy system whenever possible. Report in pairs. That is helpful because you can check in on each other. At the very least, if someone is out there on their own, an editor or another trusted individual should know where that person is.


Having a clear understanding of their surroundings and what their exit opportunities are is very important. Just in case things start to get chaotic, then they have a way to remove themselves from the situation.


If journalists are detained or have their equipment seized while they’re covering immigration enforcement operations, what legal protections do they have?


Nelson: If they’re detained or their materials are taken, they should notify the arresting officer that they are a journalist. They should also contact legal counsel as quickly as they can. 


They have a right to remain silent until they have access to legal counsel, and they should invoke that right to remain silent. No journalist should be questioned by law enforcement without the presence of an attorney.


Journalists should also tell the arresting officer that they are carrying work product materials — such as a notebook, camera, etc. — and that they do not consent to a search of their belongings, and do not consent to a search of their devices. There is a federal law called the Privacy Protection Act that is designed to offer protection from the seizure and search of journalistic work products, including photographs, notes, etc.


If they are having a hard time getting their materials back from law enforcement after release, they should contact legal counsel who can advocate on their behalf, and the Reporters Committee is an organization that can help with that.

CAREER
 
 

Pitching Tip: Always check the archives


“Even if you think you have the most original idea in the world, and you’re 100 percent sure the outlet you’re pitching has never done it, check to see if the outlet has already done it. Then check again. Skipping this step shows you’re either blindly shooting off pitches en masse, or you just don’t care enough to look.


Meet your new best friend: Google site search. Just type “site:[newsoutlet.com] [your keywords]” and you’re set. (Do not rely on a news outlet’s built-in search engine.)”


-- Tim Herrera, freelance editor and writer, excerpt from "How to successfully pitch The New York Times (or, well, anyone else)" (Nieman Journalism Lab)

 
 
COMMUNITY
Source Power: Free community workshop on Sept. 1. Your experiences matter. You may not think of yourself as "having a story," but your perspective can help others understand issues affecting your workplace, neighborhood, school, family, or community.

The Institute is hosting “Source Power,” a free and virtual community workshop designed to help members of the public feel comfortable talking to journalists.


🗓️ Tuesday, Sept. 1 | ⏱️ 6-8 p.m. ET | 📍Virtual via Zoom | 🎟️ Free


This training session is geared toward people involved in activism, education, community groups, and related spaces. It will provide free information and education for individuals who may have not encountered a journalist before and help them feel empowered to choose if and how to speak with members of the press about issues that are important to them.


Help spread the word about this free training to people outside of the journalism space!

The workshop starts with the basics and explains how news interviews work, what journalists are looking for in their storytelling, and what questions sources should ask before deciding whether to participate in an interview.


Attendees will learn how journalists gather and verify information; how to protect one’s privacy and communicate boundaries; what to ask before agreeing to an interview; and how to share experiences in a way that aligns with one’s goals.


After the successful completion of the workshop and an informal assessment, attendees will earn a digital badge for being Source Power certified.


Whether participants are advocating for their community, considering sharing a personal experience, or want to understand their rights before saying “yes” to an interview, this training offers practical tools to make informed decisions.

Resources

This newsletter is written and edited by the National Press Club Journalism Institute staff. Send us your questions and suggestions for topics to cover.


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