WINTER 2020
UPCOMING CONCERTS AND NPR "Club Patio"
Terreno Comum
TONIGHT
December 3rd, 2020
8pm
Terreno Comum was born out of a commissioned project by The August Wilson African American Cultural Center. The ensemble is comprised of some of the most acclaimed musicians in modern Jazz and Brazilian music Featuring pianist and musical director Orrin Evans, vocalist Alexia Bomtempo , bassist Luques Curtis, drummer Clarence Penn, and guitarist Leandro Pellegrino. Terreno Comum conjures a powerful collective sound from this quintet of musicians and friends.
Each of these five visionaries are building their own impressive careers, and now with this debut as a collective they present Terreno Comum an excellent live experience. The song list includes beautiful arrangements of Brazilian standards with an opportunity for all to shine. We all can look forward to great things from this new ensemble showcasing one of the most beautiful genres of music.
 
Orrin Evans- Piano
Luques Curtis- Bass
Clarence Penn- Drums
Leandro Pellegrino- Guitar
Alexia Bomtempo- Vocals
The Bad Plus
Big Ears, Part 2
FRIDAY
December 4, 2020
8pm
The Bad Plus — Reid Anderson (bass), Orrin Evans (piano), and Dave King (drums) — came to Knoxville 111-year old Bijou Theatre in October 2020 to record a pair of concerts for The Big Ears Festival’s ‘Sites & Sounds’ streaming initiative. This was the first time that the trio had played together since mid-January. The first concert of the set aired in mid-October to acclaim. Here’s the second show — it’s a looser and deeper set — a performance that draws still closer to the essence of this indispensable trio.

Reid Anderson-bass
Dave King- drums
Orrin Evans-piano

Social Music in an Age of Social Distancing | JAZZ NIGHT IN AMERICA

How is the jazz community in Philadelphia responding to the global pandemic? Jazz Night in America found a few different answers to that question. In this video short, we'll explore how a performer, a private citizen and an entrepreneur are striving for resilience during a time of social upheaval and economic uncertainty. In the radio episode, we'll hear vibrant performances from a front porch, a backyard and a jazz club.

There's an echo of this struggle in jazz history. Philadelphia in 2020 and New Orleans in 1918 offer two historically distinct versions of America, but it's striking to consider the parallels. In his 1954 memoir, Satchmo: My Life in New Orleans, Louis Armstrong recalled being a teenager when the Spanish flu ground the city to a halt. "Just when the government was about to let crowds of people congregate again so that we could play our horns once more, the lid was clamped down tighter than ever," he wrote, "that forced me to take any odd jobs I could get."

Pianist and proud Philadelphian Orrin Evans, whose Club Patio series has been a grassroots success story during the coronavirus pandemic, cites the Food Network reality cooking show Chopped. Maybe on some level he's thinking of Armstrong's "Cornet Chop Suey."

Evans says, "I love Chopped because you have no idea what the ingredients are inside that basket, but they make a meal out of it. That's how I'm looking at life right now. Every morning I open the basket. I have no idea what the ingredients are going to be, but I got to make something happen. And that's what this time has to be for every artist."

As you'll hear in our show, many artists are rising to the occasion, while aware of the deeper challenge. "Everybody's improvising and making sunlight happen," marvels bassist Alex Claffy, "in a time when it just seemed completely unfathomable." - Josh Jackson, Sarah Geledi, Nickolai Hammar