ART 100
"An Introduction to the History of Art: Meanings in the Visual Arts"
Team-taught by Professor John Sigmier with most of the A&A Faculty!
| | In ART 100 this week, Executive Director of the Tang Center for East Asian Art Dora Ching presented one of the world’s richest Buddhist sites, the magnificent Dunhuang caves. Situated at the crossroads of the northern and southern routes of the ancient silk routes in western China, the site at Dunhuang comprises more than 500 richly decorated cave temples constructed between the fourth and fourteenth centuries. The sculptures, murals, portable paintings, and manuscripts they contain continue to inspire countless research questions. | | Dora Ching presents the Dunhuang Caves in ART 100 (Photos/ Kirstin Ohrt) | |
ART 207/ HLS 207 / CLA 207 / ARC 211
"Greek Architecture"
ART 504/ HLS 534 / CLA 536 / ARC 565
"Studies in Greek Architecture: Public Spaces"
Professor Samuel Holzman
| | |
Students of Professor Samuel Holzman's two courses on Greek architecture have a new appreciation for the craft of marble carving — having tried their own hands at it this week!
The clinking of hammer on chisel on marble could be heard at the entrance to A&A and the Marquand Library as everyone took a turn. They were joined by Christos Tsoumplekas, a sculptor from Crete and the husband of Irene Nikolakopoulou, who is a visiting fellow at the Seeger Center. Students approached the task with varying degrees of force and speed but all took away a clear sense of how challenging and artform it is.
| | Top row: Professor Sam Holzman illustrates the technique to students in ART 207 (Photos/ Kirstin Ohrt); middle row: Sculptor Christos Tsoumplekas tries his hand (Photos/ Jennifer Loessy); bottom: the extravagant toolkit (Photo/ Kelly Lake) |
ART 551 / ARC 557
"From Above: European Maps and Architectural Plans before Aerial Observation"
Professor Basile Baudez
| Professor Basile Baudez welcomed A&A alumna Professor Leslie Geddes *14, now faculty at Tulane University, back to campus to discuss the rendering (or lack thereof) of water in historical maps. Together, the class examined 15th- to 19th-century manuscript and printed maps in Princeton University Library’s Special Collections to compare representation techniques of waterways and coastlines. The students discovered that these historic works primarily elided practical maritime data in favor of neat, tidy territory renderings. As Geddes cleverly put it, these maps were designed "for indoor cats," bypassing the rugged, tactical information a seafarer would actually need. | | Professor Leslie Geddes *14 (smiling top left) examines objects in princeton University Library's Special Collections with Professor Basile Baudez and students of his ART 551 course (Photos/ Kirstin Ohrt) | |
EXHIBITION
Site
Nov. 10–Jan. 16, 2027
Lewis Arts Complex, Hurley Gallery
Carlos Agredano, artist
Open to the public daily 10 am–8 pm
| | |
CONVERSATION
“Chinese Experimental Architecture Or French Poststructuralist Theory”
Wed., Nov. 11, 5 pm
School of Architecture,
Room N107
Ruo Jia in Conversation with Eduardo Cadava,
Beatriz Colomina, and Spyros Papapetros
(School of Architecture)
Hosted by the Program in Media and Modernity
Chinese Experimental Architecture
| | | |
READING GROUP
“Converging and Diverging: Recalibrating the Photographic”
Maya Hayda (A&A) and Molly Brandt (School of Architecture), organizers
“Warring Visions”
Wed., Nov. 11, 5–7 pm
School of Architecture, Room N104
Converging and Diverging details
| |
MEDIEVAL STUDIES SEMINAR SERIES
“Open Access in Art History and Medieval Studies: Views from the Editor’s and Author’s Desk”
Thu., Nov. 12, 12–1:15 pm
105 Chancellor Green
Beate Fricke
Institute of Art History, University of Bern
Hosted by the Program in Medieval Studies
Open Access Seminar
| | | |
WORKSHOP
"The Art and Science of Egg as a Binding Medium in Historical Paints"
Part 1:
Thu., Nov. 12, 3:30–5 pm
Part 2:
Fri., Nov. 13, 1–5 pm
Laporte Family Creativity Lab, Princeton University Art Museum
*Drop in anytime during the four-hour window
Bart Devolder
Princeton University Art Museum
Vivian Feng
CST Assistant Director
Attendance at Part 1 is mandatory before Part 2
Open to the University Community
Egg Tempera workshop
| | | Takeda Hideo 武田 秀雄, The Final Illness of Taira Kiyomori (Taira Kiyomori no byōshi 平清盛病死), from the series Genpei 源平, 1985. Princeton University Art Museum. Museum purchase, Mary Trumbull Adams Art Fund. © Takeda Hideo. | |
POP-UP TALK
Curator Kit Brooks
Fri., Nov. 13, 2–3 pm
Princeton University Art Museum, Grand Hall
Hosted by the Princeton University Art Museum
Kit Brooks talk
| | |
WORKSHOP
Earth City Building Workshop
Sat., Nov. 14, 1–4:30 pm
Kathleen Compton Sherrerd Creativity Lab
Inspired by the School of Architecture's Earth Shed exhibition, on view through Dec. 4
Cosponsored by the Princeton University Art Museum and the School of Architecture.
Earth City Building Workshop
| | |
CURATOR TALK
"A Tale of Two Textiles: Exchange and Conflict in Eighteenth-Century South India"
Mon., Nov. 16, 4:30–5:30 pm
Princeton University Art Museum, Grand Hall
John Guy
Metropolitan Museum of Art
Hosted by the Princeton University Art Museum
Tale of Two Textiles
| | |
CONVERSATION
“The Archival Exhibition”
Tue., Nov. 17, 5 pm
School of Architecture, Room N107
Mark Wasiuta
Columbia University
in Conversation with
Elizabeth Diller
(School of Architecture)
Hosted by the Program in Media and Modernity
The Archival Exhibition
| | Joyce J. Scott, War, What Is It Good For, Absolutely Nothin, Say It Again, 2022. Courtesy Mobilia Gallery. © The Joyce J. Scott Art Trust and Archives, Courtesy Mobilia Gallery / TALP. Photo: Michael Koryta |
CONVERSATION
Artist Joyce J. Scott and Curator Joanne Hyppolite
Thu., Nov. 19, 5:30–6:30 pm
Princeton University Art Museum, Grand Hall
Hosted by the Princeton University Art Museum
Joyce J. Scott
| | |
EXHIBITION
Earth Shed
Now—Dec. 4, 2026
School of Architecture,
North Gallery
Earth Shed
| | | Annemarie Heinrich (1912–2005; born Darmstadt, Germany; died Buenos Aires, Argentina; active Buenos Aires, and Santiago, Chile), Autorretrato con hijos (Self-portrait with children), 1947. Gelatin silver print; 21 × 17.5 cm. Museum purchase, Fowler McCormick, Class of 1921, Fund (2022-103) |
EXHIBITION
What Photographs Look Like
Now–Dec. 6, 2026
Princeton University Art Museum
| |
EXHIBITION
The Art of Japanese Publishing
Now–Dec. 6, 2026
Ellen and Leonard Milberg Gallery, Firestone Library
Curated by Nicole Fabricand-Person ’76 *01, Japanese Art Specialist, Marquand Library of Art & Archaeology and Holly Hatheway, Director, Marquand Library of Art & Archaeology
| | | James Welling, Fragment of a gold leaf wreath, 2020, laser print with oil paint. Courtesy of the artist and Regen Projects. © James Welling |
EXHIBITION
James Welling: Cento
Now—Dec. 12, 2026
Fairfield University,
1073 North Benson Road
Fairfield, CT
James Welling: Cento
| | | Takeda Hideo 武田 秀雄, The Final Illness of Taira Kiyomori (Taira Kiyomori no byōshi 平清盛病死), from the series Genpei 源平, 1985. Princeton University Art Museum. Museum purchase, Mary Trumbull Adams Art Fund. © Takeda Hideo. |
EXHIBITION
Takeda Hideo’s Genpei: Defying Authority
Now–Jan. 3, 2027
Princeton University Art Museum
Takeda Hideo’s Genpei
| | Joyce J. Scott, Fairy Tale, from the series Graphic Novel (detail), 2019–20. Courtesy Goya Contemporary & Goya-Girl Press. © Joyce J. Scott |
Art@Bainbridge
EXHIBITION
Joyce J. Scott: Declarations
Now–Jan. 10, 2027
Princeton University Art Museum
Bainbridge House
Joyce J. Scott: Declarations
| | |
EXHIBITION
Basquiat, the Blue Ribbon Paintings, and the Art of Reproduction
Now–Jan. 31, 2027
Princeton University Art Museum
Basquiat
| | |
EXHIBITION
“Real and Remembered”: Princetonians Caught Between Study and Revolution
Now–Apr. 30, 2027
Seeley G. Mudd Manuscript Library, 65 Olden Street
| |
EXHIBITION
Fractured Skies
Now–Jun. 13, 2027
MoMA
By artist Nilima Sheikh
Recommended by Professor Fatima Quraishi
Fractured Skies
| | | Zizipho Poswa (born 1979, Mthatha, South Africa; active Cape Town, South Africa), uNa’kaMzingisi (Mzingisi’s Mother), 2024. Glazed earthenware, 134.6 × 50.8 × 58.4 cm. Princeton University Art Museum © Zizipho Poswa. Image courtesy Southern Guild (2025-123) |
EXHIBITION
Clay Has Memory: Creative Lineages from Africa
Now–Jul. 3, 2027
Princeton University Art Museum
| | | Aili Vint, Composition squared II, 1977. Gouache on paper. Norton and Nancy Dodge Collection of Nonconformist Art from the Soviet Union. (c) 2026 Artists Rights Society (ARS), New York / EAU, Tallinn |
EXHIBITION
The Beast of Joy: Women Artists from Soviet Republics
Now–Jul. 18, 2027
Zimmerli Art Museum
71 Hamilton Street New Brunswick, NJ, 08901
Free admission
The Beast of Joy
| | A&A's Visual Resources helped make International Archaeology Day especially vibrant at the Princeton Public Library! (Photos/ Katherine Ferencs) | | Contributions to and/or sponsorship of any event does not constitute departmental or institutional endorsement of the specific program, speakers or views presented. | | |
Please check the A&A website for updates on department-sponsored events. Events are open to the public unless otherwise indicated.
To request accommodations for a disability, please contact Mo Chen at least 5 days prior to a department-sponsored event.
Princeton’s Visitor Policy
| | | | |